Genius B Boy Cynics Getting Weeded In The Garden Of Delights

Hip hop poetry.

From the acclaimed author of Shackling Water comes the first great race novel of the twenty-first century, an incendiary and ruthlessly funny satire about violence, pop culture, and American identity. Macon Detornay is a suburban white boy possessed and politicized by black culture, and filled with rage toward white America. After moving to New York City for college, Macon begins robbing white passengers in his taxicab, setting off a manhunt for the black man presumed to be committing the crimes. When his true identity is revealed, Macon finds himself to be a celebrity and makes use of the spotlight to hold forth on the evils and invisibility of whiteness. Soon he launches the Race Traitor Project, a stress-addled collective that attracts guilty liberals, wannabe gangstas, and bandwagon riders from all over the country to participate in a Day of Apology—a day set aside for white people to make amends for four hundred years of oppression. The Day of Apology pushes New York City over the edge into an epic riot, forcing Macon to confront the depth of his own commitment to the struggle. Peopled with all manner of race pimps and players, Angry Black White Boy is a stunning breakout book from a critically acclaimed young writer and should be required reading for anyone who wants to get under the skin of the complexities of identity in America.

This award-winning anthology of original crime fiction exploring Brooklyn’s many enclaves features new stories by Pete Hamill, Maggie Estep and others. New York’s punchiest borough asserts its criminal legacy with this collection of stories from some of today’s best writers. Brooklyn Noir moves from Coney Island to Bedford-Stuyvesant to Bay Ridge to Red Hook to Bushwick to Sheepshead Bay to Park Slope and far deeper, into the heart of Brooklyn’s historical and criminal largesse. Each contributor offers a new story set in a distinct neighborhood. Many of the stories that first appeared in this volume have garnered critical acclaim, including Pete Hamill’s Edgar Award finalist “The Book Signing”; Ellen Miller’s Pushcart Prize finalist “Practicing”; Pearl Abraham’s Shamus Award finalist “Hasidic Noir”; Arthur Nersesian’s Anthony Award finalist “Hunter/Trapper”; and Thomas Morrissey’s Robert L. Fish Memorial Award-winner “Can’t Catch Me”. Brooklyn Noir also features brand-new stories by Nelson George, Sidney Offit, Neal Pollack, Ken Bruen, Maggie Estep, Kenji Jasper, Adam Mansbach, C.J. Sullivan, Chris Niles, Norman Kelley, Nicole Blackman, Tim McLoughlin, Lou Manfredo, Luciano Guerriero, and Robert Knightley.

After Senator Barack Obama delivered his celebrated speech, "A More Perfect Union," on March 18, 2008, New York Times columnist Maureen Dowd noted that only Barack Obama "could alchemize a nuanced 40-minute speech on race into must-see YouTube viewing for 20-year-olds." Pundits established the speech's historical eminence with comparisons to Abraham Lincoln's "A House Divided" and Martin Luther King Jr's "I Have a Dream." The future president had addressed one of the biggest issues facing his campaign-and our country-with an eloquence and honesty rarely before heard on a national stage. The Speech brings together a distinguished lineup of writers and thinkers-among them Adam Mansbach, Alice Randall, Connie Schultz, and William Julius Wilson -in a multifaceted exploration of Obama's address. Their original essays examine every aspect of the speech-literary, political, social, and cultural-and are punctuated by Boston Globe columnist Derrick Z. Jackson's reportage on the issue of race in the now historic 2008 campaign. The Speech memorializes and gives full due to a speech that propelled Obama toward the White House, and prompted a nation to evaluate our imperfect but hopeful union.

From the #1 New York Times bestselling author of Go the F*** to Sleep, “a rollicking, frenetic and hilarious jaunt” (San Francisco Chronicle) and an Amazon Best Book of the Month Raised in the shadow of two graffiti legends from New York’s “golden era” of subway bombing, Dondi Vance is less than thrilled to learn his father, Billy Rage, is back after sixteen years on the lam. But the transit cop who ruined Billy’s life and shattered his crew is running for mayor—and must be brought down. Welcome to the Great American Graffiti Novel.

The ruthlessly engrossing and beautifully rendered story of the Brodskys, a family of artists who realize, too late, one elemental truth: Creation’s necessary consequence is destruction. Each member of the mercurial clan in Adam Mansbach’s bold new novel faces the impossible choice between the people they love and the art that sustains them. Tristan Brodsky, sprung from the asphalt of the depression-era Bronx, goes on to become one of the swaggering Jewish geniuses who remakes American culture while slowly suffocating his poet wife, who harbors secrets of her own. Nina Hricek, a driven young Czech photographer escapes from behind the Iron Curtain with a group of black musicians only to find herself trapped yet again, this time in a doomed love affair. And finally, Tris Freedman, grandson of Tristan and lover of Nina, a graffiti artist and unanchored revolutionary, cannibalizes his family history to feed his muse. In the end, their stories converge and the survival of each requires the sacrifice of another. The End of the Jews offers all the rewards of the traditional family epic, but Mansbach’s irreverent wit and rich, kinetic prose shed new light on the genre. It runs on its own chronometer, somersaulting gracefully through time and space, interweaving the tales of these three protagonists who, separated by generation and geography, are leading parallel lives.

The dazzlingly imaginative, ferociously funny story of an art teacher, a bodega clerk, and a five-thousand-year-old clay crisis monster, from the author of the #1 New York Times bestseller Go the F**k to Sleep. “A devastating romp through history, a bonkers road trip through America, this novel could not be any funnier—or any more important.”—W. Kamau Bell In Ashkenazi Jewish folklore, a golem is a humanoid being created out of mud or clay and animated through secret prayers. Its sole purpose is to defend the Jewish people against the immediate threat of violence. It is always a rabbi who makes a golem, and always in a time of crisis. But Len Bronstein is no rabbi—he’s a Brooklyn art teacher who steals a large quantity of clay from his school, gets extremely stoned, and manages to bring his creation to life despite knowing little about Judaism and even less about golems. Unable to communicate with his nine-foot-six, four hundred-pound, Yiddish-speaking guest, Len enlists a bodega clerk and ex-Hasid named Miri Apfelbaum to translate. Eventually, The Golem learns English by binge-watching Curb Your Enthusiasm after ingesting a massive amount of LSD and reveals that he is a creature with an ancestral memory; he recalls every previous iteration of himself, making The Golem a repository of Jewish history and trauma. He demands to know what crisis has prompted his re-creation and whom must he destroy. When Miri shows him a video of white nationalists marching and chanting “Jews will not replace us,” the answer becomes clear. The Golem of Brooklyn is an epic romp through Jewish history and the American present that wrestles with the deepest questions of our humanity—the conflicts between faith and skepticism, tribalism and interdependence, and vengeance and healing.