Godfather Death

A poor man meets a dead end when he cannot decide on a godfather for his thirteenth child. He sees first the Lord but he does not think He will be a suitable godfather. Then he meets the Devil but this option does not suit him. The last one is the Death. The father finally decides. The Death treats equally both rich and poor so he will be the perfect godfather for his son. The gift that the Death gives to his godson is the power of seeing if a person can be cured or not. The gift is however to be used reasonably because otherwise it may lead to greater dangers. Will the thirteenth child follow his godfather’s words or he will try to trick him? What will follow? Find out in "Godfather Death". Children and adults alike, immerse yourselves into Grimm’s world of folktales and legends! Come, discover the little-known tales and treasured classics in this collection of 200 fairytales. Brothers Grimm are probably the best-known storytellers in the world. Some of their most popular fairy tales are "Cinderella", "Beauty and the Beast" and "Little Red Riding Hood" and there is hardly anybody who has not grown up with the adventures of Hansel and Gretel, Rapunzel and Snow White. Jacob and Wilhelm Grimm’s exceptional literature legacy consists of recorded German and European folktales and legends. Their collections have been translated into all European languages in their lifetime and into every living language today.

From Paul Verhoeven’s The Cold Heart in 1950 to Konrad Petzold’s The Story of the Goose Princess and Her Loyal Horse Falada in 1989, East Germany’s state-sponsored film company, DEFA (Deutsche Film-Aktiengesellschaft), produced over forty feature-length, live-action fairy-tale films based on nineteenth-century folk and literary tales. While many of these films were popular successes and paved the way for the studio’s other films to enter the global market, DEFA’s fairy-tale corpus has not been studied in its entirety. In The Politics of Magic: DEFA Fairy-Tale Films, Qinna Shen fills this gap by analyzing the films on thematic and formal levels and examining their embedded agendas in relation to the cultural politics of the German Democratic Republic. In five chapters, Shen compares the films with earlier print versions of the same stories and analyzes revisions made in DEFA’s film adaptations. She also distinguishes the DEFA fairy-tale films from National Socialist, West German, and Disney adaptations of the same tales. Her archival work reconstitutes the cultural-historical context in which films were produced and received, and incorporates the films into the larger narrative of DEFA. For the first time, the banned DEFA fairy-tale comedy, The Robe (1961/1991), is discussed in depth. The book’s title The Politics of Magic is not intended to suggest that DEFA fairy-tale films were merely mouthpieces of official ideology and propaganda. On the contrary, Shen shows that the films run the gamut from politically dogmatic to implicitly subversive, from kitschy to experimental. She argues that the fairy-tale cloak permitted them to convey ideology in a subtle, indirect manner that allowed viewers to forget Cold War politics for a while and to delve into a world of magic where politics took on an allegorical form. The fact that some DEFA fairy-tale films developed an international audience (particularly The Story of Little Mook and Three Hazelnuts for Cinderella) not only attests to these films’ universal appeal but also to the surprising marketability of this branch of GDR cinema and its impact beyond the GDR’s own narrow temporal and geographic boundaries. Shen’s study will be significant reading for teachers and students of folklore studies and for scholars of German, Eastern European, cultural, film, media, and gender studies.

The continuing cultural encounters of the Americas, between European and indigenous cultures, and between scientific materialism and premodern supernaturalism, have originated new narrative forms. While supernatural short fiction of the Americas belongs to the broad category of the fantastic, which is generally approached synchronically, reading audiences of the past 200 years have shifted their beliefs about the supernatural several times. While nineteenth-century readers understood science as real and the supernatural as imaginary, modern audiences recognize both as inaccurate, a shift which allows authors of supernatural fiction to celebrate premodern indigenous beliefs which were once disdained by a materialist culture. This book situates supernatural short fiction of the Americas within the changing cultural and epistemological contexts of the last 200 years and explores how authors have drawn upon a wealth of indigenous traditions. The book begins with a discussion of theories of the supernatural and the fantastic. It then looks at some of the first encounters of European and Native American supernatural beliefs and points to the common elements of these early traditions. The volume next focuses on American literature of the nineteenth century, which has a complex fusion of materialist biases and metaphysical fascinations. The final portion of the book gives greater attention to Spanish-American literature and the blending of the supernatural with attitudes of nostalgia and uncertainty.

DigiCat presents to you this unique collection of the most beloved fairy tales of all time: Complete Fairy Tales of Hans Christian Andersen Complete Fairy Tales of Brothers Grimm Complete Fairy Books of Andrew Lang Peter Pan in Kensington Gardens (J. M. Barrie) Peter and Wendy (J. M. Barrie) Five Children and It (E. Nesbit) The Phoenix and the Carpet (E. Nesbit) The Story of the Amulet (E. Nesbit) The Enchanted Castle (E. Nesbit) Alice in Wonderland (Lewis Carroll) Through the Looking Glass (Lewis Carroll) The Wonderful Wizard of Oz Collection (L. Frank Baum): The Wonderful Wizard of Oz The Marvelous Land of Oz The Woggle-Bug Book Ozma of Oz Dorothy and the Wizard in Oz The Road to Oz The Emerald City of Oz The Patchwork Girl of Oz Little Wizard Stories of Oz Tik-Tok of Oz The Scarecrow of Oz Rinkitink in Oz The Lost Princess of Oz The Tin Woodman of Oz The Magic of Oz Glinda of Oz At the Back of the North Wind (George MacDonald) The Princess and the Goblin (George MacDonald) The Princess and Curdie (George MacDonald) Wonder Book (Nathaniel Hawthorne) Tanglewood Tales (Nathaniel Hawthorne) The Happy Prince and Other Tales (Oscar Wilde) A House of Pomegranates (Oscar Wilde) All the Way to Fairyland (Evelyn Sharp) The Blue Bird for Children (Maurice Maeterlinck and Georgette Leblanc) The King of the Golden River (John Ruskin) Rootabaga Stories (Carl Sandburg) Knock Three Times! (Marion St. John Webb) The Cuckoo Clock (Mary Louisa Molesworth) Friendly Fairies (Johnny Gruelle) Raggedy Ann Stories (Johnny Gruelle) Raggedy Andy Stories (Johnny Gruelle) Russian Fairy Tales From the Skazki of Polevoi Old Peter's Russian Tales

Share the joy of reading to your little ones and take them into the magical land of dragons, fairies, elves and fantasies with this meticulously edited collection:_x000D_ Dragon Tales:_x000D_ My Father's Dragon_x000D_ The Reluctant Dragon_x000D_ The Book of Dragons_x000D_ Animal Tales & Fables:_x000D_ The Tale of Peter Rabbit_x000D_ The Tale of Benjamin Bunny..._x000D_ Mother West Wind Series_x000D_ The Burgess Bird Book for Children_x000D_ The Burgess Animal Book for Children_x000D_ The Velveteen Rabbit_x000D_ Uncle Wiggily's Adventures & Other Tales_x000D_ Little Bun Rabbit_x000D_ Mother Goose in Prose_x000D_ Lulu's Library_x000D_ The Jungle Book..._x000D_ White Fang_x000D_ Black Beauty_x000D_ The Story of Doctor Dolittle..._x000D_ Aesop Fables_x000D_ The Panchatantra_x000D_ Russian Picture Fables for the Little Ones_x000D_ The Russian Garland_x000D_ Fairy tales & Fantasies:_x000D_ Complete Fairy Tales of Hans Christian Andersen_x000D_ Complete Fairy Tales of Brothers Grimm_x000D_ Complete Fairy Books of Andrew Lang_x000D_ Peter Pan_x000D_ Five Children and It..._x000D_ Alice in Wonderland_x000D_ Through the Looking Glass_x000D_ The Wonderful Wizard of Oz Collection_x000D_ At the Back of the North Wind_x000D_ The Princess and the Goblin_x000D_ Tanglewood Tales_x000D_ The Happy Prince and Other Tales_x000D_ All the Way to Fairyland_x000D_ Friendly Fairies..._x000D_ Old Peter's Russian Tales_x000D_ Childhood Adventures:_x000D_ Robin Hood_x000D_ Pinocchio_x000D_ Gingerbread Man_x000D_ Little Women_x000D_ The Secret Garden_x000D_ A Little Princess_x000D_ The Adventures of Tom Sawyer_x000D_ Journey to the Centre of the Earth_x000D_ Treasure Island..._x000D_ Anne of Green Gables Collection..._x000D_ The Wind in the Willows_x000D_ The Box-Car Children_x000D_ The Railway Children_x000D_ Oliver Twist_x000D_ David Copperfield..._x000D_ Classics Retold_x000D_ The Iliad of Homer _x000D_ Odysseus_x000D_ The Arabian Nights Entertainments_x000D_ Viking Tales_x000D_ Tales of King Arthur and the Round Table_x000D_ Chaucer for Children_x000D_ Tales from Shakespeare_x000D_ Don Quixote_x000D_ The Pilgrim's Progress_x000D_ Robinson Crusoe_x000D_ Voyage to Lilliput_x000D_ Little Goody Two-Shoes & Mrs Margery Two-Shoes_x000D_ Charles Dickens' Children Stories_x000D_ The Story of Hiawatha_x000D_ Uncle Tom's Cabin_x000D_ Pocahontas

For readers of all ages, two hundred and ten tales of the Brothers Grimm, including "Cinderella," "Sleeping Beauty," "Snow White," and "Hansel and Gretel," translated by Ralph Manheim, the highly acclaimed and prize-winning translator. Manheim has rediscovered in the original German Grimms’ editions of the tales the unadorned, direct rhythm of the oral form in which they were first recorded. He has retained their ageless magic and mythology and restored the extraordinary vitality and wit, the acute perceptions of human strength and facility mirrored in the facets of these small gems. “The best modern translation of the complete Brothers Grimm.”--Choice