France Under Fire

A social, military and political history of the French refugee crisis tracing the impact of government responses upon civilian lives.

One of the most powerful accounts of trench warfare from the WWI era, "Under Fire" recounts the experiences of the men of the French Sixth Battalion on the front lines after the German invasion. Compiled from diaries he had written on the front from 1914-1915, and completed in the hospital while recovering from injuries, Barbusse published his work in both serial and novel forms in late 1916. By the end of the war it was a world-wide bestseller, having sold over a quarter of a million copies. The narrative received mixed reviews at first because of Barbusse's gritty and brutal realism, which some war critics saw as validation for their protests, while others felt it fictionalized and exaggerated the war. Since then, "Under Fire" has been ranked with such classics as "A Farewell to Arms" and "All Quiet on the Western Front" as one of the most powerful, realistic portrayals of the horrors of war.

Under Fire: The Story of a Squad is novel was based on Henri Barbusse's experiences as a French soldier on the Western Front. The novel takes the form of journal-like anecdotes which the unnamed narrator claims to be writing to record his time in the war. It follows a squad of French volunteer soldiers on the Western front in France after the German invasion. The book relates broad visions shared by multiple characters but beyond these the action of the novel takes place in occupied France. Under Fire describes war in gritty and brutal realism. It is noted for its realistic descriptions of death in war and the squalid trench conditions.

It is time for a major work of synthetic interpretation, and this is what The Jacobin Republic Under Fire offers.".

Under Fire: The Story of a Squad The most powerful, brutal, and vivid novel to come out of WW-I To the men of the French Sixth Battalion, war is not about bands playing and flags waving. It is about mud, lice, and death. It is about survival under the worst possible conditions, where a wound that put you in the hospital made you a lucky man. Under Fire was one of the first novels to come out of WW-I, being published even before the war was over. It's realism and intensity set the standard for the war novels to come, including Hemingway's A Farewell to Arms, and Remarque's All Quiet on the Western Front. It's realism, however, is not manufactured. It was born out of the experiences of the author who began work on the novel literally while he was still in the trenches. The book has no plot in the traditional sense. It is a series of incidents woven together to present the reality of the war. It's power lies in the incredibly vivid pictures it presents. In 1916 it won the prestigious Goncourt Prize, given by the Académie Goncourt to the author of "the best and most imaginative prose work of the year" and is, even today, considered one of the great war novels of all time.

Based on his own experience of the Great War, Henri Barbusse's novel is a powerful account of one of the greatest horrors mankind has inflicted on itself. For the group of ordinary men in the French Sixth Battalion, thrown together from all over France and longing for home, war is simply a matter of survival, lightened only by the arrival of their rations or a glimpse of a pretty girl or a brief reprieve in the hospital. Reminiscent of classics like Hemingway's A Farewell to Arms and Remarque's All Quiet on the Western Front, Under Fire (originally published in French as La Feu) vividly evokes life in the trenches: the mud, stench, and monotony of waiting while constantly fearing for one's life in an infernal and seemingly eternal battlefield. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Rose Justice is a young pilot with the Air Transport Auxiliary during the Second World War. On her way back from a semi-secret flight in the waning days of the war, Rose is captured by the Germans and ends up in Ravensbrück, the notorious Nazi women's concentration camp. There, she meets an unforgettable group of women, including a once glamorous and celebrated French detective novelist whose Jewish husband and three young sons have been killed; a resilient young girl who was a human guinea pig for Nazi doctors trying to learn how to treat German war wounds; and a Nachthexen, or Night Witch, a female fighter pilot and military ace for the Soviet air force. These damaged women must bond together to help each other survive. In this companion volume to the critically acclaimed novel Code Name Verity, Elizabeth Wein continues to explore themes of friendship and loyalty, right and wrong, and unwavering bravery in the face of indescribable evil.

WINNER OF THE 2022 FRENCH HERITAGE SOCIETY BOOK AWARD The profound emotion felt around the world upon seeing images of Notre-Dame in flames opens up a series of questions: Why was everyone so deeply moved? Why does Notre-Dame so clearly crystallise what our civilisation is about? What makes ‘Our Lady of Paris’ the soul of a nation and a symbol of human achievement? What is it that speaks so directly to us today? In answer, Agnès Poirier turns to the defining moments in Notre-Dame’s history. Beginning with the laying of the corner stone in 1163, she recounts the conversion of Henri IV to Catholicism, the coronation of Napoleon, Victor Hugo’s nineteenth-century campaign to preserve the cathedral, Baron Haussmann’s clearing of the streets in front of it, the Liberation in 1944, the 1950s film of The Hunchback of Notre-Dame, starring Gina Lollobrigida and Anthony Quinn, and the state funeral of Charles de Gaulle, before returning to the present. The conflict over Notre-Dame’s reconstruction promises to be fierce. Nothing short of a cultural war is already brewing between the wise and the daring, the sincere and the opportunist, historians and militants, the devout and secularists. It is here that Poirier reveals the deep malaise – gilet jaunes and all – at the heart of the France.