Finger Strings

Finger string games are a wonderful opportunity for today's children to practice meaningful movement, explore space, interact with others, and exercise their creative spirits. They are also great fun String games can be especially useful to children who struggle at school or are dyslexic, and for those who are learning the concepts of "left and right" and "up and down." Finger Strings contains games that will delight all children, from the very young to those with greater dexterity. Michael Taylor has many years of experience working with children and has shared his string figures at schools and camps throughout the world. Finger Strings contains more than eighty inventive, imaginative string games and stories, all clearly illustrated with step-by-step, color diagrams. This book is designed especially to require minimal page-turning while making string shapes. Ringbound to lie flat. Includes two brightly colored strings to get you started.

Rooted in tribal customs and cultural traditions from around the world, making string figures is an ancient pastime that continues to charm people of all ages. This compilation of projects from String Figure Magazine presents easy-to-follow photographs and simple, step-by-step directions for creating more than two dozen captivating string figures that can jump, flip, and perform other tricks. In addition to basic instructions on how to get started, this guide features brief accounts of each figure's historical background. They include "Kidnapped Baby" and "Broken Home, Mended Home" from Hawaii, "A Flock of Birds" and "Old Man Chewing" from the Solomon Islands, and the Australian "Setting Sun." From the Congo come "Leopard's Mouth," "Rubber Band" from Tibet, and from India, "Scissors." Other figures spotlight the traditions of North America's Navajo and Kwakiutl peoples and natives of Brazil, Guyana, and Argentina. A great travel pastime and on-the-go activity, making string figures is a delightful, inexpensive, and easily acquired hobby.

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Mastery for Strings presents a unique, efficient methodology for developing high levels of proficiency in string players in both classroom and private studio settings. Cornerstones of the Mastery for Strings approach are: a curriculum design for large heterogeneous string classes, technical skills organized in small, sequential steps, "how-to" pages with clear goals, explicit instructions, and recognizable evaluation criteria for each technical skill, a plan for developing problem-solving strategies and self-evaluation skills, music theory (fingerboard geography) taught without reference to the piano keyboard.

Diagrams and text illustrate the steps involved in creating over one hundred string figures while providing information on their origin and cultural background

Provides directions, illustrated with photographs, for making many different string figures-- from the fairly simple Jacob's Ladder to more complex Mt. Fuji-- along with information about their history and meaning.

String players face a bewildering array of terms related to their instruments. Because string playing is a living art form, passed directly from master to student, the words used to convey complex concepts such as bow techniques and fingering systems have developed into an extensive vocabulary that can be complicated, vague, and even contradictory. Many of these terms are derived from French, Italian, or German, yet few appear in any standard music dictionary. Moreover, the gulf separating classical playing from fiddle, bluegrass, jazz, and other genres has generated style-specific terms rarely codified into any reference work. All Things Strings: An Illustrated Dictionary bridges this gap, serving as the only comprehensive resource for the terminology used by the modern string family of instruments. All of the terms pertaining to violin, viola, cello, and double bass, inclusive of all genres and playing styles, are defined, explained, and illustrated in a single text. Entries include techniques from shifting to fingerboard mapping to thumb position; the entire gamut of bowstrokes; terms found in orchestral parts; instrument structure and repair; accessories and equipment; ornaments (including those used in jazz and bluegrass); explanations of various bow holds; conventions of orchestral playing; and types of strings, as well as information on a select number of famous luthiers, influential pedagogues, and legendary performers. All Thing Strings is expertly illustrated with original drawings by T. M. Larsen and musical examples from the standard literature. Appendixes include an extensive bibliography of recommended reading for string players and a detailed chart of bowstrokes showing notation and explaining execution. As the single best source for understanding string instruments and referencing all necessary terminology, All Things Strings is an essential tool for performers, private teachers, college professors, and students at all levels. It is also an invaluable addition to the libraries of orchestra directors and composers wishing to better understand the complexities of string playing. With the inclusion of terms relevant to all four modern string instruments played in all genres—from jazz to bluegrass to historically informed performance—this resource serves the needs of every string musician.

A unique, efficient methodology for developing high levels of proficiency in string players in both classroom and private studio settings. It complements the standard method books by constructing a step-by-step pedagogical program for violin, viola, cello and string bass.