Field Of Corpses

November 4, 1791, was a black day in American history. General Arthur St. Clair’s army had been ambushed by Native Americans in what is now western Ohio. In just three hours, St. Clair’s force sustained the greatest loss ever inflicted on the United States Army by Native Americans—a total nearly three times larger than what incurred in the more famous Custer fight of 1876. It was the greatest proportional loss by any American army in the nation’s history. By the time this fighting ended, over six hundred corpses littered an area of about three and one half football fields laid end to end. Still more bodies were strewn along the primitive road used by hundreds of survivors as they ran for their lives with Native Americans in hot pursuit. It was a disaster of cataclysmic proportions for George Washington’s first administration, which had been in office for only two years.

This book tells the story of the thousands of corpses that ended up in the hands of anatomists in the late nineteenth and early twentieth centuries. Composed as a travel story from the point of view of the cadaver, this study offers a full-blown cultural history of death and dissection, with insights that easily go beyond the history of anatomy and the specific case of Belgium. From acquisition to disposal, the trajectories of the corpse changed under the influence of social policies, ideological tensions, religious sensitivities, cultures of death and broader changes in the field of medical ethics. Anatomists increasingly had to reconcile their ways with the diverse meanings that the dead body held. To a certain extent, as this book argues, they started to treat the corpse as subject rather than object. Interweaving broad historical evolutions with detailed case studies, this book offers unique insights into a field dominated by Anglo-American perspectives, evaluating the similarities and differences within other European contexts.

Reuven Ben-Yosef (1937–2001) was born Robert Eliot Reiss to an assimilated Jewish family in New York. He switched from writing English poetry to Hebrew poetry after his immigration to Israel in 1959. He is the author of more than a dozen volumes of superb Hebrew poetry, as well as two collections of essays and two novels, and he won literary honors such as the Levi Eshkol Prize, the Bar-Ilan University Prize, and the Neuman and Kovner prizes for Hebrew literature. At the center of his oeuvre is the sequence of poems he wrote in the 1970s called "Mikhtavim la’Amerikah" (Letters to America), a searing and confessional set of addresses in the form of "letters" to his family members (none of whom, however, could read Hebrew) and to American Jewry as a whole. In this edited volume, Weingrad includes not only these expertly translated poems but also an extensive, fascinating introduction that helps us see Ben-Yosef’s personal poetry as part of a larger family story. While Ben-Yosef was writing about his American family members, they were writing about him. Ben- Yosef’s younger brother, poet James Reiss, began publishing highly praised collections of poems in the 1970s and addressed conflicts with his brother in a number of poems. Ben-Yosef’s brother-in-law, novelist William Luvaas, published a first novel that was clearly based upon the Reiss family. Ben-Yosef’s letters to America are therefore joined by his family members’ "letters" to Israel, through which the Reiss family collectively created its own literature of the American–Israeli relationship in miniature, the conflicts and rifts, rivalries and loyalties of family members and competing homelands. This essential introduction, which also describes Ben-Yosef’s early life as an American and the challenges of becoming an Israeli poet writing in Hebrew, enriches our understanding of the deeply personal poems collected in the rest of the volume. Weingrad compellingly argues that Ben-Yosef’s poems, though seemingly local in their explicit Israeli audience and address, implicitly speak to Jews in America about assimilation, heritage, and the struggle between competing identities.

NATIONAL BESTSELLER • From the New York Times bestselling author of The Flight Attendant comes a spellbinding novel of love, despair, and revenge—set in war-ravaged Tuscany. 1943: Tucked away in the idyllic hills of Tuscany, the Rosatis, an Italian family of noble lineage, believe that the walls of their ancient villa will keep them safe from the war raging across Europe. But when two soldiers—a German and an Italian—arrive at their doorstep asking to see an ancient Etruscan burial site, the Rosatis’ bucolic tranquility is shattered. 1955: Serafina Bettini, an investigator with the Florence Police Department, has successfully hidden her tragic scars from WWII, at least until she’s assigned to a gruesome new case—a serial killer who is targeting the remaining members of the Rosati family one by one. Soon, she will find herself digging into past secrets that will reveal a breathtaking story of moral paradox, human frailty, and the mysterious ways of the heart. Look for Chris Bohjalian's new novel, The Lioness!

Darrell Schweitzer, author of The Mask of the Sorcerer and editor of Weird Tales collaborates with macabre artist-writer Jason Van Hollander on a series of remarkable fantasies, variously grotesque, horrific, ethereal, and darkly comic. Several of these form a cycle set in as-yet undiscovered countries where the common men have thrown down the gods and decadent nobles reach new heights of ecstasy and terror with the drug hanquil. You'll also encounter a wrenching yet romantic ghost story set in the American Southwest, an intimately personal tale of the Cthulhu Mythos and the lingering legacy of Dunwich; plus a dance of death; and a house haunted by the terror of eternal life. Here are all the stories Schweitzer and Van Hollander have written together, a unique blending which makes these two the most successful collaborative team since Burke and Hare.

From an acclaimed linguist, “part travelogue, part memoir, and part meditation on the intellectual and emotional underpinnings of language. . . . Priceless.” (Booklist) In this discursive jaunt through the groves and thickets of the English language, David Crystal creates an entertaining narrative account of his encounters with the language and its speakers. Woven from personal reflections, historical allusions, and observations of travelers, this fascinating journey through the language we use every day will have readers thinking twice about each word they speak. Starting in Wales and moving from England to San Francisco by way of, yes, Poland, Crystal encounters numerous linguistic side roads that he cannot resist exploring, from pubs to trains to Tolkien. Walking English is a captivating exploration of language by “one of England’s greatest living language commentators.” (The New Statesman) “In a conversational style that includes plenty of quirky facts, Crystal captures the exploratory, seductive, teasing, quirky, tantalizing nature of language study, and in doing so illuminates the fascinating world of words in which we live.” —Publishers Weekly “An informative, transformative trip into the mysterious, mutating, magical thicket of English.” (Kirkus Reviews) “Like passing the afternoon with a knowledgeable uncle.” —The Wall Street Journal “The Dr. Johnson of our age.” —The Sunday Herald “The book reads like a donnish Bill Bryson, a Bryson possessed with a maniacal passion for the Cambridge Encyclopedia of the English Language! . . . [A] compelling guide.” —Independent “Crystal proves an entertaining companion! It is pleasant to ramble with him along the byways of language.” —The Tablet

A proliferation of press headlines, social science texts and "ethical" concerns about the social implications of recent developments in human genetics and biomedicine have created a sense that, at least in European and American contexts, both the way we treat the human body and our attitudes towards it have changed. This volume asks what really happens to social relations in the face of new types of transaction - such as organ donation, forensic identification and other new medical and reproductive technologies - that involve the use of corporeal material. Drawing on comparative insights into how human biological material is treated, it aims to consider how far human bodies and their components are themselves inherently "social." The case studies - ranging from animal-human transformations in Amazonia to forensic reconstruction in post-conflict Serbia and the treatment of Native American specimens in English museums - all underline that, without social relations, there are no bodies but only "human remains." The volume gives us new and striking ethnographic insights into bodies as sociality, as well as a potentially powerful analytical reconsideration of notions of embodiment. It makes a novel contribution, too, to "science and society" debates.

Translated from the Hebrew with introduction and brief explanatory notes.