Telling Tales

Germany has had a profound influence on English stories for children. The Brothers Grimm, The Swiss Family Robinson and Johanna Spyri's Heidi quickly became classics but, as David Blamires clearly articulates in this volume, many other works have been fundamental in the development of English chilren's stories during the 19th Centuary and beyond. Telling Tales is the first comprehensive study of the impact of Germany on English children's books, covering the period from 1780 to the First World War. Beginning with The Adventures of Baron Munchausen, moving through the classics and including many other collections of fairytales and legends (Musaus, Wilhelm Hauff, Bechstein, Brentano) Telling Tales covers a wealth of translated and adapted material in a large variety of forms, and pays detailed attention to the problems of translation and adaptation of texts for children. In addition, Telling Tales considers educational works (Campe and Salzmann), moral and religious tales (Carove, Schmid and Barth), historical tales, adventure stories and picture books (including Wilhelm Busch's Max and Moritz) together with an analysis of what British children learnt through textbooks about Germany as a country and its variegated history, particularly in times of war.

A New York Times/New York Public Library Best Illustrated Children's Book of 2022 ★ Everyone knows how "Little Red Riding Hood" goes. But Grandpa keeps getting the story all wrong, with hilarious results! "Once upon a time, there was a little girl called Little Yellow Riding Hood—" "Not yellow! It's Red Riding Hood!" So begins the story of a grandpa playfully recounting the well-known fairytale—or his version, at least—to his granddaughter. Try as she might to get him back on track, Grandpa keeps on adding things to the mix, both outlandish and mundane! The end result is an unpredictable tale that comes alive as it's being told, born out of imaginative play and familial affection. This spirited picture book will surprise and delight from start to finish, while reminding readers that storytelling is not only a creative act of improvisation and interaction, but also a powerful pathway for connection and love. Telling Stories Wrong was written by Gianni Rodari, widely regarded as the father of modern Italian children's literature. It exemplifies his great respect for the intelligence of children and the kind of work he did as an educator, developing numerous games and exercises for children to engage and think beyond the status quo, imagining what happens after the end of a familiar story, or what possibilities open up when a new ingredient is introduced. This book is illustrated with great affection by the illustrious artist Beatrice Alemagna (Child of Glass), who counts Gianni Rodari as one of her "spiritual fathers."

In this cozy mystery, a feline P.I. and his four-legged friends investigate a suspicious—and deadly—house fire in a California seaside town. Even the bright seaside village of Molena Point has been hit hard by the economic downturn, and many residents are abandoning their pets. While feline P.I. Joe Grey’s human friends join together to care for their starving cats, a fire leaves a twelve-year-old boy homeless, the body of his alcoholic guardian discovered in the smoldering ruins. Meanwhile, Debbie Kraft descends uninvited on the Damens’ home with her two children, claiming that she has no money and nowhere else to go. But when Joe learns that the victim of the fire was Debbie’s estranged mother, and that Debbie’s ex-husband may be involved in several intricate real estate scams, his fur is on end with suspicion. But it’s not until Debbie’s abandoned tomcat arrives that the pieces of the puzzle begin to come together for Joe and his feline detective pals. Praise for Cat Telling Tales “A must-read for Murphy’s devoted audience and a good choice for those who enjoy Rita Mae Brown’s Sneaky Pie Brown novels.” —Booklist “Shirley Rousseau Murphy's Joe Grey Mysteries are always excellent, and Cat Telling Tales is no exception.” —Fresh Fiction

SHORTLISTED FOR THE TED HUGHES PRIZE 2015 Tabard Inn to Canterb'ry Cathedral, Poet pilgrims competing for free picks, Chaucer Tales, track by track, it's the remix From below-the-belt base to the topnotch; I won't stop all the clocks with a stopwatch when the tales overrun, run offensive, or run clean out of steam, they're authentic and we're keeping it real, reminisce this: Chaucer Tales were an unfinished business. In Telling Tales award-winning poet Patience Agbabi presents an inspired 21st-Century remix of Chaucer's Canterbury Tales retelling all of the stories, from the Miller's Tale to the Wife of Bath's in her own critically acclaimed poetic style. Celebrating Chaucer's Middle-English masterwork for its performance element as well as its poetry and pilgrims, Agbabi's newest collection is utterly unique. Boisterous, funky, foul-mouthed, sublimely lyrical and bursting at the seams, Telling Tales takes one of Britain's most significant works of literature and gives it thrilling new life.

There are two ways to keep a secret: silence or lies I can feel the anger bubbling up inside me. 'Grace, we've got a brand new life now. We can be anyone we want.' 'So what happens when your new friends find out you've just spun them a story?' 'They won't. I'm not going to let anyone spoil things. Never again.' Ellie and Grace have left their old life behind. The future seems better, brighter, more exciting. But as their past threatens to catch up with them, how long can silence and lies keep their dark secret safe? 'I loved The Summer of Telling Tales – it's truly gripping and you care desperately about both sisters.' Jacqueline Wilson ‘Fans of Cathy Cassidy will love this absorbing tale of families and loyalty.’ The Bookseller 'I thoroughly enjoyed this perceptive, pacy story . . . With strong, engaging characters and a vivid school setting, this novel combines some very dramatic moments with everyday friendship and romance.' Miriam Halahmy

From Ann Cleeves—New York Times bestselling and award-winning author of the Vera and Shetland series, both of which are hit TV shows—comes Telling Tales. “Ann Cleeves is one of my favorite mystery writers.”—Louise Penny It has been ten years since Jeanie Long was charged with the murder of fifteen-year-old Abigail Mantel. Now residents of the East Yorkshire village of Elvet are disturbed to hear of new evidence proving Jeanie’s innocence. Abigail’s killer is still at large. For one young woman, Emma Bennett, the revelation brings back haunting memories of her vibrant best friend--and of that fearful winter’s day when she had discovered her body lying cold in a ditch. As Inspector Vera Stanhope makes fresh enquiries on the peninsula and villagers are hauled back to a time they hoped to forget, tensions begin to mount. But are people afraid of the killer or of their own guilty pasts? With each person’s story revisited, the Inspector begins to suspect that some deadly secrets are threatening to unfurl...

An African tightrope walker who can’t die gets embroiled in a secret society’s deadly gladiatorial tournament in this “bloodily spectacular” (Chloe Gong, New York Times bestselling author of These Violent Delights) historical fantasy set in an alternate 1880s London, perfect for fans of The Last Magician and The Gilded Wolves. As an African tightrope dancer in Victorian London, Iris is used to being strange. She is certainly an unusual sight for leering British audiences always eager for the spectacle of colonial curiosity. But Iris also has a secret that even “strange” doesn’t capture…​ She cannot die. Haunted by her unnatural power and with no memories of her past, Iris is obsessed with discovering who she is. But that mission gets more complicated when she meets the dark and alluring Adam Temple, a member of a mysterious order called the Enlightenment Committee. Adam seems to know much more about her than he lets on, and he shares with her a terrifying revelation: the world is ending, and the Committee will decide who lives…and who doesn’t. To help them choose a leader for the upcoming apocalypse, the Committee is holding the Tournament of Freaks, a macabre competition made up of vicious fighters with fantastical abilities. Adam wants Iris to be his champion, and in return he promises her the one thing she wants most: the truth about who she really is. If Iris wants to learn about her shadowy past, she has no choice but to fight. But the further she gets in the grisly tournament, the more she begins to remember—and the more she wonders if the truth is something best left forgotten.

Published on the occasion of an exhibition held at the McNay Art Museum, San Antonio, Texas, September 28, 2016-January 8, 2017.