Fiction Unbound

From the award-winning author of All the Broken Pieces and Serafina's Promise comes a breathtaking new novel that is her most transcendent and widely accessible work to date. The day Grace is called from the slave cabins to work in the Big House, Mama makes her promise to keep her eyes down. Uncle Jim warns her to keep her thoughts tucked private in her mind or they could bring a whole lot of trouble and pain. But the more Grace sees of the heartless Master and hateful Missus, the more a rightiness voice clamors in her head-asking how come white folks can own other people, sell them on the auction block, and separate families forever. When that voice escapes without warning, it sets off a terrible chain of events that prove Uncle Jim's words true. Suddenly, Grace and her family must flee deep into the woods, where they brave deadly animals, slave patrollers, and the uncertainty of ever finding freedom. With candor and compassion, Ann E. Burg sheds light on a startling chapter of American history--the remarkable story of runaways who sought sanctuary in the Great Dismal Swamp--and creates a powerful testament to the right of every human to be free.

This book covers all Bernardine Evaristo’s major works: Lara (1997) and Lara (2009), The Emperor’s Babe, Soul Tourists, Blonde Roots and Hello Mum. Each chapter focuses on a particular novel, combining a close analysis of the author’s technique with a penetrating understanding of the basic themes which underlie all of Evaristo’s work. This monograph exposes that Evaristo is not simply interested in “multicultural” issues; to label them as such is to overlook her achievement as a novelist. It shows instead how Evaristo combines apparently disparate elements—for example, historical research with late-twentieth century allusions in a narrative such as The Emperor’s Babe—to show how African-Caribbeans have been coming to Britain for thousands of years. Yet Evaristo is not just interested in the African-Caribbean experience; this book shows how she tries to question those basic concepts—for example “Englishness” or “patriotism”—which lie at the heart of mainstream white culture in contemporary Britain. It argues that Evaristo is interested in alternative constructions—not only of nationalism, but of other basic issues such as race, gender and class. Her books give the chance for hitherto marginalized characters—slaves, women, or victims of a patriarchal world—to tell their stories and postulate alternative views of the world they live in. Above all, this monograph shows how Evaristo refuses to be pigeon-holed; she is not simply “a black British writer,” but someone who focuses on the interconnectedness of society. This book calls for readers to adopt a more enlightened approach, not only to issues of culture and identity, but to the work of Evaristo as a whole.

"The author makes the case for teaching and allowing middle and high school English students to write fiction, a genre that fades away in the upper grades. This is the writing students want to do, and their practice of writing fiction strengthens all types of writing in the end"--

With the first online discussions of SPACE 1999 starting in January 1993, this book celebrates the 25th anniversary of Online Alpha. It is edited and told from the perspective of trying to present different types of discussions over the years by focusing on humour, insight, surprise and shared community. There is also a focus on how the discussions have changed and how they continue to change. The book is written on an idealistic basis. It is sold at the lowest price the publisher was willing to accept. A free e-book version can be downloaded at www.lulu.com.

Publish and perish. Plumtree Press is about to launch a bombshell of a book—a fact-based novel about one of Britain’s most revered authors, Marcus Stonecypher, a member of Virginia Woolf’s Bloomsbury Group. Angela Mayfield’s shocking book reveals a series of explosive secret messages in Stonecypher’s own novels published at the turn of the century, messages that implicate him in secrets of publishers past and a treacherous plot to topple the monarchy. It soon becomes clear to publisher Alex Plumtree that someone will go to any length to keep Angela’s revelations from seeing print—but why, decades after the fact, should anyone care? First come anonymous warnings, then, on the eve of publication, Alex’s library of precious first editions is vandalized. When deadly warnings and industrial sabotage imperil the book’s publication, Alex realizes he and his author have made some very powerful enemies. And then the titles of Stonecypher’s books become actual events and Alex finds himself threatened with censorship of the most permanent kind.

Science fiction can be seen as a diagnosis of the present, and a vision of possible futures. It therefore provides an excellent resource with which to interrogate both contemporary organizing processes and organizations as institutions. The marginal activity of science fiction has, however, been largely ignored in writing on organization theory. This international collection is the first book of its kind to explore how science fiction can enrich studies of organization by drawing on perspectives across the arts and social sciences.

This book explores the relationship between humanity and nature while challenging the notion that anthropocentric behaviour causes the environmental catastrophes depicted in the four selected British eco-science fiction novels. These novels are John Christopher’s The Death of Grass (1956), J. G. Ballard’s The Drought (1965), Brian Aldiss’s Earthworks (1965), and John Brunner’s The Sheep Look Up (1972), all of which fictionalise the fact that the consequences of environmental problems can be diverse but equally serious. This book examines how even the smallest damage caused by human beings to the environment negatively affects them, other living beings, and the ecosystem they need to live and flourish. In conjunction with these, the factors and conditions that push characters in the novels to ignore and harm the environment are also scrutinised. While examining how and why the environmental problems in the novels have arisen, it is evaluated whether the authors propose solutions to these problems and, if so, what they are.

In recent decades, science fiction in both print and visual media has produced an outpouring of story lines that feature forms of simulated reality. These depictions appear with such frequency that fictional portrayals of simulated worlds have become a popular sci-fi trope--one that prompts timeless questions about the nature of reality while also tapping into contemporary debates about emerging technologies. In combination with tech-driven tensions, this study shows that our collective sense of living in politically uncertain times also propels the popularity of these story lines. Because of the kinds of questions they raise and the cultural anxieties they provoke, these fictional representations provide a window into contemporary culture and demonstrate how we are reassessing our own reality.