Germans Jews And The Claims Of Modernity

In the analysis of the debates in Germany over Jews, Judaism and Jewish emancipation in the late 18th and 19th centuries, Jonathan M. Hess reconstructs a crucial chapter in the history of secular anti-Semitism. He examines not only the thinking of German intellectuals of the time but also that of Jewish writers, revealing the connections between anti-Semitism and visions of modernity, and the Jewish responses to the treat posed by these connections.

"Treating the German railway as both an iconic symbol of modernity and a crucial social, technological, and political force, Presner advances a groundbreaking interpretation of the ways in which mobility is inextricably linked to German and Jewish visions of modernity. Moving beyond the tired model of a failed German-Jewish dialogue, Presner emphasizes the mutual entanglement of the very categories of German and Jewish and the many sites of contact and exchange that occurred between German and Jewish thinkers." "Rather than a conventional, linear history that culminates in the tragedy of the Holocaust, Presner produces a cultural mapping that articulates a much more complex story of the hopes and catastrophes of mobile modernity. By focusing on the spaces of encounter emblematically represented by the overdetermined triangulation of Germans, Jews, and trains, he introduces a new genealogy for the study of European and German-Jewish modernity."--Jacket.

For generations of German-speaking Jews, the works of Goethe and Schiller epitomized the world of European high culture, a realm that Jews actively participated in as both readers and consumers. Yet from the 1830s on, Jews writing in German also produced a vast corpus of popular fiction that was explicitly Jewish in content, audience, and function. Middlebrow Literature and the Making of German-Jewish Identity offers the first comprehensive investigation in English of this literature, which sought to navigate between tradition and modernity, between Jewish history and the German present, and between the fading walls of the ghetto and the promise of a new identity as members of a German bourgeoisie. This study examines the ways in which popular fiction assumed an unprecedented role in shaping Jewish identity during this period. It locates in nineteenth-century Germany a defining moment of the modern Jewish experience and the beginnings of a tradition of Jewish belles lettres that is in many ways still with us today.

The ferocity of the Nazi attack upon the Jews took many by surprise. Volkov argues that a new look at both the nature of antisemitism and at the complexity of modern Jewish life in Germany is required in order to provide an explanation. While antisemitism had a number of functions in pre-Nazi German society, it most particularly served as a cultural code, a sign of belonging to a particular political and cultural milieu. Surprisingly, it only had a limited effect on the lives of the Jews themselves. By the end of the nineteenth century, their integration was well advanced. Many of them enjoyed prosperity, prestige, and the pleasures of metropolitan life. This book stresses the dialectical nature of assimilation, the lead of the Jews in the processes of modernization, and, finally, their continuous efforts to 'invent' a modern Judaism that would fit their new social and cultural position.

A comprehensive account of Jewish life in a country that carries the legacy of being at the epicenter of the Holocaust. Originally published in German in 2012, this comprehensive history of Jewish life in postwar Germany provides a systematic account of Jews and Judaism from the Holocaust to the early 21st Century by leading experts of modern German-Jewish history. Beginning in the immediate postwar period with a large concentration of Eastern European Holocaust survivors stranded in Germany, the book follows Jews during the relative quiet period of the 50s and early 60s during which the foundations of new Jewish life were laid. Brenner’s volume goes on to address the rise of anti-Israel sentiments after the Six Day War as well as the beginnings of a critical confrontation with Germany’s Nazi past in the late 60s and early 70s, noting the relatively small numbers of Jews living in Germany up to the 90s. The contributors argue that these Jews were a powerful symbolic presence in German society and sent a meaningful signal to the rest of the world that Jewish life was possible again in Germany after the Holocaust. “This volume, which illuminates a multi-faceted panorama of Jewish life after 1945, will remain the authoritative reading on the subject for the time to come.” —Frankfurter Allgemeine Zeitung “An eminently readable work of history that addresses an important gap in the scholarship and will appeal to specialists and interested lay readers alike.” —Reading Religion “Comprehensive, meticulously researched, and beautifully translated.” —CHOICE

A collection of articles, most of them published previously. The following deal with antisemitism:

Between Redemption and Doom is a revelatory exploration of the evolution of German-Jewish modernism. Through an examination of selected works in literature, theory, and film, Noah Isenberg investigates the ways in which Jewish identity was represented in German culture from the eve of the First World War through the rise of National Socialism. He argues that various responses to modernity?particularly to its social, cultural, and aesthetic currents?converge around the discourse on community: its renaissance, its crisis, and its dissolution. ø Isenberg opens with a general discussion of German modernism?its primary forms, movements, and manifestations. Subsequent chapters on Franz Kafka and Arnold Zweig deal with particular instances of the modern, and often ambivalent, search for forms of German-Jewish identity based on cultural and ethnic community. Discussions of Paul Wegener?s film Der Golem and Walter Benjamin?s childhood memoirs explore the culmination of German modernism and the modes through which Jews were identified in mass society. Throughout, Isenberg shows how Jewish authors and figures confronted the dilemma of self-understanding?the exigencies of community in the modern world?in language, culture, memory, and representation.

This four-volume collective project by a team of leading scholars offers a vivid portrait of Jewish history in German-speaking countries over nearly four centuries. This series is sponsored by the Leo Baeck Institute, established in 1955 in Jerusalem, London, and New York for the purpose of advancing scholarship on the Jews in German-speaking lands.