Global Photography

This innovative text recounts the history of photography through a series of thematically structured chapters. Designed and written for students studying photography and its history, each chapter approaches its subject by introducing a range of international, contemporary photographers and then contextualizing their work in historical terms. The book offers students an accessible route to gain an understanding of the key genres, theories and debates that are fundamental to the study of this rich and complex medium. Individual chapters cover major topics, including: · Description and Abstraction · Truth and Fiction · The Body · Landscape · War · Politics of Representation · Form · Appropriation · Museums · The Archive · The Cinematic · Fashion Photography Boxed focus studies throughout the text offer short interviews, curatorial statements and reflections by photographers, critics and leading scholars that link photography's history with its practice. Short chapter summaries, research questions and further reading lists help to reinforce learning and promote discussion. Whether coming to the subject from an applied photography or art history background, students will benefit from this book's engaging, example-led approach to the subject, gaining a sophisticated understanding of international photography in historical terms.

This innovative text recounts the history of photography through a series of thematically structured chapters. Designed and written for students studying photography and its history, each chapter approaches its subject by introducing a range of international, contemporary photographers and then contextualizing their work in historical terms. The book offers students an accessible route to gain an understanding of the key genres, theories and debates that are fundamental to the study of this rich and complex medium. Individual chapters cover major topics, including: · Description and Abstraction · Truth and Fiction · The Body · Landscape · War · Politics of Representation · Form · Appropriation · Museums · The Archive · The Cinematic · Fashion Photography Boxed focus studies throughout the text offer short interviews, curatorial statements and reflections by photographers, critics and leading scholars that link photography's history with its practice. Short chapter summaries, research questions and further reading lists help to reinforce learning and promote discussion. Whether coming to the subject from an applied photography or art history background, students will benefit from this book's engaging, example-led approach to the subject, gaining a sophisticated understanding of international photography in historical terms.

James William Newland’s (1810–1857) career as a showman daguerreotypist began in the United States but expanded into Central and South America, across the Pacific to New Zealand and colonial Australia and onto India. Newland used the latest developments in photography, theatre and spectacle to create powerful new visual experiences for audiences in each of these volatile colonial societies. This book assesses his surviving, vivid portraits against other visual ephemera and archival records of his time. Newland’s magic lantern and theatre shows are imaginatively reconstructed from textual sources and analysed, with his short, rich career casting a new light on the complex worlds of the mid-nineteenth century. It provides a revealing case study of someone brokering new experiences with optical technologies for varied audiences at the forefront of the age of modern vision. This book will be of interest to scholars in art and visual culture, photography, the history of photography and Victorian history.

Magical' KANEEZ SURKA 'Funny, intense, thoughtful' FARAH BASHIR 'A rare, precious memoir' NATASHA BADHWAR When Shubnum Khan signed up for a photoshoot as part of an art project in college, she hadn’t imagined that the photographs would be plastered on billboards and advertisements all over the world. Two years on, her smiling face had sold condos in Mumbai and Florida, drawn subscribers to dating websites and convinced desperate customers of the supposed wonders of skin-lightening creams. This is but one of the many astounding misadventures she chronicles in How I Accidentally Became a Global Stock Photo and Other Strange and Wonderful Stories. In this part memoir, part travelogue, Shubnum takes you on unpredictable journeys far from her family home in South Africa. Whether it’s going off the grid in the Himalayas, getting pulled out of the ocean in Turkey or becoming a bride on a rooftop in Shanghai, she is quirky, moving and vulnerable in what she shares. All the while, she reflects on what it means to be a woman, especially a single Muslim woman, in the modern world. Her book is a helpful reminder that once ‘you step off the edge, anything can happen’.

How is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial, anthropological and family photography. The contributions sketch the contested field of global photography and trace the manifold intertwinements between historical and contemporary photographs.

Following in the outstanding success of the first edition, this wonderful celebration of landscape photography shortlists the winning photographs from the second Landscape Photographer of the Year competition. Take a view, the Landscape Photographer of the Year competition, is the brainchild of Charlie Waite, one of today's most respected ......

Provides an overview of what families around the world eat by featuring portraits of thirty families from twenty-four countries with a week's supply of food.

On March 13, 2020 when the global coronavirus pandemic brought life as we know it to an abrupt halt, the International Center of Photography, just weeks after opening in a brand-new building on Manhattan'ss Lower East Side that was buzzing with visitors, was forced to close its doors. Wanting to do more than virtual exhibition tours, ICP announced the #ICPConcerned open call on March 20th, an invitation for people to make, upload, and tag images on Instagram of whatever was going on in their lives wherever they were. What resulted was more than sixty thousand submissions from countries as far flung as France, Singapore, Argentina, Nigeria, Canada, and Iran. From the halls of medical facilities to eerily empty streets and domestic settings converted into home offices and classrooms, the more than 800 photographs collected here are organized chronologically and accompanied by headlines gathered from various global news entities. Taken together, these words and pictures represent the pain, heartbreak, hope, and occasional humor we've all experienced this past year against the backdrop of COVID-19, unrelenting racial injustice, and a divisive political climate. Exhibition: ICP International Center for Photography, New York, USA (01.10.2020 - 03.01.2021).