Gender Grace

From brain structure and role models to the creation drama and the new covenant, Mary Stewart Van Leeuwen helps us to understand more clearly the forces--and the freedoms--that shape our lives.

A "stunning" (Hanif Abdurraqib), "unputdownable" (Mary Karr) meditation on queerness, family, and desire. How do you know if you are transgender? How do you know if what you want and feel is real? How do you know whether to believe yourself? Cyrus Dunham’s life always felt like a series of imitations—lovable little girl, daughter, sister, young gay woman. But in a culture of relentless self-branding, and in a family subject to the intrusions and objectifications that attend fame, dissociation can come to feel normal. A Lambda Literary Award finalist, Dunham’s fearless, searching debut brings us inside the chrysalis of a transition inflected as much by whiteness and proximity to wealth as by gender, asking us to bear witness to an uncertain and exhilarating process that troubles our most basic assumptions about identity. Written with disarming emotional intensity in a voice uniquely his, A Year Without a Name is a potent, thrillingly unresolved meditation on queerness, family, and selfhood. Named a Most Anticipated Book of the season by: Time NYLON Vogue ELLE Buzzfeed Bustle O Magazine Harper's Bazaar

"Grace Fong has written a wonderful history of female writers’ participation in the elite conventions of Chinese poetics. Fong’s recovery of many of these poets, her able exegesis and elegant, analytical grasp of what the poets were doing is a great read, and her bilingual presentation of their poetry gives the book additional power. This is a persuasive and elegant study." —Tani Barlow, author of The Question of Women in Chinese Feminism "In this quietly authoritative book, Grace Fong has brought a group of women poets back to life. Previously ignored by scholars because of their marginal status or the inaccessibility of their works, these remarkable writers now speak to us about the sensualities, pains, satisfactions, and sadness of being a woman in a patriarchal society. Professor Fong—a superb translator of Chinese poetry, prose, and criticism—has rendered the works of these women in a way that is true both to our theoretical concerns and theirs." —Dorothy Ko, author of Cinderella’s Sisters: A Revisionist History of Footbinding "Professor Fong approaches the poetry of Ming-Qing upper-class women as a social-cultural activity that allowed these women to manifest their agency and assert their own subjectivity against the background of virtual and actual networks of fellow female poets. As the distillation of more than ten years of research by one of the leading scholars in this field, this work is a timely contribution that eminently deserves our attention. Given the inclusion of translations of some of the texts discussed, the book provides a comprehensive introduction to the reading of women’s poetry of the Ming-Qing period." —Wilt Idema, Harvard University Herself an Author addresses the critical question of how to approach the study of women’s writing. It explores various methods of engaging in a meaningful way with a rich corpus of poetry and prose written by women of the late Ming and Qing periods, much of it rediscovered by the author in rare book collections in China and the United States. The volume treats different genres of writing and includes translations of texts that are made available for the first time in English. Among the works considered are the life-long poetic record of Gan Lirou, the lyrical travel journal kept by Wang Fengxian, and the erotic poetry of the concubine Shen Cai. Taking the view that gentry women’s varied textual production was a form of cultural practice, Grace Fong examines women’s autobiographical poetry collections, travel writings, and critical discourse on the subject of women’s poetry, offering fresh insights on women’s intervention into the dominant male literary tradition. The wealth of texts translated and discussed here include fascinating documents written by concubines—women who occupied a subordinate position in the family and social system. Fong adopts the notion of agency as a theoretical focus to investigate forms of subjectivity and enactments of subject positions in the intersection between textual practice and social inscription. Her reading of the life and work of women writers reveals surprising instances and modes of self-empowerment within the gender constraints of Confucian orthodoxy. Fong argues that literate women in late imperial China used writing and reading to create literary and social communities, transcend temporal-spatial and social limitations, and represent themselves as the authors of their own life histories.

Gender Is a Choice is a remarkable book that thoughtfully demystifies gender discrimination. It shows the underlying causes of discrimination, which lie deep in our cultures. Based on the human rights perspective of equality and dignity, Ms. Mukasa reaffirms that we are all born equal, without gender bias or prejudice, and we all share a propensity to learn, grow, and maximize our innate potential to lead meaningful, happy lives. However, societies have views based on cultural norms, attitudes, and beliefs that lead to unequal gender relations of power. As a result, many women and girls suffer. This highly educational book highlights the key gender concepts and gives them meaning through a practical family portrait at the end. Ms. Mukasa decisively affirms that despite powerful socialization processes, gender injustice can be overcome. The key issue to transform is the traditional socialization process. The main tool is to create awareness of the embedded negative aspects concerning women’s and men’s relationships. It calls upon men and women to appreciate that the current gender relations of power are unnatural and unacceptable. They are man-made and can be dismantled using our agency to make the right choices. Women’s disempowerment can be disrupted, and gender justice can be promoted. This book is relevant to all people since gender discrimination is universal and has universally negative consequences. Gender discrimination must therefore be disrupted everywhere, every time, by everyone. However, Ms. Mukasa makes her own choice to focus on the African gender context and the audience whose culture she understands best.

Designed to engage students with its unique writing style and critical thinking, this text provides an overview to the study of Gender while emphasizing cross cultural/multicultural issues to demonstrate what's truly universal about Gender. Galliano's text has been extensively class-tested at Texas AandM University and has been carefully evaluated against nearly 100 detailed student reviews.

Grace Jantzen was an internationally-renowned feminist philosopher of religion whose work has transformed the way we think about the interactions between religion, culture and gender in Western culture. Jantzen's aim was to 'redeem the present' via a critique and reconstruction of staple concepts of the Western imaginary. This unique book brings together many of Grace Jantzen's colleagues and former students in a wide-ranging exploration of her enduring influence, ranging across philosophy of religion, to literature, psychoanalysis, theology, ethics and politics. Part I assesses the ramifications of Jantzen's affirmation that Western culture must 'choose life' in preference to a prevailing symbolic of violence and death. Part II explores some of the key voices which contributed to Jantzen's understanding of a culture of flourishing and natality: Quaker thought and practice, medieval mysticism and feminist spirituality. Further essays apply elements of Jantzen's work to the politics of disability, development and environmentalism, extending her range of influence into new and innovative areas.