From Israel With Love

Winner of the Malstrom Award of the League of Snohomish County Historical Organizations In 1968, a time of turbulence and countercultural movements, a one-time television salesman named Paul Erdmann changed his name to Love Israel and started a controversial religious commune in Seattle's middle-class Queen Anne Hill neighborhood. He quickly gathered a following and they too adopted the Israel surname, along with biblical or virtuous first names such as Honesty, Courage, and Strength. The burgeoning Love Israel Family lived a communal lifestyle centered on meditation and the philosophy that all persons were one and life was eternal. They flourished for more than a decade, owning houses and operating businesses on the Hill, although rumors of drug use, control of members, and unconventional sexual arrangements dogged them. By 1984, perceptions among many followers that some Family members - especially Love Israel himself - had become more equal than others led to a bitter breakup in which two-thirds of the members defected. The remaining faithful, about a hundred strong, resettled on a ranch the Family retained near the town of Arlington, Washington, north of Seattle. There they recouped and adapted, with apparent social and economic success, for two more decades. In The Love Israel Family, Charles LeWarne tells the compelling story of this group of idealistic seekers whose quest for a communal life grounded in love, service, and obedience to a charismatic leader foundered when that leader's power distanced him from his followers. LeWarne followed the Family for years, attending its celebrations and interviewing the faithful and the disaffected alike. He tells the Family's story with both sympathy and balance, describing daily life in the urban and later the rural communes and explaining the Family's deeply felt spiritual beliefs. The Love Israel Family is an important chapter in the history of communal experiments in the United States.

A controversial, award-winning story about the passionate but untenable affair between an Israeli woman and a Palestinian man, from one of Israel’s most acclaimed novelists When Liat meets Hilmi on a blustery autumn afternoon in Greenwich Village, she finds herself unwillingly drawn to him. Charismatic and handsome, Hilmi is a talented young artist from Palestine. Liat, an aspiring translation student, plans to return to Israel the following summer. Despite knowing that their love can be only temporary, that it can exist only away from their conflicted homeland, Liat lets herself be enraptured by Hilmi: by his lively imagination, by his beautiful hands and wise eyes, by his sweetness and devotion. Together they explore the city, sharing laughs and fantasies and pangs of homesickness. But the unfettered joy they awaken in each other cannot overcome the guilt Liat feels for hiding him from her family in Israel and her Jewish friends in New York. As her departure date looms and her love for Hilmi deepens, Liat must decide whether she is willing to risk alienating her family, her community, and her sense of self for the love of one man. Banned from classrooms by Israel’s Ministry of Education, Dorit Rabinyan’s remarkable novel contains multitudes. A bold portrayal of the strains—and delights—of a forbidden relationship, All the Rivers (published in Israel as Borderlife) is a love story and a war story, a New York story and a Middle East story, an unflinching foray into the forces that bind us and divide us. “The land is the same land,” Hilmi reminds Liat. “In the end all the rivers flow into the same sea.” Praise for All the Rivers “Rabinyan’s book is a sort of Romeo and Juliet, a forbidden love affair between a Jewish girl from Tel Aviv and a Palestinian boy from Hebron. . . . [A] beautiful novel.”—The Guardian “A fine, subtle, and disturbing study of the ways in which public events encroach upon the private lives of those who attempt to live and love in peace with each other, and, impossibly, with a riven and irreconcilable world.”—John Banville, Man Booker Prize–winning author of The Sea “I’m with Dorit Rabinyan. Love, not hate, will save us. Hatred sows hatred, but love can break down barriers.”—Svetlana Alexievich, winner of the Nobel Prize for Literature “Astonishing . . . [a] precise and elegant love story, drawn with the finest of lines.”—Amos Oz “Rabinyan’s writing reflects the honesty and modesty of a true artisan.”—Haaretz “Because the novel strikes the right balance between the personal and the political, and because of her ability to tell a suspenseful and satisfying story, we decided to award Dorit Rabinyan’s [All the Rivers] the 2015 Bernstein Prize.”—From the 2015 Bernstein Prize judges’ decision “[All the Rivers] ought to be read like J. M. Coetzee or Toni Morrison—from a distance in order to get close.”—Walla! “Beautiful and sensitive . . . a human tale of rapprochement and separation . . . a noteworthy human and literary achievement.”—Makor Rishon “A captivating (and heartbreaking) gem, written in a spectacular style, with a rich, flowing, colorful and addictive language.”—Motke “A great novel of love and peace.”—La Stampa “A novel that truly speaks to the heart.”—Corriere della Sera

Review: "Love and Violence is a detailed study of the marriage metaphor in the prophetic books of the Hebrew Bible and a challenge to the use of that metaphor for depicting the relationship between God and Israel. It examines the ways in which the metaphor is rooted in gender assumptions of the ancient world and the inherent tension in the usage of the marriage metaphor in ancient Israel, as well as in today's church and society."--BOOK JACKET

Bursting with lush, vibrant photographs, Passage to Israel is a timeless tribute to one of the world’s most soulful, resolute, and newsworthy countries. Divided into sections such as Soul, Spirit, Awe, Quiet, and Unity, the stunning images featured inside capture Israel’s glorious landscapes, its city life, its culture, and its people. From an enchanting sunset over the Dead Sea to the lively city life of Tel Aviv, from colorful marketeers to families in prayer at the Western Wall, this incredible volume moves full-steam ahead past the typical postcard images of the country to showcase the character of its people and the sanctity of the land they’re so resolute in preserving. Contributors to Passage to Israel include twenty-five iconic and groundbreaking photographers, acclaimed artists such as Markus Gebauer and Amit Geron, and more than 150 of their images are featured inside. As a precursor to the images is an enlightening introduction by the author, a renowned cultural critic and curator, that provides a fascinating frame for the photographs to come. Throughout, explanatory captions are featured side-by-side with the images. For a country roughly the size of New Jersey and only formally declared a state in 1948, not too long ago, Israel is easily the world’s most controversial land, one that’s withstood regular suicide bombing, violent attacks, and political pressure. Yet its people refuse to be silenced; they will protect their borders and they will continue to persevere. For those who’ve been to Israel and those who’ve yet to make the trip there, here, at last, is a truly immersive experience, an inspiring visual connection to a remarkable, but faraway land

After floating in the Dead Sea, the six friends came out and started walking on the shore towards salt formations at a distance. Amyra and two girls were leading. Aghast they stopped abruptly, to see a thickset man holding a girl in bikinis and pushing her towards a fold in the piled-up salt formations. It infuriated Capt Shaurya Vardhan who saw the man with an arm-hold around the girl’s neck, flaunting a knife blade in his other hand. The girl was struggling and whimpering to let her go. The man was heard saying, ‘Co-operate with me and I won’t hurt you. Shaurya warned the goon in his deep voice, ‘stop there you rascal.’ Surprised, the man whirled around to face the challenger with a speed of a cobra stepped over. He shoved the girl behind him and came at the Captain, raising the knife aiming at his chest.