Globalization Cultural Identities And Media Representations

Globalization, Cultural Identities, and Media Representations provides a multidirectional approach for understanding the role of media in constructing cultural identities in a newly globalized media environment. The contributors cover a wide range of topics from different geopolitical areas, historical periods, and media genres. Case studies examined include the shift from print to Internet, local representations of modern world cinema and glo/cal television, narrative strategies in transnational literature, and cultural economics of the mediation of world music in India, China, Algeria, Israel, Europe, and the United States. This case study approach allows for deeper insights into the complexity of each cultural subsystem as part of the whole media culture system. This book exemplifies a transcultural and transdisciplinary dialogue that maps out new—relocalized—territories and borders for mediated cultural identities and also reveals the complexity and connectedness of all of these discourses.

Attention is given to television and cultural identities in the context of globalization. The representation of sex, gender, race and nation on television is analysed.

Cultural Diversity and Global Media explores the relationship between the media and multiculturalism. Summarises and critically discusses current approaches to multiculturalism and the media from a global perspecive Explores both the theoretical debates and empirical findings on multiculturalism and the media Assumes the new perspective of mediation of cultural diversity, which critically combines elements of previous theories in order to gain a better understanding of the relationship between the media and cultural diversity Explores media ‘moments’ of production, representation and consumption, while incorporating arguments on their shifting roles and boundaries Examines separately the role of the internet, which is linked to many changes in patterns of media production, representation and to increased possibilities for diasporic and transnational communication Contains pedagogical features that enable readers to understand and critically engage with the material, and draws upon and reviews an extensive bibliography, providing a useful reference tool.

Vera Mackie examines media representations of globalization emanating from Japan and its neighbours in the 1990s and early twenty-first century. She argues that the circulation of media representations, signs and symbols, which is presented as being one of the features of globalization alongside the movement of peoples, commodities, information and capital, is more complex than hitherto suggested. She points out that by moving away from relationships determined on the East-West Occidental-Oriental axis, and by looking at media representations in localized areas, with localized routes of circulation; new models to theorize about the construction of identity and otherness can be developed. As a highly respected author in this field of study, Mackie puts forward the idea of 'transcultures' - the idea that the regional circulation of media representations means that 'cultures' can no longer be seen as hermetically sealed entities defined by national boundaries.

"The book covers a range of key debates about the politics and regulation of culture in general, and of the media as a key site of contemporary cultural practice. A range of theoretical issues are explored in questions of the public sphere and the politics of leisure. Three key arenas of contested regulation, posing very different issues of the formation and regulation of culture and media are discussed: sexuality, globalization and multiculturalism. Sexuality poses issues of control of representations, and of pornography and censorship. Globalization raises questions of national identity and cultural imperialism. Multiculturalism challenges existing models of cultural identity and citizenship. Through these three central cases, major contests around the public defining of culture, identity and difference are clarified."--Book jacket.

This edited volume examines the ways that global media shapes relations between place, culture, and identity. Through the included essays, Chopra and Gajjala offer a mix of theoretical reflections and empirical case studies that will help readers understand how the media can shape cultural identities and, conversely, how cultural formations can influence the political economy of global media. The interdisciplinary, international scholars gathered here push the discussion of what it means to do global media studies beyond uncritical celebrations of the global media technologies (or globalization) as well as beyond perspectives that are a priori dismissive of the possibilities of global media. Some of the key questions and themes that the international contributors explore within the text include: Is the global audience of global television the same as the global audience of the internet? Can we conceptualize the global culture-media-identity dynamic beyond the discourse of postcolonialism? How does the globalization of media affect feelings of nationalism? How is the growth of a consumer "global middle class" spread, and resisted, through media? Global Media, Identity, and Culture takes a comparative media approach to addressing these, and other, issues across media forms including print, television, film, and new media

Thomsen develops the concept of constellations of books based on particular formal and thematic traits and shows how this works in relation to literature written by migrant writers and literature on genocides, wars and catastrophes.