Fictions Of Justice

By taking up the challenge of documenting how human rights values are embedded in rule of law movements to produce a new language of international justice that competes with a range of other formations, this book explores how notions of justice are negotiated through everyday micropractices and grassroots contestations of those practices. These micropractices include speech acts that revere the protection of international rights, citation references to treaty documents, the brokering of human rights agendas, the rewriting of national constitutions, demonstrations of religiosity that make explicit the piety of religious subjects, and ritual practices of forgiveness that involve the invocation of ancestral religious cosmologies - all practices that detail the ways that justice, as a social fiction, is made real within particular relations of power.

This book explores how notions of justice are negotiated through everyday micropractices and grassroots contestations of those practices.

Writers of fiction have always confronted topics of crime and punishment. This age-old fascination with crime on the part of both authors and readers is not surprising, given that criminal justice touches on so many political and psychological themes essential to literature, and comes equipped with a trial process that contains its own dramatic structure. This volume explores this profound and enduring literary engagement with crime, investigation, and criminal justice. The collected essays explore three themes that connect the world of law with that of fiction. First, defining and punishing crime is one of the fundamental purposes of government, along with the protection of victims by the prevention of crime. And yet criminal punishment remains one of the most abused and terrifying forms of political power. Second, crime is intensely psychological and therefore an important subject by which a writer can develop and explore character. A third connection between criminal justice and fiction involves the inherently dramatic nature of the legal system itself, particularly the trial. Moreover, the ongoing public conversation about crime and punishment suggests that the time is ripe for collaboration between law and literature in this troubled domain. The essays in this collection span a wide array of genres, including tragic drama, science fiction, lyric poetry, autobiography, and mystery novels. The works discussed include works as old as fifth-century BCE Greek tragedy and as recent as contemporary novels, memoirs, and mystery novels. The cumulative result is arresting: there are "killer wives" and crimes against trees; a government bureaucrat who sends political adversaries to their death for treason before falling to the same fate himself; a convicted murderer who doesn't die when hanged; a psychopathogical collector whose quite sane kidnapping victim nevertheless also collects; Justice Thomas' reading and misreading of Bigger Thomas; a man who forgives his son's murderer and one who cannot forgive his wife's non-existent adultery; fictional detectives who draw on historical analysis to solve murders. These essays begin a conversation, and they illustrate the great depth and power of crime in literature.

CityLine Book Club Pick for September From the former Chief Justice of Canada and #1 bestselling author of Full Disclosure comes a taut new thriller starring tough-as-nails defense attorney Jilly Truitt in a murder case that makes her question her own truths. When everyone is in denial, how do you find the truth? Jilly Truitt has made a name for herself as one of the top criminal defense lawyers in the city. Where once she had to take just about any case to keep her firm afloat, now she has her pick—and she picks winners. So when Joseph Quentin asks her to defend his wife, who has been charged with murdering her own mother in what the media are calling a mercy killing, every instinct tells Jilly to say no. Word on the street is that Vera Quentin is in denial, refusing to admit to the crime and take a lenient plea deal. Quentin is a lawyer’s lawyer, known as the Fixer in legal circles, and if he can’t help his wife, who can? Against her better judgment, Jilly meets with Vera and reluctantly agrees to take on her case. Call it intuition, call it sympathy, but something about Vera makes Jilly believe she’s telling the truth. Now, she has to prove that in the courtroom against her former mentor turned opponent, prosecutor Cy Kenge—a man who has no qualms about bending the rules. As the trial approaches, Jilly scrambles to find a crack in the case and stumbles across a dark truth hanging over the Quentin family. But is it enough to prove Vera’s innocence? Or is Jilly in denial herself? Thrumming with tension, Denial is a riveting thriller about the lengths we will go to for the ones we love and the truths we hold dear.

This book is the first to offer a justice-focused cognitive reading of modern YA speculative fiction in its narrative and filmic forms. It links the expansion of YA speculative fiction in the 20th century with the emergence of human and civil rights movements, with the communitarian revolution in conceptualizations of justice, and with spectacular advances in cognitive sciences as applied to the examination of narrative fiction. Oziewicz argues that complex ideas such as justice are processed by the human mind as cognitive scripts; that scripts, when narrated, take the form of multiply indexable stories; and that YA speculative fiction is currently the largest conceptual testing ground in the forging of justice consciousness for the 21st century world. Drawing on recent research in the cognitive and evolutionary sciences, Oziewicz explains how poetic, retributive, restorative, environmental, social, and global types of justice have been represented in narrative fiction, from 19th century folk and fairy tales through 21st century fantasy, dystopia, and science fiction. Suggesting that the appeal of these and other nonmimetic genres is largely predicated on the dream of justice, Oziewicz theorizes new justice scripts as conceptual tools essential to help humanity survive the qualitative leap toward an environmentally conscious, culturally diversified global world. This book is an important contribution to studies of children’s and YA speculative fiction, adding a new perspective to discussions about the educational as well as social potential of nonmimetic genres. It demonstrates that the justice imperative is very much alive in YA speculative fiction, creating new visions of justice relevant to contemporary challenges.

What do you do when you sacrifice everything for nothing? What do you do then? Do you stay loyal to someone who deserves the opposite? Do you keep old promises to someone who should have never received that honor in the first place? *** From the preface "The darkness within us all too often overcomes the dim light between us."

#1 NEW YORK TIMES BESTSELLER • In a crowded courtroom in Mississippi, a jury returns a shocking verdict against a chemical company accused of dumping toxic waste into a small town’s water supply, causing the worst “cancer cluster” in history. The company appeals to the Mississippi Supreme Court, whose nine justices will one day either approve the verdict—or reverse it. The chemical company is owned by a Wall Street predator named Carl Trudeau, and Mr. Trudeau is convinced the Court is not friendly enough to his interests. With judicial elections looming, he decides to try to purchase himself a seat on the Court. The cost is a few million dollars, a drop in the bucket for a billionaire like Mr. Trudeau. Through an intricate web of conspiracy and deceit, his political operatives recruit a young, unsuspecting candidate. They finance him, manipulate him, market him, and mold him into a potential Supreme Court justice. Their Supreme Court justice.