Gods Of Death

Around the World, Behind Closed Doors, Operates an,Ultra Secret Business of Sex and Death. One Man,Hunts the Truth About Snuff Films,.

THE OLD GODS ARE DYING. Giant corporations collapse overnight. Newspapers are being swallowed. Stock prices plummet with a tweet. NEW IDOLS ARE RISING IN THEIR PLACE. More crime now happens online than offline. Facebook has grown bigger than any state, bots battle elections, coders write policy, and algorithms shape our lives in more ways than we can imagine. The Death of the Gods is an exploration of power in the digital age, and a journey in search of the new centres of control. From a cyber-crime raid in British suburbia to the engine rooms of Silicon Valley, pioneering technology researcher Carl Miller traces how power is being transformed, fought over, lost and won.

Reproduction of the original: The Death of the Gods by Dmitri Mérejkowski

Gods and Goddesses of Death are among the oldest of all the primordial deities. Even modern monotheistic religions exhibit parallels to the deification of Death.

The death of God began, according to Vahanian, the moment Western man started to compromise with the Biblical concept of God transcendent, and to merge the identity of the Godhead with the identity of humankind. From this compromise evolved the belief in the possibility of heaven on earth, in human perfectibility, in the expectation that man, both individually and collectively, can control his termporal fate. Today, as a consequence, Western society not only exalts all possible material comforts, but requires as well easy, guaranteed, status-assuring religious affiliations. The present search for "inner security" is in direct opposition to the toleration of doubt that tests the strength of genuine religious faith. And Vahanian shows how our spiritual decline is reflected in much of the most important imaginative writing of today.

The Death of the Gods (1895) is a novel by Dmitriy Merezhkovsky. Having turned from his work in poetry to a new, spiritually charged interest in fiction, Merezhkovsky sought to develop his theory of the Third Testament, an apocalyptic vision of Christianity’s fulfillment in twentieth century humanity. The Death of the Gods the first work in the trilogy, is followed by Resurrection of the Gods (1900) and Peter and Alexis (1904). Well received internationally, The Christ and Antichrist Trilogy was largely ignored by Russian critics at the time of its publication, but has since been recognized as his most original and vital literary work. “‘Julian!’ a voice cried; ‘Julian, Julian! Where in the world is he? Eutropius is looking for you to go to church with him.’ The boy shivered, and nimbly hid his handiwork inside the altar of Pan. He smoothed his hair, shook his clothes, and when he came out of the grotto had resumed an expression of impenetrable Christian hypocrisy.” In The Death of the Gods, Emperor Julian, recognizing the increasing popularity of Christianity among the Roman people, makes a final attempt to plant the Olympian Gods at the center of spiritual life. Opposed to the asceticism of early Christians, Julian views the emerging religion as a sacrifice of worldly existence and human connection in favor of a metaphysical ideal. Despite his idealism, the inexorable current of history dooms him from the beginning. With a beautifully designed cover and professionally typeset manuscript, this edition of Dmitriy Merezhkovsky’s The Death of the Gods is a classic of Russian literature reimagined for modern readers.

Bojana Mojsov tells the story of the cult of Osiris from beginning to end, sketching its development throughout 3,000 years of Egyptian history. Draws together the numerous records about Osiris from the third millennium B.C. to the Roman conquest of Egypt. Demonstrates that the cult of Osiris was the most popular and enduring of the ancient religions. Shows how the cult provided direct antecedents for many ideas, traits and customs in Christianity, including the concept of the trinity, baptism in the sacred river, and the sacrament of the Eucharist. Reveals the cult’s influence on other western mystical traditions and groups, such as the Alchemists, Rosicrucians and Freemasons. Written for a general, as well as a scholarly audience.

Offers new observations on the persistence of God in modern times, and considers how the war on terror and a post-9/11 society has impacted atheism.