Five Middle English Arthurian Romances

The poems in this collection will give the reader an appreciation of both the distinctiveness and the variety of the medieval English Arthurian tradition and highlight some of this important chapter in Arthurian legend literature. The Middle English stories are different in style and structure to the later French romances, composed in poetic forms that derive from native English traditions. The Stanzaic Morte Arthur is the earliest version of the Lancelot-Guinevere story in English; The Awyntas off Arthure at the Terne Wathelyn is a serious moral poem while the story of the Avowing is a tail-rhyme romance. The Wedding of Sir Gawain and Dame Ragnell is a strongly folkloric variation of Chaucer’s Wife of Bath’s Tale and Syre Gawene and the Carle of Carlyle is an alternative version of the testing of Gawain. Originally published in 1991, the translator gives an introduction to each poem as well as a general introduction about the development of the Arthurian poetic tradition.

This volume, a festschrift for Professor A, H. Diverres, has been included in the Arthurian Studies series because it contains highly important new work on the medieval aspects of Arthurian legend, ranging from Rachel Bromwich's essay on the Celtic elements in Arthurian romance and A.O.H Jarman's study of Arthurian allusions in the Black Book of Carmarthen to examinations of the Spanish and French romances of the 15th century. There are five papers on the romances of Chretien de Troyes, including pieces by Tony Hunt, Kenneth Varty and Charles Foulon, two on Welsh and German romances associated with Chretien's work, while other studies are on the Breton lais and on the English romances. In all, this is a wide-ranging and valuable collection, and a welcome addition to the series.

A survey of critical attention devoted to Arthurian matters. This book offers the first comprehensive and analytical account of the development of Arthurian scholarship from the eighteenth century, or earlier, to the present day. The chapters, each written by an expert in the area under discussion, present scholarly trends and evaluate major contributions to the study of the numerous different strands which make up the Arthurian material: origins, Grail studies, editing and translation of Arthurian texts, medieval and modern literatures (in English and European languages), art and film. The result is an indispensable resource for students and a valuable guide for anyone with a serious interest in the Arthurian legend. Contributors: NORRIS LACY, TONY HUNT, KEITH BUSBY, JANE TAYLOR, CHRISTOPHER SNYDER, RICHARD BARBER, SIAN ECHARD, GERALD MORGAN, ALBRECHT CLASSEN, ROGER DALRYMPLE, BART BESAMUSCA, MARIANNE E. KALINKE, BARBARA MILLER, CHRISTOPHER KLEINHENZ, MURIEL WHITAKER, JEANNE FOX-FRIEDMAN, DANIEL NASTALI, KEVIN J. HARTY NORRIS J. LACY is Edwin Erle Sparks Professor of French and Medieval Studies at Pennsylvania State University.

Taking the legends surrounding King Arthur and weaving in new psychological elements of personal desire and courtly manner, Chrétien de Troyes fashioned a new form of medieval Romance. The Knight of the Cart is the first telling of the adulterous relationship between Lancelot and Arthur's Queen Guinevere, and in The Knight with the Lion Yvain neglects his bride in his quest for greater glory. Erec and Enide explores a knight's conflict between love and honour, Cligés exalts the possibility of pure love outside marriage, while the haunting The Story of the Grail chronicles the legendary quest. Rich in symbolism, these evocative tales combine closely observed detail with fantastic adventure to create a compelling world that profoundly influenced Malory, and are the basis of the Arthurian legends we know today.

Tracing the development of the King Arthur story in the late Middle Ages, this book explores Arthur's depiction as a wilderness figure, the descendant of the northern Romano-British hunter/warrior god. The earliest Arthur was a warrior but in the 11th century Welsh tale Culhwch and Olwen, he is less a warrior and more a leader of a band of rogue heroes. The story of Arthur was popularized by Geoffrey of Monmouth, in his Latin History of the Kings of Britain, and was translated into Middle English in Layamon's Brut and the later alliterative Alliterative Morte Arthure. Both owed much to the epic poem "Beowulf," which draws on the Anglo-Saxon fascination with the wilderness. The most famous Arthurian tale is Sir Gawain and the Green Knight, in which the wilderness and themes from Beowulf play a leading role. Three Arthurian tales set in Inglewood Forest place Arthur and Gawain in a wilderness setting, and link Arthur to medieval Robin Hood tales.

Pulp fictions of medieval England comprises ten essays on individual popular romances; with a focus on romances that, while enormously popular in the Middle Ages, have been neglected by modern scholarship. Each essay provides valuable introductory material, and there is a sustained argument across the contributions that the romances invite innovative, exacting and theoretically charged analysis. However, the essays do not support a single, homogenous reading of popular romance: the authors work with assumptions and come to conclusions about issues as fundamental as the genre's aesthetic codes, its political and cultural ideologies, and its historical consciousness that are different and sometimes opposed. Nicola McDonald's collection and the romances it investigates, are crucial to our understanding of the aesthetics of medieval narrative and to the ideologies of gender and sexuality, race, religion, political formations, social class, ethics, morality and national identity with which those narratives engage.