Ghosts Of The Holocaust

A disturbing collections of poetry, Ghosts of the Holocaust reveals the lengthy shadows cast by Hitler's "Final Solution." Stewart Florsheim collected these poems by the second generation, children who grew up in a world that, while comfortable, failed to provide answers about the atrocities to which their elders were victim. The poets reflect on their families' experiences before and after the Holocaust. They write about "adjusting" to a new world, coping with their own problems, and overcoming a very different kind of generation gap. The poems shock us into an awareness that, not only the survivors, but also their children live with a history filled with horror and injustice. As disquieting as most of these poems are, they also affirm life. In his foreword, Gerald Stern writes, "It is not that we will either forget or reclaim those years because of these poems; it is not that the poems will even make the past bearable. It is that, in our greatest loss, we have a victory."

Numerous scholars explore the moral, aesthetic, and political outcomes of the Holocuast from the perspectives of various academic backgrounds, including: art, literature, political science, education and history.

Over the last decades, studies on cultural memory have taken a »spectral turn« and have explored the potential of haunting metaphors for addressing past instances of violence that affect present cultural realities. This book contributes to the discussions on haunting by enquiring into its culturally and historically located modality: the emergence of the figure of the Jewish ghost in contemporary Polish popular culture, literature and critical art. Gathering contributions from an interdisciplinary group of scholars, it locates this new interest in Jewish ghosts on the map of other Polish (and Jewish) ghostologies and seeks to explore their cultural and political functions in the Polish post-Holocaust imaginaire.

Through the collection of letters sent by members of a Jewish family between 1923 and 1942, this fascinating book explores phenomenological and psychoanalytical aspects of the Holocaust and its associated trauma, and the impact on future generations of the same family. This book charts a postmemorial study of the Cohen family of Salonica which branched out to Paris and Tel-Aviv during the 1920s and 1930s. The exploration of the contents of four boxes containing hundreds of letters, pictures and other documents portray a microhistory of one family that was once a part of a thriving community. Showing how the shadows of trauma can be passed through the generations, the book uncovers the tragedies that befell the Cohen family, and how the discovery of these materials has affected existing family members. In an intriguing work of postmemory research and analysis, this book appeals to both scholars of the Holocaust and psychoanalysts interested in the unconscious impact of history.

When two Hungarian Jewish refugees landed by accident in Britain in the winter of 1956, they had little idea what the future would hold. But they carried with them the traces of their turbulent past, just enough to provide the clues to their past. Scattered Ghosts combines memoir, investigation and travel to resurrect 200 years of wars and revolutions, from the Austro-Hungarian Empire via two totalitarianisms to contemporary Britain. It is the story of an all but disappeared world told through the eyes of a single family ruptured by great forces, and occasionally brought together by cherry strudel. Through haphazard and fragmented possessions - a blunt-pencilled letter; a final photograph; a hastily typed certificate; a protecting document; a farewell postcard from a distant place; a recipe - Nick Barlay retraces the footsteps of the vanished. There is the death march of a grandfather, the military manoeuvres of a great uncle, the final weeks and moments of a great grandmother deported to Auschwitz, two boys' survival of an untold massacre, and codenamed spies operating in Cold War Britain. The ordinary mysteries and emotional legacies still resonate today in the parallel lives of far-flung family members. Diaspora, division and cultural identity form the backdrop to the story of ancestors who walked barefoot from Eastern Europe to experience Communism and Nazism, and to outlive them both. Scattered Ghosts is a family history that explores the events, great and small, on which a family's existence hinges. How did one person survive and another die? How did a Soviet tank shell cause a revolution between sisters? How did two refugees escape an invading army? Where did successive generations end up? And, ultimately, where did the recipe for cherry strudel come from?

In the Ukraine, east of the Carpathian Mountains, there is an invisible city. Known as Czernowitz, the 'Vienna of the East' under the Habsburg empire, this Jewish-German Eastern European culture vanished after WWII - yet an idealized version lives on. This book chronicles the city's survival in personal, familial, and cultural memory.

How do states and societies confront the legacies of war and occupation, and what do truth, guilt, and justice mean in that process? In Ghosts of War, Franziska Exeler examines people's wartime choices and their aftermath in Belarus, a war-ravaged Soviet republic that was under Nazi occupation during the Second World War. After the Red Army reestablished control over Belarus, one question shaped encounters between the returning Soviet authorities and those who had lived under Nazi rule, between soldiers and family members, reevacuees and colleagues, Holocaust survivors and their neighbors: What did you do during the war? Ghosts of War analyzes the prosecution and punishment of Soviet citizens accused of wartime collaboration with the Nazis and shows how individuals sought justice, revenge, or assistance from neighbors and courts. The book uncovers the many absences, silences, and conflicts that were never resolved, as well as the truths that could only be spoken in private, yet it also investigates the extent to which individuals accommodated, contested, and reshaped official Soviet war memory. The result is a gripping examination of how efforts at coming to terms with the past played out within, and at times through, a dictatorship.