Franks Burgundians And Aquitanians And The Royal Coronation Ceremony In France

Deals with two unusual French ¿ordines¿ in which relevance took precedence over tradition. In both the pregnant phrase ¿Franks, Burgundians, & Aquitanians¿ appeared in the prayer following the king¿s unction in the place traditionally occupied by the alien triad ¿Saxons, Mercians, & Northumbrians.¿ The ceremonials were thus transformed & made fully appropriate for the ruler of France. Contents of this study: (1) ¿Franks, Burgundians, & Aquitanians¿ in the 12th Century: The ¿Ordo¿ of Lat. 14192; (2) The Reappearance of ¿Franks, Burgundians, & Aquitanians¿ in Early Modern France: Jean du Tillet; Du Tillet¿s Version of the ¿Ordo Maior¿ of ¿Croix¿; Theodore Godefroy & Du Tillet¿s ¿Ordo¿; (3) Conclusion. Appendix: The ¿Ordo Maior¿ of ¿Croix.¿ Bibliography.

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Eleanor's patrilineal descent, from a lineage already prestigious enough to have produced an empress in the eleventh century, gave her the lordship of Aquitaine. But marriage re-emphasized her sex which, in the medieval scheme of gender-power relations relegated her to the position of Lady in relation to her Lordly husbands. In this collection, essays provide a context for Eleanor's life and further an evolving understanding of Eleanor's multifaceted career. A valuable collection on the greatest heiress of the medieval period.

In the last decades, historians and art historians have created an active historiographical debate about one of the most fascinating and studied iconographic themes of the Middle Ages: the royal divine coronation. Indeed, in the specific case of some Ottonian and Salian illuminations, it has been proposed that their function was not only political or to legitimize power, as traditionally suggested (Herrscherbilder), but also liturgical and religious (Memorialbilder). This has led to a complete rethinking of the meaning of this iconographic theme: the divine coronation of the king would not symbolically allude to his earthly power but to the wholly devotional hope of receiving the crown of eternal life in the afterlife. If this academic debate has been concentrated, above all, on Ottonian and Salian royal images, this Special Issue of Arts would like to deal with this topic by stimulating the analysis of royal divine coronation and blessing scenes in religious and liturgical context (mosaics, frescos, or paintings placed in cathedrals or monastic churches and illuminations of liturgical texts) with a wider geographical and temporal setting; that is, the European and Mediterranean kingdoms in the period from the 12th to the 15th centuries.

Crusades covers seven hundred years from the First Crusade (1095–1102) to the fall of Malta (1798) and draws together scholars working on theatres of war, their home fronts and settlements from the Baltic to Africa and from Spain to the Near East and on theology, law, literature, art, numismatics and economic, social, political and military history. Routledge publishes this journal for The Society for the Study of the Crusades and the Latin East. Particular attention is given to the publication of historical sources in all relevant languages – narrative, homiletic and documentary - in trustworthy editions, but studies and interpretative essays are welcomed too. Crusades also incorporates the Society's Bulletin. The editors are Benjamin Z. Kedar, Hebrew University, Israel; Jonathan Phillips, Royal Holloway, University of London, UK; Nikolaos G. Chrissis, Democritus University of Thrace, Greece.

Refining adult-focused perspectives on medieval rulership, Emily Joan Ward exposes the problematic nature of working from the assumption that kingship equated to adult power. Children's participation and political assent could be important facets of the day-to-day activities of rule, as this study shows through an examination of royal charters, oaths to young boys, cross-kingdom diplomacy and coronation. The first comparative and thematic study of child rulership in this period, Ward analyses eight case studies across northwestern Europe from c.1050 to c.1250. The book stresses innovations and adaptations in royal government, questions the exaggeration of political disorder under a boy king, and suggests a ruler's childhood posed far less of a challenge than their adolescence and youth. Uniting social, cultural and political historical methodologies, Ward unveils how wider societal changes between the eleventh and thirteenth centuries altered children's lived experiences of royal rule and modified how people thought about child kingship.

In 987, when Hugh Capet took the throne of France, founding a dynasty which was to rule for over 300 years, his kingdom was weak and insignificant. But by 1100, the kingdom of France was beginning to dominate the cultural nd religious life of western Europe. In the centuries that followed, to scholars and to poets, to reforming churchmen and monks, to crusaders and the designers of churches, France was the hub of the universe. La douce France drew people like a magnet even though its kings were, until about 1200, comparatively insignificant figures. Then, thanks to the conquests and reforms of King Philip Augustus, France became a dominant force in political and economic terms as well, producing a saint-king, Louis IX, and in Philip IV, a ruler so powerful that he could dictate to popes and emperors. Spanning France's development across four centuries, Capetian France is a definitive book. This second edition has been carefully revised to take account of the very latest work, without losing the original book's popular balance between a compelling narrative and an fascinating examination of the period's main themes.

This interdisciplinary volume in the AVISTA series is the first book to focus solely on the north transept of Reims Cathedral, the portion of the gothic building that served as the canons' primary entrance to the cathedral from their adjoining cloister in the thirteenth century. Despite the importance of its sculpture and stained glass, as well as its ritual use by the canons, the north transept remains one of the least understood portions of the cathedral--in part because its sequence of construction is so complex, even improvised. Until recently, important archaeological evidence of the transept's substructures was unavailable. This is, however, no longer the case. The current volume presents this new subterranean evidence alongside careful studies of the stones above ground, analysis of the geometry used in the transept's design, iconographic and stylistic studies of its sculpture and glass, and extant medieval documents, which record events bearing upon its construction. Essays by international specialists of the cathedral's archaeology, architecture, sculpture, and stained glass address issues of the north transept's evolving design and visual programs, thereby significantly clarifying and revising the building's chronology. Essays also consider the meaning of its visual programs in light of architectural adaptation and contemporary socio-historical events--whether royal coronations or the infamous revolts of the local burghers. In addition to presenting a readily accessible state of the research on the north transept, the volume also provides a model for interdisciplinary and international collaboration in the study of medieval buildings.