German Literature And The First World War The Anti War Tradition

The period immediately following the end of the First World War witnessed an outpouring of artistic and literary creativity, as those that had lived through the war years sought to communicate their experiences and opinions. In Germany this manifested itself broadly into two camps, one condemning the war outright; the other condemning the defeat. Of the former, Erich Maria Remarque’s All Quiet on the Western Front remains the archetypal example of an anti-war novel, and one that has become synonymous with the Great War. Yet the tremendous and enduring popularity of Remarque’s work has to some extent eclipsed a plethora of other German anti-war writers, such as Hans Chlumberg, Ernst Johannsen and Adrienne Thomas. In order to provide a more rounded view of German anti-war literature, this volume offers a selection of essays published by Brian Murdoch over the past twenty years. Beginning with a newly written introduction, providing the context for the volume and surveying recent developments in the subject, the essays that follow range broadly over the German anti-war literary tradition, telling us much about the shifting and contested nature of the war. The volume also touches upon subjects such as responsibility, victimhood, the problem of historical hiatus in the production and reception of novels, drama, poetry, film and other literature written during the war, in the Weimar Republic, and in the Third Reich. The collection also underlines the potential dangers of using novels as historical sources even when they look like diaries. One essay was previously unpublished, two have been augmented, and three are translated into English for the first time. Taken together they offer a fascinating insight into the cultural memory and literary legacy of the First World War and German anti-war texts.

Essay from the year 2015 in the subject American Studies - Literature, grade: 1, , language: English, abstract: World War I left significant traces in contemporary US-American novels. Many leading authors embraced the war theme and produced novels reflective of their own attitudes and experiences. Patriotism and idealism first predominated novel writing, later they gave way to pacifism and realism. The generations of writers were struggling for adequate ways to convey the horrors of modern warfare to their readers. Whereas the older authors lacked experiences at the front and fell back on well-proven means of expression, their younger colleagues had been to the front and tried new forms of representation. Given the literary and historical developments of the following years, it comes as no surprise that the novels of the traditionalists soon fell into disrepute and the anti-war novels of the former soldiers and the protest novels of the modernists found more and more appreciation.

Translated into English as the Winner of the Geisteswissenschaften International Translation Prize for Work in the Humanities and Social Sciences 2015. During the Great War, mass killing took place on an unprecedented scale. Violence and the German Soldier in the Great War explores the practice of violence in the German army and demonstrates how he killing of enemy troops, the deaths of German soldiers and their survival were entwined. As the war reached its climax in 1918, German soldiers refused to continue killing in their droves, and thus made an active contribution to the German defeat and ensuing revolution. Examining the postwar period, the chapters of this book also discuss the contested issue of a 'brutalization' of German society as a prerequisite of the Nazi mass movement. Biographical case studies on key figures such as Ernst Jünger demonstrate how the killing of enemy troops by German soldiers followed a complex set of rules. Benjamin Ziemann makes a wealth of extensive archival work available to an Anglophone audience for the first time, enhancing our understanding of the German army and its practices of violence during the First World War as well as the implications of this brutalization in post-war Germany. This book provides new insights into a crucial topic for students of twentieth-century German history and the First World War.

The book investigates and compares the role of artistic and academic refugees from National Socialism acting as "cultural mediators" or "agents of knowledge" between their origin and host societies. By doing so, it locates itself at the intersection of the recently emerging field of the history of knowledge, transnational history, migration, exile, as well as cultural transfer studies. The case studies provided in this volume are of global scope, focusing on routes of escape and migration to Iceland, Italy, the Near East, Portugal and Shanghai, and South-, Central-, and North America. The chapters examine the hybrid ways refugees envisaged, managed, organized, and subsequently mediated their migrations. It focuses on how they dealt with their escape in their art and science. The chapters ask how the emigrants located themselves––did they associate with ethnic, religious, and/or cultural affiliations, specific social classes, or specific parts of society—and how such identifications were portrayed in their knowledge transfer and cultural translations. Building on such possible avenues for research, this volume aims to offer a global analysis of the multifarious processes not only of cultural translation and knowledge transfer affecting culture, sciences, networks, but also everyday life in different areas of the world.

Germany has had a profound influence on English stories for children. The Brothers Grimm, The Swiss Family Robinson and Johanna Spyri's Heidi quickly became classics but, as David Blamires clearly articulates in this volume, many other works have been fundamental in the development of English chilren's stories during the 19th Centuary and beyond. Telling Tales is the first comprehensive study of the impact of Germany on English children's books, covering the period from 1780 to the First World War. Beginning with The Adventures of Baron Munchausen, moving through the classics and including many other collections of fairytales and legends (Musaus, Wilhelm Hauff, Bechstein, Brentano) Telling Tales covers a wealth of translated and adapted material in a large variety of forms, and pays detailed attention to the problems of translation and adaptation of texts for children. In addition, Telling Tales considers educational works (Campe and Salzmann), moral and religious tales (Carove, Schmid and Barth), historical tales, adventure stories and picture books (including Wilhelm Busch's Max and Moritz) together with an analysis of what British children learnt through textbooks about Germany as a country and its variegated history, particularly in times of war.

World War I was the first large-scale industrialized military conflict, and it led to the concept of total war. The essays in this volume analyze the experience of the war in light of this concept's implications, in particular the erosion of distinctions between the military and civilian spheres.

Seven of the eight short stories in this collection were originally published in Collier's magazine. The eighth story, Dreamt Last Night, was published in Redbook magazine.