Fire Rising

For centuries, the Dragon Kings have battled heaven and earth to protect their dragon magic. But when a beautiful mortal seeks refuge in their lair, she ignites a warrior's love, an enemy's wrath, and a firestorm of passion that could destroy them all... A WOMAN ON THE RUN Sammi Miller lives a quiet life as a pub owner in the Scottish Highlands—until the mob bursts in with guns blazing, looking for her ex-lover. Taking a bullet in the shoulder, she manages to escape and make her way to her half-sister Jane. Hidden away in the mountain fortress of the mysterious Dreagan Industries, Sammi finds more than a safe haven. She finds Tristan—the most gorgeous, beguiling, and haunted man she has ever known... A WARRIOR ON FIRE Newest of the Dragon Kings, Tristan fell from the sky in a snowstorm naked with a sword—but with no memories of his ancient struggles. When he meets the wounded Sammi, something powerful stirs within his heart. When he sees the dragon symbol etched into the bullet from her shoulder, something fierce burns within his soul. With his darkest enemies closing in, Tristan must take wing, take sides—and take no prisoners—to save the woman he's destined to love...in Fire Rising, second novel in the Dark Kings series "Donna Grant spins a searing and intense tale [that] will keep readers spellbound."—Romance Reviews Today on the Dark Sword series

USA Today bestselling author Jack Du Brul brings back geologist-adventurer Philip Mercer for an apocalyptic adventure. Hired to lead the excavation of caverns deep beneath Area 51, Philip Mercer finds himself drilling straight into the epicenter of an age-old conspiracy. A reclusive order of Himalayan monks, through special knowledge of the earth’s tectonic movement, has predicted the end of the world—and it is determined to see the prediction unfold accordingly. Now, with icebergs floating through the South Pacific and a thermonuclear bomb set to destroy an island paradise, the stage is set for Armageddon—and it is up to Philip Mercer and the beautiful, mysterious Tisa Nguyan to prevent a cataclysm beyond imagination.

USA Today bestselling author Jack Du Brul brings back geologist-adventurer Philip Mercer for an apocalyptic adventure. Hired to lead the excavation of caverns deep beneath Area 51, Philip Mercer finds himself drilling straight into the epicenter of an age-old conspiracy. A reclusive order of Himalayan monks, through special knowledge of the earth’s tectonic movement, has predicted the end of the world—and it is determined to see the prediction unfold accordingly. Now, with icebergs floating through the South Pacific and a thermonuclear bomb set to destroy an island paradise, the stage is set for Armageddon—and it is up to Philip Mercer and the beautiful, mysterious Tisa Nguyan to prevent a cataclysm beyond imagination.

Caribbean Women Writers and Globalization offers a fresh reading of contemporary literature by Caribbean women in the context of global and local economic forces, providing a valuable corrective to much Caribbean feminist literary criticism. Departing from the trend towards thematic diasporic studies, Helen Scott considers each text in light of its national historical and cultural origins while also acknowledging regional and international patterns. Though the work of Caribbean women writers is apparently less political than the male-dominated literature of national liberation, Scott argues that these women nonetheless express the sociopolitical realities of the postindependent Caribbean, providing insight into the dynamics of imperialism that survive the demise of formal colonialism. In addition, she identifies the specific aesthetic qualities that reach beyond the confines of geography and history in the work of such writers as Oonya Kempadoo, Jamaica Kincaid, Edwidge Danticat, Pauline Melville, and Janice Shinebourne. Throughout, Scott's persuasive and accessible study sustains the dialectical principle that art is inseparable from social forces and yet always strains against the limits they impose. Her book will be an indispensable resource for literature and women's studies scholars, as well as for those interested in postcolonial, cultural, and globalization studies.

In this western series opener by two bestselling authors, a brother and sister team up to save their family and take down cattle rustlers. JENSEN PROUD. JENSEN TOUGH. It’s the dawn of a new century. But on the vast Sugarloaf Ranch not much has changed since legendary gunfighter Smoke Jensen and his wife Sally tamed the land two decades ago. Raising cattle is still a dangerous business—and just as deadly as ever. When Smoke is injured swapping bullets with some cow thieves, Sally puts out a call for help to Matt, Ace, and the rest of the Jensen clan. But time is running out. The bloodthirsty rustlers are ready to strike again—and there are lots more of them. And the Sugarloaf’s last defense is Smoke and Sally’s next of kin… Enter the Jensen twins. Denise and her brother Louis have just returned home from their schooling in Europe. Louis is studying to be a lawyer and is too sickly to defend the ranch. But Denise is to the manor born—she can ride like a man, shoot like her daddy, and face down the deadliest outlaws like nobody’s business. And there’ll be plenty opportunity to prove she’s got Jensen blood in her veins—cold, deadly, and playing for keeps…

An eloquent journey through the fantastic world of volcanoes and volcano lore.

Combining postcolonial perspectives with race and culture based studies, which have merged the fields of African and black American studies, this volume concentrates on women writers, exploring how the (post) colonial condition is reflected in women's literature. The essays are united by their focus on attempts to create alternative value systems through the rewriting of history or the reclassification of the woman's position in society. By examining such strategies these essays illuminate the diversity and coherence of the postcolonial project.

Arriving one year after the Haitian-American's first novel (Breath, Eyes, Memory) alerted critics to her compelling voice, these 10 stories, some of which have appeared in small literary journals, confirm Danticat's reputation as a remarkably gifted writer. Examining the lives of ordinary Haitians, particularly those struggling to survive under the brutal Duvalier regime, Danticat illuminates the distance between people's desires and the stifling reality of their lives. A profound mix of Catholicism and voodoo spirituality informs the tales, bestowing a mythic importance on people described in the opening story, "Children of the Sea," as those "in this world whose names don't matter to anyone but themselves." The ceaseless grip of dictatorship often leads men to emotionally abandon their families, like the husband in "A Wall of Fire Rising," who dreams of escaping in a neighbor's hot-air balloon. The women exhibit more resilience, largely because of their insistence on finding meaning and solidarity through storytelling; but Danticat portrays these bonds with an honesty that shows that sisterhood, too, has its power plays. In the book's final piece, "Epilogue: Women Like Us," she writes: "Are there women who both cook and write? Kitchen poets, they call them. They slip phrases into their stew and wrap meaning around their pork before frying it. They make narrative dumplings and stuff their daughter's mouths so they say nothing more." The stories inform and enrich one another, as the female characters reveal a common ancestry and ties to the fictional Ville Rose. In addition to the power of Danticat's themes, the book is enhanced by an element of suspense (we're never certain, for example, if a rickety boat packed with refugees introduced in the first tale will reach the Florida coast). Spare, elegant and moving, these stories cohere into a superb collection.