Gnes Heller And Hannah Arendt

This book reconstructs, through texts by Ágnes Heller and international scholars, a timely conversation between Hannah Arendt and Heller on the malaises of modernity. This valuable work will be appreciated both by academics and students interested in social and political philosophy, in addition to the wider public curious of intellectual history. Both Arendt and Heller are great thinkers with the ability to enlighten the great moral and political problems of our time. Although these two great figures belong to different generations, the dialogue reconstructed here provides a fuller picture of the demise of the great totalitarian forces of the twentieth century. Both Arendt and Heller, in a sense, accepted the burden of understanding the evils of their age. It is, however, Heller, by addressing the perennial problems of modernity posed by Arendt, who makes this conversation possible, illuminating the problems of this century.

This collection of essays examines the life and thought of Agnes Heller, who rose to international acclaim as a Marxist dissident in Eastern Europe, then went on to develop one of the most comprehensive oeuvres in contemporary philosophy, putting forward a distinctive ethical theory and analyses of a vast range of topics covering most every philosophical area. Here, philosophers, sociologists, journalists, and political scientists contextualize, compare and assess different elements of Heller's work; the collection as a whole highlights relevant shifts within that work as well as its intrinsic consistency. Essays in the collection address the relationship between philosophy, political practice and everyday life, Heller's theory of modernity and her ethical theory, her recent scholarship on comedy and the Biblical book of Genesis, her theories of radical needs and radical politics, her aesthetic theory, and questions about her relationship to feminist theory. The collection includes Heller's reflections on the collected essays, as well as an early essay on her mentor LukOcs that exposes her own steadfast engagement with certain practical and philosophical issues throughout her life's work.

Written by one of the most influential figures in post-World-War-II social thought, A Theory of Modernity is a comprehensive analysis of the main dynamics of modernity, which discusses the technological, social and political elements of modernism.

A Short History of My Philosophy is an autobiographic account of Agnes Heller's intellectual and academic career. While the narration mainly traces the development of ideas, we also learn how they occurred in the context of challenging life circumstances. Agnes Heller presents the life of her ideas is four stages: the first, 'years of apprenticeship,' details both the pre- and post-Hungarian revolution period during which she studied under György Lukács; the second, 'years of dialogue,' describes the relationships of the 'Budapest school' in terms of their shared work and contributions; the third, 'years of building and intervention,' gives insight into important works written while living in Australia, along with Agnes Heller's political engagements during this period; and finally, the fourth, 'years of wandering,' describes the various projects Agnes Heller has undertaken as a world-traveler at conferences since the departure of her late husband, Ferenc Fehér.

Grandeur and Twilight of Radical Universalism provides a theoretical construction to the extraordinary events of the past several years in Europe and the Soviet Union, and China. These masterful essays attribute much of the problem of totalitarianism to its blind acceptance of a Marxist philosophy of practice. With the failure of communist practice, the collapse of the Marxian paradigm was quick to follow.At its roots this volume is a critique of the idea that we can have "scientific knowledge" of the social and political future. Totalitarian Marxism combined statements of history and claims of omniscience. Free choice was surrendered to history, and when the predicted outcomes fail to materialize, when communism came closer to being buried than capitalism, and western ideals of democracy proved far more compelling than inherited doctrines of authoritarianism, the outcome proved monumental and disastrous.The authors position themselves as evolving from critical Marxism to post-Marxism, and then post modernism. By this, they mean a modest view of life, one that moves beyond radical universalism and grand narrative, into a realization of individualism and equity concerns are central to the end of the twentieth century. The volume proceeds historically: from studies of the classic Marxian legacy; to the early twentieth century efforts of Lukacs, Weber and Adorno; proceeding to the disintegration of the Marxian paradigm in both its pure and revisionist forms. It ends with a study of options posed by this paradigmatic collapse - to consideration of the status of postmodernity and the choices between pure relativism and a theological fundamentalism. ,This is a work of absolute importance for political philosophy, the sociology of knowledge, and the history of ideas. In raising recent events to a theoretically meaningful framework, it represents a refreshing as well as remarkable step toward understanding Revolutions from 1789 to 1989.

The main purpose of this book is to explicate the problematic relationship between the heterogeneity of what is experienced as beautiful and the homogeneity of the conceptualization of that experience, or attempt at such a conceptualization in the era of modern philosophy. While the heterogeneity of what is experienced as beautiful was permitted, and indeed celebrated, in the dominant ancient conception—for example, in the Symposium and Phaedrus of Plato—the need for homogenization in the later appropriation of Plato and in the Enlightenment period relegated the beautiful to the privileged domain of artworks. In her analysis Agnes Heller provides a unique and significant emphasis on the original 'life content' of the experience of the beautiful, which becomes lost in the modern system of the arts. This book details the history of the concept of the beautiful, starting with what Agnes Heller distinguishes between the 'warm' metaphysics of beauty and the 'cold' one—inspired by Plato's Janus-faced relationship to beauty—and ending with a fragmented yet hopeful vision propagated by Friedrich Nietzsche, Walter Benjamin, and Theodor W. Adorno, among others. In between these two historical parentheses—the metaphysical Plato on one hand and the post-metaphysical Nietzsche, Benjamin, and Adorno on the other hand—lay a plenitude of figures and intellectual developments, all of which contributed to the demise of the concept of the beautiful in the Western metaphysical tradition. The most important of these figures and developments are examined in this book.

"It is impressive to see an edited collection in which such a high intellectual standard is maintained throughout... I learned things from almost every one of these chapters."—Craig Calhoun, author of Critical Social Theory