Giving The Devil His Due Special Edition

Explores how free speech and open inquiry are integral to science, politics, and society for the survival and progress of our species.

In Giving the Devil His Due, the Pixel Project's first charity anthology, sixteen acclaimed fantasy, science fiction, and horror authors take readers on an unforgettable journey to alternative worlds where men who abuse and murder women and girls meet their comeuppance in uncanny ways. Featuring stories from Stephen Graham Jones, Christina Henry, Peter Tieryas, Kelley Armstrong, Linda D. Addison, Hillary Monahan, and more, Giving the Devil His Due presents sixteen stories that will make you think about the importance of justice for the victims of gender-based violence, how rare this justice is in our own world, and why we need to end violence against women once and for all.

Edited by Rebecca Brewer, formerly of Ace/Roc (Penguin Random House), Giving the Devil His Due features sixteen major names and rising stars in Fantasy, Science Fiction, and Horror today.

HEADZ-zINe is a periodical output of the HEADZ Project. Taking the form of the fanzine with a critical edge, it challenges the convention of academic knowledge production and dissemination. HEADZ-zINe seeks to capture the personal, local, and communal histories of hip hop. HEADZ-zINe is foremost interested in the stories of its participants, and through a series of in-depth interviews and complimentary analysis of the artefacts and archives of hip hop, reveals a set of previously untold stories. HEADZ-zINe is created with much the same immediacy as a zine. It is produced within a period of weeks, is self-published and designed using standard domestic hardware and software. Although the topic addressed is historical, participants’ reflections illustrate the immediacy and closeness of this material to their current lives. True to the aims of the fanzine, HEADZ-zINe illuminates the histories of music culture which have previously been largely un-documented. These histories are told through the personal and collective stories of their participants. HEADZ-zINe is freely distributed, and the inaugural issue has been manufactured with a print-run of only 200 copies, in addition to being available in an expanded edition online. The zine presents a continued engagement with questions of knowledge production and dissemination. HEADZ-zINe has been developed in collaboration with practitioners and seeks to foreground their histories, thoughts, and ideas. We are interested in how hip hop offers practitioners a way of engaging with and knowing the world through music, artistic and dance practices. In this, we take hip hop seriously as a cultural form through which practitioners and fans learn, share and archive knowledge. Hip hop practitioners are both the creators of and thinkers about hip hop, they are local intellectuals. The principal focus of this zine is on the voices of hip hop practitioners themselves as they not only tell but theorise hip hop history. As accumulators of vinyl records, flyers, posters, photographs, and magazines ourselves we are interested in what these artefacts and archives can reveal to us about the creative acts of curating and remembering cultural history. We are interested in exploring how involvement in hip hop culture shaped the lives of practitioners and provided a space for creatively, imaginatively, and intellectually engaging with the world around them.

Flannery O'Connor and Fyodor Dostoevsky shared a deep faith in Christ, which compelled them to tell stories that force readers to choose between eternal life and demonic possession. Their either-or extremism has not become more popular in the last fifty to a hundred years since these stories were first published, but it has become more relevant to a twenty-first-century culture in which the lukewarm middle ground seems the most comfortable place to dwell. Giving the Devil His Due walks through all of O'Connor's stories and looks closely at Dostoevsky's magnum opus The Brothers Karamazov to show that when the devil rules, all hell breaks loose. Instead of this kingdom of violence, O'Connor and Dostoevsky propose a kingdom of love, one that is only possible when the Lord again is king.

Alanis McLachlan, reformed con artist turned tarot reader, gets paid for predicting the future—too bad she didn't see all the trouble in hers. First a figure from her past tries to drag her back into the life of crime she thought she'd left behind. Then a new suitor tries to sweep Alanis off her feet, threatening her on-again, off-again romance with hunky teacher Victor Castellanos. And there's the little matter of the ominous reading she gives to a new client, which could have deadly consequences. Danger is in the cards for Alanis, and she'll need all her skills at reading both people and tarot if she's going to survive. Praise: "It's every man, woman, and teen for himself as the authors unlock their third free-wheeling adventure set in the craziest town west of Maggody, Arkansas."—Kirkus Reviews "[A] quirky series...filled with eccentric protagonists and engaging banter, insights into the art of grift, and tantalizing love interests. Apt to appeal to Jim Swain fans and lovers of Janet Evanovich and Lee Goldberg's Fox and Hare series."—Library Journal "[Hockensmith and Falco] keep the surprises coming while maintaining a consistently humorous tone."—Publishers Weekly "A perfect, frothy confection, swirls to an ending suitable to the entire enterprise. Hockensmith is a worthy heir to the late, lamented Donald E. Westlake."—Mystery Scene

For almost four decades, Made Simple books have set the standard for continuing education and home study. In answer to the changing needsof today's marketplace, the Made Simple series for the '90s presents a thoroughly up-to-the-minute portfolio of skills, information, and experience, with revised and updated editions of bestselling titles, plus a whole range of new subjects from personal finance to office management to desktop publishing. B & W illustrations throughout