Going Driftless

Going Driftless is a book that explores a whole world within a world in the upper Midwest and looks at the nostalgia of small towns and local living (eating, shopping, etc.)—and asks how does it work what lessons can we learn from it.

“A fast-moving story about small town life with characters that seem to have walked off the pages of Edgar Lee Masters’s Spoon River Anthology.”—The Wall Street Journal The few hundred souls who inhabit Words, Wisconsin, are an extraordinary cast of characters. The middle-aged couple who zealously guards their farm from a scheming milk cooperative. The lifelong invalid, crippled by conflicting emotions about her sister. A cantankerous retiree, haunted by childhood memories after discovering a cougar in his haymow. The former drifter who forever alters the ties that bind a community. In his first novel in 30 years, David Rhodes offers a vivid and unforgettable look at life in small-town America. “[Rhodes’s] finest work yet . . . Driftless is the best work of fiction to come out of the Midwest in many years.”—Chicago Tribune “Set in a rural Wisconsin town, the book presents a series of portraits that resemble Edgar Lee Masters’s ‘Spoon River Anthology’ in their vividness and in the cumulative picture they create of village life.”—The New Yorker “Encompassing and incisive, comedic and profound, Driftless is a radiant novel of community and courage.”—Booklist (starred review) “A welcome antidote to overheated urban fiction . . . A quiet novel of depth and simplicity.”—Kirkus Reviews “It takes a while for all these stories to kick in, but once they do, Rhodes shows he still knows how to keep readers riveted. Add a blizzard, a marauding cougar and some rabble-rousing militiamen, and the result is a novel that is as affecting as it is pleasantly overstuffed.”—Publishers Weekly

In Irish Celtic lore, “thin places” are those locales where the veil between this world and the otherworld is porous, where there is mystery in the landscape. The earth takes on the hue of the sacred among peoples whose connection to place has remained unbroken through the ages. What happens, then, when a Celtic view of nature is brought home to a North American landscape in which many inhabitants’ ancestral connections to place are surface-thin? In a quest to find a deeper spiritual landscape in his own home, Kevin Koch applies eight principles of a Celtic spiritual view of nature to places in Ireland and to the American Midwest’s rugged Driftless Area, an unglaciated region of river bluffs, rock outcrops, and steeply wooded hills. The Thin Places brings onsite mountaineering guides, spiritual leaders, geologists, and archaeologists alongside scholars in the fields of Celtic studies, religion, and conservation. But the text never strays far from story, from a trek through the Wicklow Mountains and the bogs of Western Ireland or among ancient Native American burial mounds and abandoned nineteenth-century lead mines in the bluffs above the Mississippi River.

Whether referring to a place, a nonhuman animal or plant, or a state of mind, wild indicates autonomy and agency, a will to be, a unique expression of life. Yet two contrasting ideas about wild nature permeate contemporary discussions: either that nature is most wild in the absence of a defiling human presence, or that nature is completely humanized and nothing is truly wild. This book charts a different path. Exploring how people can become attuned to the wild community of life and also contribute to the well-being of the wild places in which we live, work, and play, Wildness brings together esteemed authors from a variety of landscapes, cultures, and backgrounds to share their stories about the interdependence of everyday human lifeways and wildness. As they show, far from being an all or nothing proposition, wildness exists in variations and degrees that range from cultivated soils to multigenerational forests to sunflowers pushing through cracks in a city alley. Spanning diverse geographies, these essays celebrate the continuum of wildness, revealing the many ways in which human communities can nurture, adapt to, and thrive alongside their wild nonhuman kin. From the contoured lands of Wisconsin’s Driftless region to remote Alaska, from the amazing adaptations of animals and plants living in the concrete jungle to indigenous lands and harvest ceremonies, from backyards to reclaimed urban industrial sites, from microcosms to bioregions and atmospheres, manifestations of wildness are everywhere. With this book, we gain insight into what wildness is and could be, as well as how it might be recovered in our lives—and with it, how we might unearth a more profound, wilder understanding of what it means to be human. Wildness: Relations of People and Place is published in association with the Center for Humans and Nature, an organization that brings together some of the brightest minds to explore and promote human responsibilities to each other and the whole community of life. Visit the Center for Humans and Nature's Wildness website for upcoming events and a series of related short films.

Both a traveler's tale of a 359-mile canoe trip and an exploration of the dramatic environment of the Upper Midwest's Driftless region, following the streams of geologic and human history.

“Knowledgeable, probing, and thoughtful.” —Foreword Reviews Smokey Robinson • Barbara Kingsolver • Francis Ford Coppola • David Sedaris • Jane Goodall and other luminaries reveal the secrets to their creative success. Amy Tan talks about how she finds truth by writing fiction. Melissa Etheridge tells us how she channels her fire into her music. Pico Iyer shares how seeking stillness enhances his creativity. And Coppola discusses how he found the courage to make groundbreaking films. In The Creative Spark, a collection of interviews prefaced by brief biographies, these luminaries join dozens of other voices to create a symphony of inspiration. Lucinda Williams talks about honesty and making every word count; Jane Goodall cites the value of persistence and believing in yourself; and Smokey Robinson heralds the timeless power of love songs. For more than a decade, award-winning author Michael Shapiro (A Sense of Place) has interviewed many of our brightest creators. In The Creative Spark, musicians, authors, explorers, and chefs speak about what drives them, what helps them see the world in fresh ways, and what inspires them to turn their visions into art. Shapiro’s work as a music journalist has led to interviews with legends including Graham Nash, Lyle Lovett, Melissa Etheridge, Jake Shimabukuro, Merle Haggard, and Jethro Tull bandleader Ian Anderson. And he’s spoken with creative masters in other fields, such as comedian Joan Rivers and author Frances Mayes. Yet it’s not simply that Shapiro has had access to so many supremely talented people—it’s that he gets them to go deep. Moments into his penetrating conversation with Lucinda (her fans call her by her first name), she tells Shapiro about how decisions made about her mother’s funeral led to fissures in her family. From this achingly personal conversation, readers can glean fresh insights into why Lucinda has such a devoted following and why her songs open listeners’ hearts. Unexpected revelations pop up in every chapter of The Creative Spark. Iowa folksinger Greg Brown isn’t a household name, but his fellow musicians revere his poetic compositions. Then there’s San Francisco Giants announcer Mike Krukow, who turns every broadcast into a work of art. Chefs, including SingleThread’s Kyle Connaughton, discuss how they’re transforming the way we approach fine dining and why social responsibility is essential. Each chapter starts with a short biography of the creative person being profiled, then segues into Q+A. This collection brings together some of the best-known artists of our time with others who may not be as famed but who have valuable insights about living an artful life. The Creative Spark stands as a testament to human achievement, showing how creativity illuminates our world. And how it resides in each and every one of us, just waiting to break out.

In Meeting Jimmie Rodgers, the first book to explore the deep legacy of "The Singing Brakeman" from a twenty-first century perspective, Barry Mazor offers a lively look at Rodgers' career, tracing his rise from working-class obscurity to the pinnacle of renown that came with such hits as "Blue Yodel" and "In the Jailhouse Now." As Mazor shows, Rodgers brought emotional clarity and a unique sense of narrative drama to every song he performed, whether tough or sentimental, comic or sad. His wistful singing, falsetto yodels, bold flat-picking guitar style, and sometimes censorable themes--sex, crime, and other edgy topics--set him apart from most of his contemporaries. But more than anything else, Mazor suggests, it was Rodgers' shape-shifting ability to assume many public personas--working stiff, decked-out cowboy, suave ladies' man--that connected him to such a broad public and set the stage for the stars who followed him. In reconstructing this far-flung legacy, Mazor enables readers to meet Rodgers and his music anew-not as an historical figure, but as a vibrant, immediate force.