From A Cornish Window A New Edition

Sir Arthur Quiller-Couch was one of the giants of early twentieth-century literature and literary criticism.

From a Cornish Window A New Edition by Arthur Thomas Quiller-Couch I plead only that they were written at intervals, and in part for recreation, during years in which their author has striven to maintain a cheerful mind while a popular philosophy which he believed to be cheap took possession of men and translated itself into politics which he knew to be nasty. I may summarise it, in its own jargon, as the philosophy of the Superman, and succinctly describe it as an attempt to stretch a part of the Darwinian hypothesis and make it cover the whole of man's life and conduct. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

From a Cornish Window by Arthur Quiller-Couch

As for the house, it is a plain one; indeed, very like the house a child draws on a slate, and therefore pleasing even externally to me, who prefer the classical to any Gothic style of architecture. Why so many strangers mistake it with its modest dimensions for a hotel, I cannot tell you. I found one in the pantry the other day searching for a brandy-and-soda; another rang the dining-room bell and dumbfoundered the maid by asking what we had for lunch; and a third (a lady) cried when I broke to her that I had no sitting-room to let. We make it a rule to send out a chair whenever some unknown invader walks into the garden and prepares to make a water-colour sketch of the view. There are some, too, whose behaviour cannot be reconciled with the hallucination of a hotel, and they must take the house for a public institution of some kind, though of what kind I cannot guess. There was an extremely bashful youth, for instance, who roamed the garden for a while on the day after the late Duke of Cambridge's funeral, and, suddenly dashing in by the back door, wanted to know why our flag was not at half-mast. There was also a lady who called on the excuse that she had made a life-study of the Bront‘s, and after opining (in a guarded manner) that they came, originally, from somewhere in Yorkshire, desired to be informed how many servants we kept. I have sometimes thought of rechristening our house The Hotel of the Four Seasons, and thereby releasing its true name (The Haven) to a friend who covets it for his own. On the whole, however, these visitors disturb the house and the view from my window very little. The upper halves of them, as they pass up and down the road, appear above my garden wall much as the shadows that passed in Plato's cave. They come, enjoy their holiday, and go, leaving the window intent upon the harbour, its own folk and its own business.

"[...] "To these as homeward still I ply, And pass the churchyard gate, Where all are laid as I must lie, I stop and raise my hat. "I like the hunting of the hare: [...]."

Excerpt from From a Cornish Window Severe and ruthlessly honest man that you are, you will find that the levities and the gravities of this book do not accord, and will say so. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

"[...]neighbours, yet more keenly interested than ever in life and letters, art and politics-all that men and women are saying and doing. Only the centre of gravity has shifted, so to speak. I dare say, then, that resignation may have some share in this content; but if so 'tis an unconscious and happy one. A man who has been writing novels for a good part of his life should at least be able to sympathise with various kinds of men; and, for an example or two, I can understand- [...]".