Freaks Gleeks And Dawson S Creek

The untold stories of seven revolutionary teen shows (The Fresh Prince of Bel-Air, My So-Called Life, Dawson’s Creek, Freaks and Geeks, The O.C., Friday Night Lights, and Glee) that shaped the course of modern television and our pop cultural landscape forever. The modern television landscape is defined by influential and ambitious shows for and about teenagers. Groundbreaking series like Euphoria, Sex Education, and Pen15 dominate awards season and lead the way when it comes to progressive, diverse, and creative storytelling. So how did we get here from Beverly Hills, 90210? In Freaks, Gleeks, and Dawson’s Creek, entertainment journalist Thea Glassman takes readers behind the scenes of seven of the most culturally significant series of the last three decades, drawing on dozens of new interviews with showrunners, cast, crewmembers, and more. These shows not only launched the careers of such superstars as Will Smith, Michael B. Jordan, Claire Danes, and Seth Rogen, but they also took young people seriously, proving that teen TV could be smart, revolutionary, and “important”—and stay firmly entrenched in pop culture long after it finished airing. And while many critics insist that prestige dramas like The Sopranos and Mad Men paved the way for television, some of the most groundbreaking work was actually happening inside the fictional hallways of high schools across America in teen shows whose impact remains visible on our screens today.

Featuring illustrations by Jillian Barthold The first coming of age series for millennial consumption, Dawson's Creek created the most iconic meme of all time before the word meme was invented. On January 20, 1998, we were introduced to our Capeside High Class of 2001--the last class of students to live their whole childhood before 9/11. We met Jen Lindley, who, at the age of 15, we were told was a "big city vixen," but actually turned out to be the third wave feminist icon, we didn't know we desperately needed. Pacey Witter, "the lovable loser", who was less loser, more the guy who taught us all exactly how sexy consent can be and sailed off with our hearts. Joey Potter, the "poor tomboy" from the wrong side of the creek that showed us the incredible amount of work it takes to rise up the social ladder, especially compared to her white, upper middle class, male best friend, Dawson Leery, the classic "good guy," who became the blueprint for identifying toxic masculinity and white privilege, earning his place as the first titular character every viewer grew to hate. I Remember Everything remembers everything about the seminal 90s show whose theme song was stuck in our heads for the entirety of its six seasons--and to this day if we're being honest. With quotes from the show about sex, mental health, relationships, classism, queerness, and much, much, more, Erin Hensley and Julia Callahan, hosts of the podcast Dawson's Critique, break down why we still can't get enough of Capeside, MA and its teenage inhabitants. You don't want to wait to get this book for all of your friends and you'll want to know right now what will be their take on the hilarity that is Dawson's cry face.

Season Finale is an inside chronicle of the entertainment industry following the unexpected rise and fall of the WB and UPN networks. In the mid-1990s, Hollywood studios Warner Bros. and Paramount Pictures each launched their own broadcast television network, hoping to become the fifth player in an industry dominated by ABC, CBS, NBC, and, more recently, Fox. Against all odds, the WB and UPN altered primetime television’s landscape, only to merge as the CW in 2006—casualties of conflicting personalities, relentless competition, and a failure to anticipate the business’s future. Following the money, egos, and risks of network television, former WB executive Susanne Daniels and Variety television reporter Cynthia Littleton expose the difficulties of trying to launch two traditional broadcast networks just as cable and the Internet were ending their dominance. Through in-depth reportage and firsthand accounts, Daniels and Littleton re-create the creative and business climate that birthed the WB and UPN, illustrating how the race to find programming spawned their heated rivalry and created shows that became icons of youth culture. Offering insider stories about shows such as Buffy the Vampire Slayer, Dawson’s Creek, 7th Heaven, Gilmore Girls, Smallville, Felicity, Girlfriends, Everybody Hates Chris, and America’s Next Top Model, the authors present the creative environment that ushered these groundbreaking programs into living rooms across America. Despite success, the WB and UPN unraveled due to corporate miscalculations, management missteps, and industry upheaval that led to their decline—and rebirth as the CW. This is a cautionary and compelling entertainment saga about a precarious moment in television history, when the transformation of the broadcast networks signaled an inevitable shift for all pop culture.

An NPR Best Book of the Year "Without God Save the Queens, it is possible that the contributions of dozens of important female hip-hop artists who have sold tens of millions of albums, starred in monumental films, and influenced the direction of the culture would continue to go unrecognized." —AllHipHop.com Can’t Stop Won’t Stop meets Girls to the Front in this essential and long overdue history of hip-hop’s female pioneers and its enduring stars. Every history of hip-hop previously published, from Jeff Chang’s Can’t Stop Won’t Stop to Shea Serrano’s The Rap Yearbook, focuses primarily on men, glaringly omitting a thorough and respectful examination of the presence and contribution of the genre’s female artists. For far too long, women in hip-hop have been relegated to the shadows, viewed as the designated “First Lady” thrown a contract, a pawn in some beef, or even worse. But as Kathy Iandoli makes clear, the reality is very different. Today, hip-hop is dominated by successful women such as Cardi B and Nicki Minaj, yet there are scores of female artists whose influence continues to resonate. God Save the Queens pays tribute to the women of hip-hop—from the early work of Roxanne Shante, to hitmakers like Queen Latifah and Missy Elliot, to the superstars of today. Exploring issues of gender, money, sexuality, violence, body image, feuds, objectification and more, God Save the Queens is an important and monumental work of music journalism that at last gives these influential female artists the respect they have long deserved.

Teenage baker Syd sends ripples of heartbreak through Austin’s queer community when a batch of post-being-dumped brownies turns out to be magical—and makes everyone who eats them break up. “What’s done is done.” Unless, of course, it was done by my brownies. Then it’s getting undone. Syd (no pronouns, please) has always dealt with big, hard-to-talk-about things by baking. Being dumped is no different, except now Syd is baking at the Proud Muffin, a queer bakery and community space in Austin. And everyone who eats Syd’s breakup brownies . . . breaks up. Even Vin and Alec, who own the Proud Muffin. And their breakup might take the bakery down with it. Being dumped is one thing; causing ripples of queer heartbreak through the community is another. But the cute bike delivery person, Harley (he or they, check the pronoun pin, it’s probably on the messenger bag), believes Syd about the magic baking. And Harley believes Syd’s magical baking can fix things, too—one recipe at a time.

The principal of Capeside High School sends Jen, Joey, Pacey, Jack, Andie, and Dawson to a wilderness training course at Wilderness Camp.

Third in the series of novelizations based on Channel 4's prime-time teen drama Dawson's Creek. When Jen's wealthy cousin invites her to a Sweet Sixteen party in New York City, Jen coaxes a reluctant Joey along. Meanwhile Dawson and Pacey are hot on their trail, dying to know what they're up to.

An in-depth celebration of the romantic comedy’s modern golden era and its role in our culture, tracking the genre from its heyday in the ’80s and the ’90s, its unfortunate decline in the 2000s, and its explosive reemergence in the age of streaming, featuring exclusive interviews with the directors, writers, and stars of the iconic films that defined the genre. No Hollywood genre has been more misunderstood—or more unfairly under-appreciated—than the romantic comedy. Funny, charming, and reliably crowd-pleasing, rom-coms were the essential backbone of the Hollywood landscape, launching the careers of many of Hollywood’s most talented actors and filmmakers, such as Julia Roberts and Matthew McConaughey, and providing many of the yet limited creative opportunities women had in Hollywood. But despite—or perhaps because of—all that, the rom-com has routinely been overlooked by the Academy Awards or snobbishly dismissed by critics. In From Hollywood with Love, culture writer and GQ contributor Scott Meslow seeks to right this wrong, celebrating and analyzing rom-coms with the appreciative, insightful critical lens they’ve always deserved. Beginning with the golden era of the romantic comedy—spanning from the late ’80s to the mid-’00s with the breakthrough of films such as When Harry Met Sally—to the rise of streaming and the long-overdue push for diversity setting the course for films such as the groundbreaking, franchise-spawning Crazy Rich Asians, Meslow examines the evolution of the genre through its many iterations, from its establishment of new tropes, the Austen and Shakespeare rewrites, the many love triangles, and even the occasional brave decision to do away with the happily ever after. Featuring original black-and-white sketches of iconic movie scenes and exclusive interviews with the actors and filmmakers behind our most beloved rom-coms, From Hollywood with Love constructs oral histories of our most celebrated romantic comedies, for an informed and entertaining look at Hollywood’s beloved yet most under-appreciated genre.