Gender Stereotypes In Archaeology A Short Reflection In Image And Text

Were men the only hunters and producers of tools, art and innovation in prehistory? Were women the only gatherers, home-bound breeders and caregivers? Are all prehistoric female depictions mother goddesses? And do women and men have equal career chances in archaeology? To put it short, no. However, these are some of the gender stereotypes that we still encounter on a daily basis in archaeology from the way archaeologists interpret the past and present it to the general public to how they practice it as a profession.0This booklet is as a short but informative and critical response by archaeologists to various gender stereotypes that exist in the archaeological explanation of the past, as well as in the contemporary disciplinary practice. Gender and feminist archaeologists have fought for decades against gender stereotypes through academic writing, museum exhibitions and popular literature, among others. Despite their efforts, many of these stereotypes continue to live and even flourish, both in academic and non-academic settings, especially in countries where gender archaeology does not exist or where gender in archaeology is barely discussed. Given this context and the rise of far right or ultraconservative ideologies and beliefs across the globe, this booklet is a timely and thought-provoking contribution that openly addresses often uncomfortable topics concerning gender in archaeology, in an attempt to raise awareness both among the professionals and others interested in the discipline.0The booklet includes 24 commonly encountered gender stereotypes in archaeology, explained and deconstructed in 250 words by archaeologists with expertise on gender in the past and in contemporary archaeology, most of them being members of the Archaeology and Gender in Europe (AGE) Community of the European Association of Archaeologists.00In addition, the stereotypes are illustrated by Serbian award-winning artist Nikola Radosavljevic.

This book explores the role of material culture in the formation of corporeal aesthetics and beauty ideals in different past societies and thus contributes to the cultural relativization of bodily aesthetics and related gender norms. The volume does not explore beauty for the sake of beauty, but extensively explores how it serves to form and keep gender norms in place. The concept of beauty has been a topic of interest for some time, yet it is only in recent times that archaeologists have begun to approach beauty as a culturally contingent and socially constructed phenomenon. Although archaeologists and ancient historians extensively dealt with gender, they dealt less with it in relation to beauty. The contributions in this volume deal with different intersections of gender and corporeal aesthetics by turning to rich archaeological, textual and iconographic data from ancient Sumer, Aegean Bronze Age, ancient Egypt, ancient Athens, Roman provinces, the Viking world and the Qajar Iran. Beauty thus moves away from a curiosity and surface of the body to an analytic concept for a better understanding of past and present societies.

This major new textbook explores the relations between gender and archaeology, providing an innovative and important account of how material culture is used in the construction of gender. Throughout this lively and accessible text, Sorensen engages with the question of how gender is materially constituted, and examines the intersection of social and material concerns from the Palaeolithic Age to the present day. Part One discusses a range of important general issues, beginning with an overview of the recent role of gender and gender relations in our appropriation of past societies. After introducing the debate about feminist or gender archaeology, Sorensen examines archaeology's concern with the sex/gender distinction, the nature of negotiation, and feminist epistemological claims in relation to archaeology. In Part Two, the author focuses on the materiality of gender, exploring it through case studies ranging from prehistory to contemporary society. Food, dress, space and contact are examined in turn, to show how they express and negotiate gender roles. This illustrated textbook will be essential reading for students and scholars in archaeology, anthropology, material culture studies and women's studies.

This Reader in Gender Archaeology presents nineteen current, controversial and highly influential articles which confront and illuminate issues of gender in prehistory. The question of gender difference and whether it is natural or culturally constructed is a compelling one. The articles here, which draw on evidence from a wide range of geographic areas, demonstrate how all archaeological investigation can benefit from an awareness of issues of gender. They also show how the long-term nature of archaeological research can inform the gender debate across the disciplines. The volume: * organizes this complex area into seven sections on key themes in gender archaeology: archaeological method and theory, human origins, division of labour, the social construction of gender, iconography and ideology, power and social hierarchies and new forms of archaeological narrative * includes section introductions which outline the history of research on each topic and present the key points of each article * presents a balance of material which rewrites women into prehistory, and articles which show how the concept of gender informs our understanding and interpretation of the past.

Case studies drawn from many different periods and areas develop concepts and theories as diverse as the social contexts of production and artifact.

Gender and Archaeology is the first volume to critically review the development of this now key topic internationally, across a range of periods and material culture. ^l Roberta Gilchrist explores the significance of the feminist epistemologies. She shows the unique perspective that gender archaeology can bring to bear on issues such as division of labour and the life course. She examines issues of sexuality, and the embodiment of sexual identity. A substantial case study of gender space and metaphor in the medieval English castle is used to draw together and illustrate these issues.