Gardens On The Edge

In breathtaking images and insightful essays, Gardens on the Edge explores 18 Australian gardens that are defined by extraordinary horizons. Each of the featured landscapes - from every state and territory, from outback to city - is situated on the edge of a natural frontier: rainforest, desert, bushland, river, mountain range, volcanic crater lake, coast, harbour, saltbush plains. In another sense, Australian gardens and their owners are always 'on the edge' in dealing with the endless vagaries of nature, from drought to dust, fires to flood. In telling the stories of the gardens and their owners, Christine Reid reveals the diversity and character of the Australian continent - and celebrates the imagination and resilience of those who have met the challenges of creating, reconstructing or restoring their 'vision splendid' in an ancient and often-unforgiving land.

In this eloquent plea for compassion and respect for all species, journalist and gardener Nancy Lawson describes why and how to welcome wildlife to our backyards. Through engaging anecdotes and inspired advice, profiles of home gardeners throughout the country, and interviews with scientists and horticulturalists, Lawson applies the broader lessons of ecology to our own outdoor spaces. Detailed chapters address planting for wildlife by choosing native species; providing habitats that shelter baby animals, as well as birds, bees, and butterflies; creating safe zones in the garden; cohabiting with creatures often regarded as pests; letting nature be your garden designer; and encouraging natural processes and evolution in the garden. The Humane Gardener fills a unique niche in describing simple principles for both attracting wildlife and peacefully resolving conflicts with all the creatures that share our world.

Provides information about how to use straw bales as planting containers for vegetable gardening.

Daily life for most of us, particularly Americans, frequently achieves a pace that becomes busy to the point of being harried. As one activity spins into another, each day distinguishes itself little from any other day. In a like manner, our immediate surroundings of buildings, products, or media set a uniform scene for our lives. Meanwhile, the sameness spreads from one place to another relentlessly leaving cities and suburbs where once could be found bucolic countryside, native landscape, and wildlife habitat. Many people seek an escape. That escape need not be far away. It can be as close as a home garden, particularly one based upon a natural design that belongs where it is located. Particularly well suited to providing an escape from the mundane is a garden filled with native plants that belong in the general area of the site and that are chosen to specifically fit the conditions of the site. By being within such a garden, the authenticity of its site lets both people and wildlife know that they are home. A garden that provides such authenticity finds itself resting gently on the land gracing the site with a natural style that belongs. That garden breaks away from some of the conventions of design promoted by various media and the horticulture industry that intend first to sell profitably produced plants and landscaping material across the nation. Media promoted gardening styles, including the plants in them, besides intended for use just about anywhere come in and out of fashion and use. One year's set of must-have plants and landscaping materials promoted by the media replaces another in succession. Meanwhile, the horticultural industry, naturally in pursuit of as much business as possible, touts varieties of plants for garden use that are adaptable to as wide an area as possible. As a result, similar-looking gardens or at least the plants in them appear across the country and even around the world often out of context of the area in which the garden grows. Having the latest plants and garden style at a minimum provides a point of conversation for the gardener and visitors to the garden even if much the same plants and landscaping appear across town or across the continent. Just as uniformity in garden styles and ubiquitous plants seem nearly to overtake suburban and urban areas, a movement to landscape with native plants has begun to gain acceptance. Any gardener can be a part of this. The effort to include native plants reflects a desire by some gardeners and landscapers to create a garden anchored with a sense of the place that includes the garden. This new direction may be happening just in time. More and more native habitats disappear leaving fewer places for the native plants that lived there, not to mention the wildlife that joins them. Both native plants and wildlife need new places in which to live. Home gardens that incorporate places for native plants and wildlife may be those sanctuaries. All gardeners are in fact gardening on the edge of an era in which widely dispersed cultivated gardens may be the key in continuing the existence of some plants and maybe even some of the other living things that go with them. In order to show an example of how a new garden style incorporating native plants can be done in nearly every garden, the story of the evolution of the gardens at Windflower Grove has been used for illustration. Growing on the tallgrass prairie of central Iowa along a woodland edge, the gardens continue to be the author's own life work, which continues on as it has for over sixty years. Many specific methods proven in the gardens to work for growing native plants are shared in order to make inclusion of native plants a little easier for others. Gardening with inclusion of native plants and encouragement of wildlife gradually evolved over the years at Windflower Grove into a garden style that can be described as heritage habitat gardening. Specific rules of the style are few and flexible in o

Accustomed to the dark, dripping stands of Douglas–fir, spruce and hemlock that blanketed the Hudson's Bay Company outposts on the remote western coast of the "new World" the first Europeans were surely startled to see the wide–open landscapes of the Garry oak meadows they encountered on Southern Vancouver Island ––– landscapes that might have reminded any explorers who had ventured into the African savannahs of what they had seen there. Though slow in comprehending what they had stumbled upon, the Europeans immediately recognized the deep, rich deposits of black soil that extended many feet below the surface, and James Douglas chose the site as the ideal location for the HBC's new fort, and settlement. What the newcomers failed to appreciate is that these meadows were not the work of nature alone, but of the Coast Salish peoples who had been living in these parts for millennia. With the construction of the fort of Victoria began an encroachment on these Garry oak meadows, built up over centuries if not millennia, a process that continues today. In Gardens Aflame, Victoria writer and environmentalist Maleea Acker tells us about this unique and vanishing ecosystem, and the people who have made it their life's work to save the Garry oak and the environment ––– including the human environment ––– it depends on. Acker tells us about the Garry oak species and its unique habits and requirements, including its unusual summer dormancy period, when all the surrounding plants are coursing with life. We learn something about the scientists, arborists, and Garry oak–loving volunteers who have dedicated themselves to this tree; and about Theophrastus, Humboldt, and their other forebearers who are still reshaping our notions of nature and humans' place in it. And in the course of Acker's story, we see her fall under the spell of the strange beauty woven by these magnificent trees, and the ecosystems they tower over ––– until, in the final act, she decides to turn her own front yard into her own version of a Garry oak meadow, defying City Hall and the neighbours, and bringing to a head in 2011 all the issues raised 150 years ago when Europeans first saw the open meadows of Southern Vancouver Island. Gardens Aflame is number 21 in the Transmontanus series.

“A Way to Garden prods us toward that ineffable place where we feel we belong; it’s a guide to living both in and out of the garden.” —The New York Times Book Review For Margaret Roach, gardening is more than a hobby, it’s a calling. Her unique approach, which she calls “horticultural how-to and woo-woo,” is a blend of vital information you need to memorize and intuitive steps you must simply feel and surrender to. In A Way to Garden, Roach imparts decades of garden wisdom on seasonal gardening, ornamental plants, vegetable gardening, design, gardening for wildlife, organic practices, and much more. She also challenges gardeners to think beyond their garden borders and to consider the ways gardening can enrich the world. Brimming with beautiful photographs of Roach’s own garden, A Way to Garden is practical, inspiring, and a must-have for every passionate gardener.

From Minnesota to Moscow — how to grow fresh figs in cold climates Growing Figs in Cold Climates is a complete, full-color, illustrated guide to organic methods for growing delicious figs in cold climates, well outside the traditional hot, arid home of this ancient fruiting tree. Coverage includes: Five methods for growing figs in cold climates including overwintering Cultivar selection for cool and cold climates Pruning techniques for a variety of methods of growing figs in cold climates Pest problems and solutions Harvesting, including ways to speed ripening, identify ripe fruit, and manage an overabundance Small-scale commercial fig production in cold climates. Fresh figs are juicy, full-bodied, and filled with a honey-sweet flavor, and because truly ripe figs are highly perishable, they are only available to those who grow their own. By choosing the right cultivars and techniques, figs can be grown across cool and cold growing zones of North America, Europe, and beyond, putting them within reach of almost every gardener. Easy and delicious — if you can grow a houseplant, you can grow a fig.