Gatecrasher

A smart, gossipy, and very funny examination of celebrity culture from New York’s premiere social columnist. Ben Widdicombe is the only writer to have worked for Page Six, TMZ, and The New York Times—an unusual Triple Crown that allowed him personal access to the full gamut of Hollywood and high society’s rich and famous, from billionaires like Rupert Murdoch, Donald Trump, and the Koch brothers, to pop culture icons Kim Kardashian and Paris Hilton. Now, in Gatecrasher, New York’s premiere gossip-turned-society writer spills the sensational stories that never made it to print. Widdicombe has appeared at nearly every gossip-worthy venue—from the Oscars and the Hamptons, to the Met Gala and Mar-a-Lago—and has rubbed elbows with a dizzying array of celebrities (and wannabes), and he whisks us past the clipboard and velvet rope to teach us the golden rules of gatecrashing, dishing on dozens of boldface names along the way. Widdicombe shares secrets for how to crash the parties, climb the ladder, avoid the paparazzi, or make small talk with Henry Kissinger and Anna Wintour. Endlessly fun and extremely telling, Gatecrasher makes the unnerving argument that Paris Hilton conquering pop culture two decades ago lead to Donald Trump winning the White House. “As the gossip pages go, so goes the country,” he says.

Madeleine Wickham is Sophie Kinsella, and The Gatecrasher is just as delicious as her internationally bestselling Shopaholic series. Everything's coming up roses for Fleur Daxeny, as she goes through more rich men than she does designer hats. Beautiful and utterly irresistible, her success at crashing funerals to find wealthy men is remarkable. Fleur wastes no time in seducing her latest conquest, the handsome and rich widower Richard Favour. His children are caught up in a whirlwind as their father's new girlfriend descends on the family estate. Fleur is not one to wear her heart on her Chanel sleeves, but she soon finds herself embracing Richard and his family. But just as Fleur contemplates jumping off the gold-digger train for good, a long-buried secret from her past threatens to destroy her new family. Take a wild and marvelous ride with The Gatecrasher, whose clever, chic, and sassy style will leave you desperately wanting more wonderful Wickham!

The Maverick Heart is bored. That is until it discovers a top team of engineers and scientists in a barren, backwater system have created the Gate, a stable, artificial wormhole that will revolutionize interplanetary travel forever. Breaching the wall of secrecy around this radical new technology is a temptation too sweet for human partners Keene and Lexa-Blue to resist. Elswhere, Ember Avanti is a thief, with the highest of high tech toys in his arsenal. And he’s damned good at it, too. But sooner or later, every thief chooses the wrong mark. When he targets Quintaine DiaStellar, he soon learns the corporation will stop at nothing to make the Gate its own. Ember’s team and the Maverick Heart crew must unite in a desperate attempt to stop the most vicious act of industrial espionage in the history of the Pan Galactum.

After World War I, artists without formal training “crashed the gates” of major museums in the United States, diversifying the art world across lines of race, ethnicity, class, ability, and gender. At the center of this fundamental reevaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson “Grandma” Moses. The stories of these three artists not only intertwine with the major critical debates of their period but also prefigure the call for inclusion in representations of American art today. In Gatecrashers, Katherine Jentleson offers a valuable corrective to the history of twentieth-century art by expanding narratives of interwar American modernism and providing an origin story for contemporary fascination with self-taught artists.

Poetry. California Interest. These poems observe how the structures humans create, both physical and conceptual, collapse. We build shelter and belief for comfort, but like the logs of a house, rot can run through, undermining what is assumed to be solid and reliable. Part surreal autobiography, and part observation of how physical and conceptual humanmade structures are collapsing, this wildfire debut dreamwalks through the poet's occupation of land straddling urban and rural, dream and waking, harsh and magical. "Susan Buis' book, GATECRASHER, are poems that are 'blunt for progress and polished' creating a fresh look at the world we live in. She embodies her poetry boldly and confidently. GATECRASHER is a wonderful read "--Garry Gottfriedson

The stakes are higher than ever as Jace races to crack the code of Ravnica's mysterious Implicit Maze Confronted with the mystery of the Implicit Maze and the rumblings of a guild war, planeswalker Jace Beleren tried to retreat from the action. But when his elf friend Emmara Tandris is kidnapped by members of the Cult of Rakdos—a ‘thrill kill’ guild looking to curry favor with more powerful guildmasters—he has no choice but to engage. Jace succeeds in finding Emmara, but the two are now deep into enemy territory, with few options to free themselves. As Jace struggles to get them to safety, he begins to piece together the greater mystery of the Implicit Maze. It's now a race to see who will unlock its secrets.

What is the future of religion given the responses of young people? What impact do existing religious forms have on youth? What kind of spirituality and religion are young people creating for themselves? Religion and Youth presents an accessible guide to the key issues in the study of youth and religion, including methodological perspectives. It provides a key teaching text in these areas for undergraduates, and a book of rigorous scholarship for postgraduates, academics and practitioners. Offering the first comprehensive international perspective on the sociology of youth and religion, this book reveals key geographical and organisational variables as well as the complexities of the engagement between youth and religion. The book is divided into six parts organised around central themes: Generation X and their legacy; The Big Picture – surveys of belief and practice in the USA, UK and Australia; Expression – how young people construct and live out their religion and spirituality; Identity – the role of religion in shaping young people's sense of self and social belonging; Transmission – passing on the faith (or not); Researching Youth Religion – debates, issues and techniques in researching young people's religion and spirituality. James A. Beckford writes the Foreword and Linda Woodhead the Epilogue.