Figuring Redemption

Can visual art help redeem one’s sense of self, damaged by technological society? Michael Snow’s work is often described as self-referential, meaning that it “talks” about the relationships between its materials and images, largely ignoring relationships beyond the “frame.” However, since the work also encompasses the way in which the interior relationship of the work intersects with sight and how they, together, create the frame, the work also must include the people looking at it. This book explores how the visual art practice of Michael Snow asks the question Who? of the viewers as they interpret what lies before them. Much criticism of Snow objectively analyzes the material interrelationships in his work, ignoring viewer participation, and implicitly giving the artist control of the view. However, what if the “who” is addressed from the perspective of the viewer, who is looking across a gap created by concrete representation, time, place, experience and, perhaps, gender? How then can it remain objective? Following on writers such as Martin Heidegger, Walter Benjamin, Paul Ricoeur, Jacques Derrida and Mikkel Borch-Jacobsen, Figuring Redemption questions the proposal that the contemporary sense of self is “fallen” as a result of modern technology, but can be redeemed in some part by certain kinds of visual art. Original in its positioning of interpretive and critical writing on the side of an embodied viewer, this book rejuvenates Snow criticism by going beyond discussions of materials and operation or of loss and distancing due to mediation. By alternating personal performance writing with objective analysis, the text participates in the destabilizing process of questioning self-recognition that Snow’s practice initiates.

A sociologist and pop-culture expert offers a balanced engagement of hip-hop and rap music, showing God's presence in the music and the message.

Todd Sullivan has been working his tail off to make his mother's veterinary clinic the best it's ever been so she can enjoy her retirement, but he's burning the candle at both ends to do it. When he gets a request for a house call, he thinks it's all in a day's work...until he walks into a cottage of horrors. Not only is it packed to the gills like an episode of Hoarders, it also comes complete with a cranky parrot named Barnaby who would sooner pluck his eyes out than trust Todd to help him. The most disturbing part, though? The apparent owner of the home, Alice. She's young, beautiful, and amazingly talented. She's also the last kind of distraction he needs right now. How is he supposed to work 70 hours a week to ensure his mother's legacy is intact when every waking thought is of a curly-haired, dark-eyed woman who has all but bewitched him? As Todd tries to balance his career with his love life, Cee-cee is busy trying to figure out what in the world is going on with her ex-husband, Nate. He's been acting very strange, and it's upsetting their daughter, Max. No matter how many times she tries to get him to confide in her, though, he refuses. When it becomes clear that he's in trouble, she wants to help...but at what price?

The Star of Redemption is widely recognized as a key document of modern existential thought and a significant contribution to Jewish theology in the twentieth century. An affirmation of what Rosenzweig called “the new thinking,” the work ensconces common sense in the place of abstract, conceptual philosophizing and posits the validity of the concrete, individual human being over that of “humanity” in general. Fusing philosophy and theology, it assigns both Judaism and Christianity distinct but equally important roles in the spiritual structure of the world, and finds in both biblical religions approaches toward a comprehension of reality.