Five Faces Of Exile

Five Faces of Exile is the first transnational history of Asian American intellectuals. Espiritu explores five Filipino American writers whose travels, literary works, and political reflections transcend the boundaries of nations and the categories of "Asia" and "America."

Writer in Exile/Writer in Revolt: Critical Perspectives on Carlos Bulosan gathers pioneering essays by major scholars in Filipino American Studies, American Studies, and Philippine Studies as well as historic documents on Carlos Bulosan’s work and life for the first time. This anthology—which includes rare, out-of-print documents—provides students, instructors, and scholars an opportunity to trace the development of a body of knowledge called Bulosan criticism within the United States and the Philippines. Divided into four major sections that explore Bulosan’s prolific literary output (novels, poems, short stories, essays, letters, and editorial work), the anthology opens with an introduction to the early stages of Bulosan criticism (1950s-1970s) and ends with recent work by senior scholars in Asian American Studies that suggests new directions for engaging multiple dimensions of Bulosan’s twin commitment to art and social change.

Introduction / David K. Yoo and Eiichiro Azuma -- Part I. Migration flows -- Filipinos, Pacific Islanders, and the American empire / Keith L. Camacho -- Towards a hemispheric Asian American history / Jason Oliver Chang -- South Asian America: histories, cultures, politics / Sunaina Maira -- Asians, native Hawaiians, and Pacific Islanders in Hawai'i: people, place, culture / John P. Rosa -- Southeast Asian Americans / Chia Youyee Vang -- East Asian immigrants / K. Scott Wong -- Asian Canadian history / Henry Yu -- Part II. Time passages -- Internment and World War II history / Eiichiro Azuma -- Reconsidering Asian exclusion in the United States / Kornel S. Chang -- The Cold War / Madeline Y. Hsu -- The Asian American movement / Daryl Joji Maeda -- Part III. Variations on themes -- A history of Asian international adoption in the United States / Catherine Ceniza Choy -- Confronting the racial state of violence: how Asian American history can reorient the study of race / Moon-Ho Jung -- Theory and history / Lon Kurashige -- Empire and war in Asian American history / Simeon Man -- Queer Asian American historiography / Amy Sueyoshi -- The study of Asian American families / Xiaojian Zhao -- Part IV. Engaging historical fields -- Asian American economic and labor history / Sucheng Chan -- Asian Americans, politics, and history / Gordon H. Chang -- Asian American intellectual history / Augusto Espiritu -- Asian American religious history / Helen Jin Kim, Timothy Tseng, and David K. Yoo -- Race, space, and place in Asian American urban history / Scott Kurashige -- From Asia to the United States, around the world, and back again: new directions in Asian American immigration history / Erika Lee -- Public history and Asian Americans / Franklin Odo -- Asian American legal history / Greg Robinson -- Asian American education history / Eileen H. Tamura -- Not adding and stirring: women's, gender, and sexuality history and the transformation of Asian America / Adrienne Ann Winans and Judy Tzu-Chun Wu

The first volume to explore transnational anticolonialism as a global phenomenon spanning the entire twentieth century. Leading scholars demonstrate that anticolonial movements everywhere in this period were invariably transnational in terms of their imaginaries, mobilities, and networks, and that their legacies fundamentally shaped the present.

Ecological Exile explores how contemporary literature, film, and media culture confront ecological crises through perspectives of spatial justice – a facet of social justice that looks at unjust circumstances as a phenomenon of space. Growing instances of flooding, population displacement, and pollution suggest an urgent need to re-examine the ways social and geographical spaces are perceived and valued in the 20th and 21st Centuries. Maintaining that ecological crises are largely socially produced, Derek Gladwin considers how British and Irish literary and visual texts by Ian McEwan, Sarah Gavron, Eavan Boland, John McGrath, and China Miéville, among others, respond to and confront various spatial injustices resulting from fossil fuel production and the effects of climate change. This ambitious book offers a new spatial perspective in the environmental humanities by focusing on what the philosopher Glenn Albrecht has termed solastalgia, or a feeling of homesickness caused by environmental damage. The result of solastalgia is that people feel paradoxically ecologically exiled in the places they continue to live because of destructive environmental changes. Gladwin skilfully traces spatially produced instances of ecological injustice that literally and imaginatively abolish people’s sense of place (or place-home). By looking at two of the most pressing social and environmental concerns – oil and climate – Ecological Exile shows how literary and visual texts have documented spatially unjust effects of solastalgia. This interdisciplinary book will appeal to students, scholars, and professionals studying literary, film, and media texts that draw on environment and sustainability, cultural geography, energy cultures, climate change, and social justice.

Accented America is a sweeping study of U.S. literature between 1890-1950 that reveals a long history of English-Only nationalism: the political claim that U.S. citizens must speak a nationally distinctive form of English. This perspective presents U.S. literary works written between the 1890s and 1940s as playfully, painfully, and ambivalently engaged with language politics, thereby rewiring both narrative form and national identity. The United States has always been a densely polyglot nation, but efforts to prove the existence of a nationally specific form of English turn out to be a development of particular importance to interwar modernism. If the concept of a singular, coherent, and autonomous 'American language' seemed merely provocative or ironic in 1919 when H.L. Mencken emblazoned the phrase on his philological study, within a short period of time it would come to seem simultaneously obvious and impossible. Considering the continuing presence of fierce public debates over U.S. English and domestic multilingualisms demonstrates the symbolic and material implications of such debates in naturalization and citizenship law, presidential rhetoric, academic language studies, and the artistic renderings of novelists. Against the backdrop of the period's massive demographic changes, Accented America brings a broadly multi-ethnic set of writers into conversation, including Gertrude Stein, Jean Toomer, Henry Roth, Nella Larsen, John Dos Passos, Lionel Trilling, Américo Paredes, and Carlos Bulosan. These authors shared an acute sense of linguistic standardization during the interwar era and contend with the defamiliarizing sway of radical experimentation with invented and improper literary vernaculars. Mixing languages, these authors spurn expectations for phonological exactitude to develop multilingual literary aesthetics. Rather than confirming the powerfully seductive subtext of monolingualism-that those who speak alike are ethically and politically likeminded-multilingual modernists composed interwar novels that were characteristically American because, not in spite, of their synthetic syntaxes and enduring strangeness.

Explores the forgotten archives and life writings of Korean War refugees

For over two decades, Clues has included the best scholarship on mystery and detective fiction. With a combination of academic essays and nonfiction book reviews, it covers all aspects of mystery and detective fiction material in print, television and movies. As the only American scholarly journal on mystery fiction, Clues is essential reading for literature and film students and researchers; popular culture aficionados; librarians; and mystery authors, fans and critics around the globe.