Flares Of Memory

In a series of writing workshops at the Holocaust Center of Pittsburgh, survivors who were children or teens during World War II assembled to remember the pivotal moments in which their lives were irreparably changed by the Nazis. These "flares of memory" preserve the voices of over forty Jews from throughout Europe who experienced a history that cannot be forgotten. Ninety-two brief vignettes arranged both chronologically and thematically recreate the disbelief and chaos that ensued as families were separated, political rights were abolished, and synagogues and Jewish businesses were destroyed. Survivors remember the daily humiliation, the quiet heroes among their friends, and the painful abandonment by neighbors as Jews were restricted to ghettos, forced to don yellow stars, and loaded like cattle into trains. Vivid memories of hunger, disease, and a daily existence dependent on cruel luck provide penetrating testimonies to the ruthlessness of the Nazi killing machine, yet they also bear witness to the resilience and fortitude of individual souls bombarded by evil. "I don't think that there will be many readers who will be able to put this book down."--Jerome Chanes, National Foundation for Jewish Culture

Contains memories of childhood during the Holocaust, recalling the humiliation, suffering, and triumph experienced by children as they endured mistreatment at the hands of the Nazis.

"Terror, disaster, memory, selfhood, happiness . . . leave it to a poet to tackle the unthinkable so wisely and so wittily."* A literary guide to life in the pre-apocalypse, The Unreality of Memory collects profound and prophetic essays on the Internet age’s media-saturated disaster coverage and our addiction to viewing and discussing the world’s ills. We stare at our phones. We keep multiple tabs open. Our chats and conversations are full of the phrase “Did you see?” The feeling that we’re living in the worst of times seems to be intensifying, alongside a desire to know precisely how bad things have gotten—and each new catastrophe distracts us from the last. The Unreality of Memory collects provocative, searching essays on disaster culture, climate anxiety, and our mounting collective sense of doom. In this new collection, acclaimed poet and essayist Elisa Gabbert explores our obsessions with disasters past and future, from the sinking of the Titanic to Chernobyl, from witch hunts to the plague. These deeply researched, prophetic meditations question how the world will end—if indeed it will—and why we can’t stop fantasizing about it. Can we avoid repeating history? Can we understand our moment from inside the moment? With The Unreality of Memory, Gabbert offers a hauntingly perceptive analysis of our new ways of being and a means of reconciling ourselves to this unreal new world. "A work of sheer brilliance, beauty and bravery.” *—Andrew Sean Greer, author of Less

This ePaper, History and Memory: lessons from the Holocaust, presents the original text of the Leçon inaugurale delivered by Professor Saul Friedländer on 23 September 2014 at the Maison de la Paix, which marked the opening of the academic year of the Graduate Institute, Geneva. The lecture highlights an original analysis of the evolution of German memory since the end of World War II and its consequences on the writing of history. Generations of historians have been particularly marked in a differentiated manner, depending on their personal proximity to the war, but also on collective representations conveyed by film and television in a globalised world. Saul Friedländer is Emeritus Professor at the University of California Los Angeles (UCLA). He won numerous awards, including the Pulitzer Prize in 2008 for his book The Years of Extermination: Nazi Germany and the Jews, 1939-1945. In 1963, he received his PhD from the Graduate Institute of International Studies in Geneva, where he taught until 1988.

On November 10, 1938, Francis Schott slept peacefully in his bed. Suddenly, a group of Nazis broke into his house and began to destroy it. They wanted to demolish everything because Francis's family was Jewish. For days, violent attacks like this took place throughout Nazi Germany and came to be known as Kristallnacht, the "Night of Broken Glass." The Nazis destroyed thousands of Jewish homes and businesses, burned down hundreds of synagogues, and murdered many people. The brutal assault came to an end, but it marked the beginning of something much worse: the Holocaust.

A searing look at the effects of post traumatic stress on soldiers and their families, seen through the eyes of teenage Hayley. Hayley is struggling to forget the past. But some memories run too deep, and soon the cracks start to show. Stunning, hard-hitting fiction from an award-winning writer.

A superb fiction collection by the great Uruguayan writer: If I hadn't read the stories of Felisberto Hernández in 1950, I wouldn't be the writer I am today. --Gabriel García Márquez

"You ain't gonna like what I have to tell you, but I'm gonna tell you anyway. See, my name is Karen Memery, like memory only spelt with an e, and I'm one of the girls what works in the Hôtel Mon Cherie on Amity Street. Hôtel has a little hat over the o like that. It's French, so Beatrice tells me." Set in the late 19th century—when the city we now call Seattle Underground was the whole town (and still on the surface), when airships plied the trade routes, would-be gold miners were heading to the gold fields of Alaska, and steam-powered mechanicals stalked the waterfront, Karen is a young woman on her own, is making the best of her orphaned state by working in Madame Damnable's high-quality bordello. Through Karen's eyes we get to know the other girls in the house—a resourceful group—and the poor and the powerful of the town. Trouble erupts one night when a badly injured girl arrives at their door, beggin sanctuary, followed by the man who holds her indenture, and who has a machine that can take over anyone's mind and control their actions. And as if that wasn't bad enough, the next night brings a body dumped in their rubbish heap—a streetwalker who has been brutally murdered. Bear brings alive this Jack-the-Ripper yarn of the old west with a light touch in Karen's own memorable voice, and a mesmerizing evocation of classic steam-powered science. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.