Fence 3

As Nicholas works to become a better fencer, Seiji takes an unexpected interest in his journey.

From the superstar team of C.S. Pacat (The Captive Prince) and fan-favorite artist Johanna the Mad comes the third volume of this acclaimed, dynamic series.

Ten years after their home was almost torn apart by infidelity, Mona and Shawn Black are just getting back to normal . . . or so it seems. Both Shawn and Mona are still keeping secrets from each other and their immediate family. Back to his old tricks, James Parks exits prison older but not wiser, and his bitter rage seeks revenge. He again manipulates the lives of the Black family with knowledge of secrets that they hold locked away. He uses any and everyone in his path to get his payback; that is, until he stumbles onto someone who offers him something he vowed to do away with forever: love. Will Mona and Shawn learn that it is best not to keep secrets and just let the chips fall where they may? Will James bury the hatchet to try his hand at love once again? Is there still hope for these wayward souls, or will they be swallowed up by their lies and secrets once again? Secrets, lies, deception, murder, lust, and revenge rule the pages of this sophisticated drama. Let's see what happens when the gates of their lives swing wide open once again.

Barbed wire is made of two strands of galvanized steel wire twisted together for strength and to hold sharp barbs in place. As creative advertisers sought ways to make an inherently dangerous product attractive to customers concerned about the welfare of their livestock, and as barbed wire became commonplace on battlefields and in concentration camps, the fence accrued a fascinating and troubling range of meanings beyond the material facts of its construction. In The Perfect Fence, Lyn Ellen Bennett and Scott Abbott explore the multiple uses and meanings of barbed wire, a technological innovation that contributes to America’s shift from a pastoral ideal to an industrial one. They survey the vigorous public debate over the benign or “infernal” fence, investigate legislative attempts to ban or regulate wire fences as a result of public outcry, and demonstrate how the industry responded to ameliorate the image of its barbed product. Because of the rich metaphorical possibilities suggested by a fence that controls through pain, barbed wire developed into an important motif in works of literature from the late nineteenth century to the present day. Early advertisements proclaimed that barbed wire was “the perfect fence,” keeping “the ins from being outs, and the outs from being ins.” Bennett and Abbott conclude that while barbed wire is not the perfect fence touted by manufacturers, it is indeed a meaningful thing that continues to influence American identities.