Gellhorn

A collection of “first-rate frontline journalism” from the Spanish Civil War to US actions in Central America “by a woman singularly unafraid of guns” (Vanity Fair). For nearly sixty years, Martha Gellhorn’s fearless war correspondence made her a leading journalistic voice of her generation. From the Spanish Civil War in 1937 through the Central American wars of the mid-eighties, Gellhorn’s candid reporting reflected her deep empathy for people regardless of their political ideology. Collecting the best of Gellhorn’s writing on foreign conflicts, and now with a new introduction by Lauren Elkin, The Face of War is a classic of frontline journalism by “the premier war correspondent of the twentieth century” (Ward Just, The New York Times Magazine). Whether in Java, Finland, the Middle East, or Vietnam, she used the same vigorous approach. “I wrote very fast, as I had to,” she says, “afraid that I would forget the exact sound, smell, words, gestures, which were special to this moment and this place.” As Merle Rubin noted in his review of this volume for The Christian ScienceMonitor, “Martha Gellhorn’s courageous, independent-minded reportage breaks through geopolitical abstractions and ideological propaganda to take the reader straight to the scene of the event.”

Now including a foreward by Bill Buford and photographs of Gellhorn with Hemingway, Dorothy Parker, Madame Chiang Kai-shek, Gary Cooper, and others, this new edition rediscovers the voice of an extraordinary woman and brings back into print an irresistibly entertaining classic. "Martha Gellhorn was so fearless in a male way, and yet utterly capable of making men melt," writes New Yorker literary editor Bill Buford. As a journalist, Gellhorn covered every military conflict from the Spanish Civil War to Vietnam and Nicaragua. She also bewitched Eleanor Roosevelt's secret love and enraptured Ernest Hemingway with her courage as they dodged shell fire together. Hemingway is, of course, the unnamed "other" in the title of this tart memoir, first published in 1979, in which Gellhorn describes her globe-spanning adventures, both accompanied and alone. With razor-sharp humor and exceptional insight into place and character, she tells of a tense week spent among dissidents in Moscow; long days whiled away in a disused water tank with hippies clustered at Eilat on the Red Sea; and her journeys by sampan and horse to the interior of China during the Sino-Japanese War.

Discover the life of one of the twentieth century's most significant and notorious war correspondents, and the third wife of Ernest Hemingway. Martha Gellhorn's journalism tracks many of the flashpoints of the twentieth century; as a young woman she witnessed the suffering of the American Depression and risked her life in the Spanish Civil War. Her dispatches from the front made her a legend, yet her private life was often messy and volcanic. Her determination to be a war correspondent - and her conspicuous success - contributed to the breakdown of her infamously stormy marriage to Ernest Hemingway. In this mesmerising biography of a life that spanned the twentieth century, Moorehead reveals how passionately Martha fought against injustice, and how determined she was to catch the human story. 'A deeply sympathetic portrait... [it shows] an overwhelming sense of what it is to be human' Daily Telegraph

The first major biography of legendary war correspondent Martha Gellhorn casts "a vivid spotlight on one of the most undercelebrated women of the 20th century" (Entertainment Weekly) Martha Gellhorn's heroic career as a reporter brought her to the front lines of virtually every significant international conflict between the Spanish Civil War and the end of the cold war; her wartime dispatches rank among the best of the century. From her birth in St. Louis in 1908 to her death in London in 1998, the tall, glamorous blonde passed through Africa, Cuba, Panama, and most of the great cities of Europe. She made friends easily-among them Eleanor Roosevelt, Leonard Bernstein, and H. G. Wells-but happiness often eluded her despite her professional success: both of her marriages ended badly, the first, to Ernest Hemingway, dramatically and publicly so. Drawn from extensive interviews and exclusive access to Gellhorn's papers and correspondence, this seminal biography spans half the globe and almost an entire century to offer an exhilarating, intimate portrait of one of the defining women of our times.

An engrossing collection that burnishes Gellhorn's reputation as an astute observer, insightful writer, and uniquely brave woman. -- Kirkus starred review) This carefully curated collection ... reveals the exciting life of a brilliant woman whose work paved the way for many who followed behind her. -- The Globe and Mail What a pleasure reading her correspondence and being reminded of how beautifully she wrote, filled with passion and insight. -- Azar Nafisi An essential book ... Janet Somerville has done a marvelous job with marvelous material. Bravo. -- Ward Just Martha Gellhorn was a strong-willed, self-made, modern woman whose journalism, and life, were widely influential at the time and cleared a path for women who came after her. An ardent anti-fascist, she abhorred objectivity shit and wrote about real people doing real things with intelligence and passion. She is most famous, to her enduring exasperation, as Ernest Hemingway's third wife. Long after their divorce, her short tenure as Mrs. Hemingway from 1940 to 1945 invariably eclipsed her writing and, consequently, she never received her full due. Yours, for Probably Always is a curated collection of letters between Gellhorn and the extraordinary personalities that were her correspondents in the most interesting time of her life. Through these letters and the author's contextual narrative, the book covers Gellhorn's life and work, including her time reporting for Harry Hopkins and America's Federal Emergency Relief Administration in the 1930s, her newspaper and magazine reportage during the Spanish Civil War, World War II and the Vietnam War, and her relationships with Hemingway and General James M. Gavin late in the war, and her many lovers and affairs. Gellhorn's life, reportage, fiction and correspondence reveal her passionate advocacy of social justice and her need to tell the stories of the people who were the sufferers of history. Renewed interest in her life makes this collection, packed with newly discovered letters and pictures, fascinating reading.

Martha Gellhorn was one of the first—and most widely read—female war correspondents of the twentieth century. She is best known for her fearless reporting in Europe before and during WWII and for her brief marriage to Ernest Hemingway, but she was also an acclaimed novelist. In 1938, before the Munich pact, Gellhorn visited Prague and witnessed its transformation from a proud democracy preparing to battle Hitler to a country occupied by the German army. Born out of this experience, A Stricken Field follows a journalist who returns to Prague after its annexation and finds her efforts to obtain help for the refugees and to convey the shocking state of the country both frustrating and futile. A convincing account of a people under the brutal oppression of the Gestapo, A Stricken Field is Gellhorn’s most powerful work of fiction. “[A] brave, final novel. Its writing is quick with movement and with sympathy; its people alive with death, if one can put it that way. It leaves one with aching heart and questing mind.”—New York Herald Tribune “The translation of [Gellhorn’s] personal testimony into the form of a novel has . . . force and point.”—Times Literary Supplement

An anthology spanning six decades of on-the-scene journalism from “one of the most eloquent witnesses of the twentieth century” (Bill Buford, Granta). For nearly sixty years, Martha Gellhorn traveled the globe to report on the tumult and extremity of life in the twentieth century. The View from the Ground, as Gellhorn explains, “is a selection of articles written during six decades; peace-time reporting. That is to say, the countries in the background were at peace at the moment of writing; not that there was peace on earth.” Included here are accounts of America during the Depression, Israel and Palestine in the 1950s, post-Franco Spain, protests at the White House, domestic life in Africa, and Gellhorn’s return to Cuba after a forty-one-year absence—among many other topics. Informed by the horrors of fascism in Spain and Germany, the modern terror in Central America, and by the courage of those who stand up to the thugs both in an out of government, The View from the Ground is a singular act of testimony that, like its companion volume, The Face of War, is “an eloquent, unforgettable history of a chaotic century” (San Francisco Chronicle).

In 1937, courageous and independent Martha Gellhorn travels to Madrid to report on the atrocities of the Spanish Civil War, and finds herself drawn to the stories of ordinary people caught in devastating conflict. She also finds herself unexpectedly - and uncontrollably - falling in love with Ernest Hemingway, a man already on his way to being a legend. In the shadow of the impending Second World War, and set against the tumultuous backdrops of Madrid, Finland, China, and especially Cuba, where Martha and Hemingway made their home, their relationship and professional careers ignite. But when Hemingway publishes the biggest literary success of his career, they are no longer equals, and Martha must make a choice: surrender to the suffocating demands of a domestic lifestyle, or risk losing her husband by forging her way as her own woman and writer. It is a dilemma that will force her to break his heart, and her own. Based on a true story Martha Gellhorn was one of the greatest war correspondents of the 20th century FOR WHOM THE BELLS TOLLS was dedicated to Martha, and inspired by the time they were together in Spain. It was Hemingway's most successful book to date, it sold half a million copies within months, was nominated for a Pulitzer Prize, and triumphantly reestablished his literary reputation