French Ghost

Ghost-writer Melody Layne is stranded in Paris when the over-sexed but unloved French movie star who hired her to produce his memoir accidentally drowns before the interviews begin. It's a major financial relief when his enigmatic Spanish son re-hires her, but the seductive Carlos Ortega is strangely silent about his reasons for funding a feel-good bio about a father that he clearly despised. There's enough amour in the air for Melody to ignore this apparent paradox... at least until she uncovers a hidden cache of death threats addressed to the actor. For the French police, the sexy, secretive Spaniard - and sole heir to the actor's immense fortune - is suddenly a prime murder suspect. Can Melody's research into the Ghosts of Carlos-Past be enough to save her lover from prison?

History, travelogue, and memoir combine in this illuminating journey in the footsteps of the great explorer La Salle. This is the extraordinary account of a personal and historical quest in which Philip Marchand retraces the seventeenth-century explorations of La Salle while he searches in the present day for vestiges of France’s lost North American legacy. After he explored the Great Lakes and the entire Mississippi, La Salle was murdered by his own men when he led them on a disastrous mission to Texas. The vast land beyond Quebec that he claimed for France could have become — but for a few twists of history — an alternative North America: a French-speaking, Catholic empire in which native peoples would have played a prominent role. Marchand probes the intriguingly flawed character of La Salle and recounts the astonishing history of the Jesuit missionaries, coureurs de bois, fur traders, and soldiers who followed on his heels, and of the Indian nations with whom they came into contact. He also reports on the survivals of this diaspora from late-night bars, battle reenactments, parish churches, and wayside restaurants from Montreal to Venice, Louisiana. And throughout he draws on memories of his own Catholic childhood in Massachusetts to interpret the lingering attitudes, fears, hopes, and iconography of a people who, more deeply than most, feel the burdens and the ironies of history.

Ghost-writer Melody Layne is stranded in Paris when the over-sexed but unloved French movie star who hired her to produce his memoir accidentally drowns before the interviews begin. It's a major financial relief when his enigmatic Spanish son re-hires her, but the seductive Carlos Ortega is strangely silent about his reasons for funding a feel-good bio about a father that he clearly despised. There's enough amour in the air for Melody to ignore this apparent paradox… at least until she uncovers a hidden cache of death threats addressed to the actor. For the French police, the sexy, secretive Spaniard – and sole heir to the actor's immense fortune – is suddenly a prime murder suspect. Can Melody's research into the Ghosts of Carlos-Past be enough to save her lover from prison?

This work describes the ideological, intellectual, and literary role of ghost stories in late Renaissance France. It takes in prominent literary figures as well as lesser known tracts and pamphlets to shed light on the beliefs, fears, and desires of a period on the threshold of modernity.

When you're a quilt instead of a sheet, being a ghost is hard! An adorable picture book for fans of Stumpkin and How to Make Friends with a Ghost. Ghosts are supposed to be sheets, light as air and able to whirl and twirl and float and soar. But the little ghost who is a quilt can't whirl or twirl at all, and when he flies, he gets very hot. He doesn't know why he's a quilt. His parents are both sheets, and so are all of his friends. (His great-grandmother was a lace curtain, but that doesn't really help cheer him up.) He feels sad and left out when his friends are zooming around and he can't keep up. But one Halloween, everything changes. The little ghost who was a quilt has an experience that no other ghost could have, an experience that only happens because he's a quilt . . . and he realizes that it's OK to be different.

For seven weeks in late spring and early summer of 1628, a ghost haunted the modest dwelling of Huguette Roy and her husband in the small city of Dole in the Holy Roman Empire near the French border. Before and after giving birth to her third child, Huguette received visits twice daily from a young woman clothed in white who cleaned her house, eased her pains, and tended her newborn son. Only Huguette could see this apparition, and the haunting aroused curiosity and fear throughout her community. Soon after the spirit departed, a young man from Dole prepared a manuscript in colloquial French to recount Huguette’s experiences, the ghost’s demands, and the event’s orthodoxy. Translators Edwards and Sutch present this primary source in English to allow modern readers to view the spirituality, piety, and daily lives of ordinary people in early modern Europe. Transcription of the original French of Leonarde’s Ghost with editor’s notes in English, supplemental material [download pdf]

It’s not hard to find restless spirits in the Big Easy. Let the popular paranormal investigator guide you through its winding streets and history. Newly revised and updated, this installment in the much-acclaimed Ghost Hunter’s Guide Series is designed for locals, new residents, and travelers seeking the haunted history of the Crescent City and nearby locations. Detailed descriptions and historical background for more than two hundred locations guide readers to sites where they might encounter ghostly apparitions. Sites and spirits in the Garden District and French Quarter include the ghosts of voodoo priestesses, victims of yellow-fever epidemics, several well-known French Quarter restaurants, and the famous Lalaurie Mansion, thought to be the most haunted house in New Orleans. A section on City Park, the Faubourg Marigny, and nearby Chalmette, the site of the Battle of New Orleans, is also provided. A chapter dedicated to day trips suggests the paranormal possibilities awaiting travelers destined for the famous River Road plantations and Baton Rouge. Praise for Jeff Dwyer’s Ghost Hunter’s Guide to the San Francisco Bay Area “While sometimes scary, [the ghost stories] more often serve as reminders of the sometimes quirky, and oftentimes tragically haunting, history of the people of California.” —The Reporter (Vacaville, CA) “I thought I knew everything about the wine country, but I apparently overlooked the protoplasmic ‘walk by night’ world.” —Mick Winter, author of The Napa Valley Book

It was on a 'dark and stormy night', during the summer of 1816 that an eccentic group of English literati gathered at the Villa Diodati. The atmosphere at the Villa was charged by the violent streaks of lightening that licked at the mountain tops and split a black sky. As the wind outside whipped up the surface of lake Leman into a cauldron of waves the occupants of the Villa; Lord Byron, Mary Shelley, Dr John Polidori, Percy Shelley and Claire Clairmont, whipped themselves into a gothic frenzy with recitals of haunting poetry and ghost stories. The stories that they read came from a book, originally written in German, that had recently been translated into French. The book that they read from was called Fantasmagoriana. Fantasmagoriana has a unique place in literary history. This is the first full translation of the stories that inspired Mary Shelley's Frankenstein and Dr John Polidori's The Vampyre.