Foreign Correspondent

David Greenway, a journalist’s journalist in the tradition of Michael Herr, David Halberstam, and Dexter Filkins. In this vivid memoir, he tells us what it’s like to report a war up close. Reporter David Greenway was at the White House the day Kennedy was assassinated. He was in the jungles of Vietnam in that war’s most dangerous days, and left Saigon by helicopter from the American embassy as the city was falling. He was with Sean Flynn when Flynn decided to get an entire New Guinea village high on hash, and with him hours before he disappeared in Cambodia. He escorted John le Carre around South East Asia as he researched The Honourable Schoolboy. He was wounded in Vietnam and awarded a Bronze Star for rescuing a Marine. He was with Sidney Schanberg and Dith Pran in Phnom Penh before the city descended into the killing fields of the Khmer Rouge. Greenway covered Sadat in Jerusalem, civil war and bombing in Lebanon, ethnic cleansing and genocide the Balkans, the Gulf Wars (both), and reported from Afghanistan and Iraq as they collapsed into civil war. This is a great adventure story—the life of a war correspondent on the front lines for five decades, eye-witness to come of the most violent and heroic scenes in recent history.

As a young girl in a working-class neighborhood of Sydney, Australia, Geraldine Brooks longed to discover the places where history happens and culture comes from, so she enlisted pen pals who offered her a window on adolescence in the Middle East, Europe, and America. Twenty years later Brooks, an award-winning foreign correspondent, embarked on a human treasure hunt to find her pen friends. She found men and women whose lives had been shaped by war and hatred, by fame and notoriety, and by the ravages of mental illness. Intimate, moving, and often humorous, Foreign Correspondence speaks to the unquiet heart of every girl who has ever yearned to become a woman of the world.

From Alan Furst, whom The New York Times calls “America’s preeminent spy novelist,” comes an epic story of romantic love, love of country, and love of freedom–the story of a secret war fought in elegant hotel bars and first-class railway cars, in the mountains of Spain and the backstreets of Berlin. It is an inspiring, thrilling saga of everyday people forced by their hearts’ passion to fight in the war against tyranny. By 1938, hundreds of Italian intellectuals, lawyers and journalists, university professors and scientists had escaped Mussolini’s fascist government and taken refuge in Paris. There, amid the struggles of émigré life, they founded an Italian resistance, with an underground press that smuggled news and encouragement back to Italy. Fighting fascism with typewriters, they produced 512 clandestine newspapers. The Foreign Correspondent is their story. Paris, a winter night in 1938: a murder/suicide at a discreet lovers’ hotel. But this is no romantic traged–it is the work of the OVRA, Mussolini’s fascist secret police, and is meant to eliminate the editor of Liberazione, a clandestine émigré newspaper. Carlo Weisz, who has fled from Trieste and secured a job as a foreign correspondent with the Reuters bureau, becomes the new editor. Weisz is, at that moment, in Spain, reporting on the last campaign of the Spanish civil war. But as soon as he returns to Paris, he is pursued by the French Sûreté, by agents of the OVRA, and by officers of the British Secret Intelligence Service. In the desperate politics of Europe on the edge of war, a foreign correspondent is a pawn, worth surveillance, or blackmail, or murder. The Foreign Correspondent is the story of Carlo Weisz and a handful of antifascists: the army officer known as “Colonel Ferrara,” who fights for a lost cause in Spain; Arturo Salamone, the shrewd leader of a resistance group in Paris; and Christa von Schirren, the woman who becomes the love of Weisz’s life, herself involved in a doomed resistance underground in Berlin. The Foreign Correspondent is Alan Furst at his absolute best–taut and powerful, enigmatic and romantic, with sharp, seductive writing that takes the reader through darkness and intrigue to a spectacular denouement.

Foreign Correspondent is about a girl reporter, Johnnie James, in search of international intrigue and romantic excitement. This short novel, written in evocative imagistic sections of short prose, follows Johnnie as she encounters philosophers, jaunty sports journalists, exotic lap birds, retired cage fighters, intrepid doppelganger gal-pals, Marxist sci-fi heart-throbs, fiery martial-arts vixens, and wizened jiu-jitsu masters, all the while fantasizing about ghosts, ninjas, birdmen, yakuza gangsters, wolf dogs, world war II spies, windmills, and volcanic lakes. Drawing heavily on language and tropes from Alfred Hitchcock’s film of the same title, the novel revels in fantasies of the stylized reportage and field research inspired by that film, but also takes up other corresponding forms—love letters, fan letters, telegrams, communiqués and dispatches—in general, many forms in which we pour our desires into language expressly for others: seeking to better understand and draw close what is distant, those who are familiar to us, as well as those who are foreign to us.

What are the influences on war correspondents as they report on events in war-torn countries? Mark Pedelty explores the lives, work and culture of the international press corps, examining the institutions, practices, myths, and rituals that shape the work of journalists everywhere. He looks at the context in which journalists construct their reports. By looking at how new stories are actually produced, the author highlights the elusiveness of the goal of "objective" journalism and illustrates how the biases of war correspondents are constrained by the powers of government and how these biases are translated into actual journalistic practices.

This Collection Marks The Fiftieth Anniversary Of The Founding In 1958Of The Foreign Correspondents&Rsquo; Association Of South Asia (Fca)&Mdash;Renamed The Foreign Correspondents&Rsquo; Club (Fcc) In 1991.South Asia Is A Specially Favoured Assignment For Foreigncorrespondents Because Of The Immensity Of The Story. It Is A Placewhere Politics And Major Events Unfold On The Streets, Not Just In Closedrooms. This Book, With Its Collection Of Reportage, Comment Andphotographs, Reflects This Story. It Does Not Seek To Cover Every Eventin The Decades Since 1947, But Focuses Instead On Good Writing Andhistoric Moments That Give A Picture Of How Foreign Correspondentshave Reported South Asia Over The Last Fifty Years.Peter Kann&Rsquo;S Pulitzer Prize-Winning Account Of The Fall Of Dacca In1971 And Barbara Crossette&Rsquo;S Eyewitness Report Of Rajiv Gandhi&Rsquo;Sassassination Are Two Justly Celebrated Pieces, But All The Contributionsbring To Life Subjects As Diverse As Tiger Hunts, Religious Fanaticism Andthe Indian Enthusiasm For P.G. Wodehouse. This Illustrated Anthology Of Great Reportage, Analysis, Writing Andstories That Demand Your Attention, Is A Vivid And Valuable &Lsquo;Draft Report&Rsquo;.

This book articulates the skills and perspectives that future foreign correspondents need to adopt in an increasingly globalized world. By revisiting entrenched traditions in the training and practice of international reporting, The Future Foreign Correspondent examines the changing role of a correspondent, outlining aspects that will evolve, the skills that will continue to be pivotal and those becoming even more important, such as the need for greater cultural understanding within the global media sphere. This book is a must read for journalists, media students and researchers interested in understanding what needs to be taken into consideration when reporting transcultural news spheres.

A Bronze Star recipient and Washington Post and Time foreign correspondent recounts such historical events as the assassination of President Kennedy and the fall of Saigon, detailing the experiences of reporting on half a century of war.