Geet Gawai Bhojpuri Folk Songs In Mauritius

Geet Gawai (Bhojpuri Folk Songs in Mauritius) by Dr. Sarita Boodhoo: This book by Dr. Sarita Boodhoo presents a collection of Bhojpuri folk songs from Mauritius, offering readers insights into the rich cultural heritage of the Bhojpuri-speaking community on the island. The book celebrates the musical traditions and expressions of the community. Key Aspects of the Book "Geet Gawai (Bhojpuri Folk Songs in Mauritius)": Cultural Heritage: The book showcases the cultural heritage and folk music traditions of the Bhojpuri-speaking community in Mauritius. Preservation of Folk Songs: "Geet Gawai" highlights the importance of preserving and promoting folk songs as an integral part of a community's identity. Music and Identity: The book explores the role of folk songs in shaping the cultural identity and collective memory of the Bhojpuri community. Dr. Sarita Boodhoo is the author of "Geet Gawai (Bhojpuri Folk Songs in Mauritius)," a book that celebrates the musical traditions of the Bhojpuri-speaking community in Mauritius. Dr. Boodhoo's work reflects her dedication to preserving and sharing the cultural heritage of the community through music.

The present book is a collection of writeups contributed by various eminent artists and art critics on different kinds of art tetechniques. This book was first published in the year 1826.

This book covers various forms of the production of girmitiya culture and literature. One of the main objectives is to conceptualize the idea of girmitya, girmitology, and girmitiya literature, culture, history, and identity in both colonial and postcolonial contexts. This book aims to document the history, experiences, culture, assimilation, and identity of girmitiya community. It also critically analyses the articulation, projection, and production of their experiences of migration and being immigrant, their narratives, tradition, culture, religion, and memory. It also explores how this labour community formulated into a diaspora community and reconnected/created the home (land) and continues to do so in the wake of globalization and Information and Communication Technology (ICT). This book is an attempt to bring the intriguing neglected diverse historical heritage of colonial labour migration and their narratives into the mainstream scholarly debates and discussions in the humanities and the social sciences through the trans- and interdisciplinary perspectives. This book assesses the routes of migration of old diaspora, and it explains the nuances of cultural change among the generations. Although, they have migrated centuries back, absorbed and assimilated, and got citizenships of respective countries of destinations but still their longing for roots, culture, identities, “home”, and the constant struggle is to retain connections with their homeland depicted in their cultural practices, arts, music, songs, folklore and literary manifestations.

This volume examines Indian diasporic communities in various countries including the United Kingdom, Trinidad, Portugal, Netherlands, and Fiji, among others, and presents new perspectives on the shifting nature of Indian transnationalism. The book: Discusses how migrant communities reinforce the diaspora and retain a group identity, while at the same time maintaining a bond with their homelands; Highlights new tendencies in the configuration of Indian transnationalism, especially cultural entanglements with the host countries and the differentiation of homelands; Studies forces affecting bonding among these communities such as global and local encounters, glocalisation, as well as economic, political, and cultural changes within the Indian state and the wider Indian diaspora. Featuring a diverse collection of essays rooted in robust fieldwork, this volume will be of great importance for students and researchers of diaspora studies, globalization and transnational migration, cultural studies, minority studies, sociology, political studies, international relations, and South Asian studies.

Wovon reden wir, wenn wir von "japanischer", "chinesischer" oder "koreanischer Küche" reden? Der Schwerpunkt "Der globalisierte Gaumen: Ostasiens Küchen auf Reisen" wurde so konzipiert, dass er die vielfältigen Dimensionen und Effekte der Globalisierung beispielhaft an den "Reisen" ostasiatischer Küchen zum Vorschein bringt. Die zwölf Beiträge beleuchten neben Kapital-, Personen und Warenverkehr vor allem historische und kulturelle Faktoren. Originalität, Tradition und Authentizität sind thematische Knotenpunkte. Die Vielfalt der Problemstellungen spiegelt sich in der Bandbreite der methodischen Zugänge und Perspektiven. Abgerundet wird dieser Teil durch zwei Dokumentationen, eine annotierte deutsch-englische Bibliographie zur kulinaristischen Forschung zu Ost- und Südostasien in den Sprachen Englisch, Deutsch, Japanisch, Koreanisch und Französisch und eine Liste akademischer Abschlussarbeiten aus dem deutschsprachigen Raum. Mit der "Kulinaristischen Ökologie" wird ein neuer Denkansatz aus dem Bereich der Lebens- und Umweltwissenschaften für das Feld der Kulinaristik vorgestellt. Dieser soll die ökologischen Konsequenzen und weltweiten Eingriffsfolgen aufzeigen, die dem Groß-Ökosystem 'Erde' und seinen großlandschaftlichen Subsystemen durch Nahrungsbeschaffung für eine ungebremst wachsende Weltbevölkerung erwachsen. Die Beiträge zum Thema "Das Gericht" loten mit den Mitteln von Wortsemantik und Etymologie, von praxisorientierter Begriffsgeschichte wie mit dem Versuch einer optisch unterfütterten Möbel- und Designgeschichte seine Vieldeutigkeit aus, abgerundet durch ein org.editeur.onix.v21.shorts.I@74cd72cf von italienischer Gegenwartsliteratur im Blick auf eine neue Essensmoral. Der Teil "Varia" besucht u.a. mit den Bahnhofsgaststätten einen für das kulturelle Gedächtnis Europas markanten transitorischen Ort.

This Book Is A Celebration Of The History And Presence Of Biharis In Mauritius. It Brings Together Prose, Poetry And Art To Recreate Scenes And Events Of Bihari History In Mauritius And To Evoke The Dramas Of Exile And Settlement.