Galley Slave

This remarkable memoir tells of the miseries of Jean Marteilhe of Bergerac, a Protestant condemned to the Galleys of France for his Religion, who, after the revocation of the Edict of Nantes in 1685, attempted, like so many French Huguenots, to escape to the more sympathetic Protestant countries bordering France. In 1700, heading through the Ardennes towards Charleroi, he was captured by French Dragoons and thrown into gaol.In 1707 he then found himself, like so many Huguenots, condemned to serve in the French Mediterranean galleys. Little is known of life as a galley slave on these oared vessels. Certainly no accounts have come down to us from ancient Greece or Rome, though a little is known from the time of the Crusades. So Marteilhes racy account represents the only authentic record of the miseries of a galley slave who experienced all the horrors of whips and chains and the dreaded bastinado—foot whipping.For six years he pulled his oar, often seeing friends and co-religionists lashed—sometimes to death—under the whips of the overseers. He himself sustained almost fatal injuries in a bloody engagement with the British off the mouth of the Thames before being released under a general amnesty in 1713.Galley Slave brings vividly to life the sufferings and conditions on the seventeenth- and eighteenth-century galleys and is a unique and unforgettable account.

This richly illustrated volume, the first devoted to maritime art and galley slavery in early modern France, shows how royal propagandists used the image and labor of enslaved Muslims to glorify Louis XIV. Mediterranean maritime art and the forced labor on which it depended were fundamental to the politics and propaganda of France’s King Louis XIV (r. 1643–1715). Yet most studies of French art in this period focus on Paris and Versailles, overlooking the presence or portrayal of galley slaves on the kingdom’s coasts. By examining a wide range of artistic productions—ship design, artillery sculpture, medals, paintings, and prints—Meredith Martin and Gillian Weiss uncover a vital aspect of royal representation and unsettle a standard picture of art and power in early modern France. With an abundant selection of startling images, many never before published, The Sun King at Sea emphasizes the role of esclaves turcs (enslaved Turks)—rowers who were captured or purchased from Islamic lands—in building and decorating ships and other art objects that circulated on land and by sea to glorify the Crown. Challenging the notion that human bondage vanished from continental France, this cross-disciplinary volume invites a reassessment of servitude as a visible condition, mode of representation, and symbol of sovereignty during Louis XIV’s reign.

DigiCat Publishing presents to you this special edition of "The Galley Slave's Ring; or, The Family of Lebrenn" (A Tale of The French Revolution of 1848) by Eugène Sue. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.