Gold Digger 203

Under the influence of Portia's Ooshoosh pheromones, Nez decides to leave for Ooshoosh Island to get hitched! Gina catches wind of Portia's man-jacking and pursues. Unfortunately, the island borderlands are right in the middle of a zilla-migration season, so Gina has to sneak her way past a herd of giant monsters and avoid their predators before Nez can say "I do!"

The Amazons of Jade have a unique case for Gina: A group of Athle (primitive, male Amazons) have become too inquisitive and ventured into a portal from Jade to Florida! Gina, Brianna and Amazon Queen Jehysa must track down the little lost bishies before their magical abilities cause too much trouble. Fortunately, Gina has fully armed and operational "stud-finder!"

Book One of the Klondike Mystery Series by Vicki Delany! It’s the spring of 1898, and Dawson, Yukon Territory, is the most exciting town in North America. The great Klondike Gold Rush is in full swing and Fiona MacGillivray has crawled over the Chilkoot Pass determined to make her fortune as the owner of the Savoy dance hall. Provided, that is, that her twelve-year-old son, growing up much too fast for her liking; the former Glasgow street fighter who’s now her business partner; a stern, handsome NWMP constable; an aging, love-struck ex-boxing champion; a wild assortment of headstrong dancers, croupiers, gamblers, madams without hearts of gold, bar hangers-on, cheechakos, and sourdoughs; and Fiona’s own nimble-fingered past don’t get to her first. And then there’s the dead body on centre stage. If you loved Gold Digger, check out the next three books of the series, Gold Fever, Gold Mountain, and Gold Web.

Tale of a boy who gets separated from his family on the way to the gold fields of California, gets rich and finds his long-lost grandfather. Gerstaecker was a German who prospected in the 1849 gold rush, and the geography of the story is accurate. Gerstaecker wrote many non-fiction works on California and America for German readers.

The international bestseller! The book beaches were made for! When New York billionaire Adam Gold moves to London, every red-blooded woman wants to get him into bed...and down the aisle. Karin is a successful fashion entrepreneur and London's most glamorous socialite. Her name is synonymous with style and class, and Adam Gold could be her perfect accessory -- but can the whispers surrounding her ex-husband's death keep her from her prize? Erin, a young, naïve country girl with literary aspirations, never dreamed of traveling in such lofty social circles until she finds herself in the role of Adam's personal assistant and protégé. As her sights grow higher, the promise of riches, and lust for her handsome boss, threaten everything she once valued. Molly, a fading eighties supermodel, can't seem to leave her glory days, or her expensive drug habit, in the past. Ultracompetitive, unabashedly ruthless, Molly will risk everything to secure the man who may be her last chance at marriage. Summer, Molly's daughter, is an innocent beauty living in the shadow of her famous mother. When she lands a television deal and becomes the latest "it girl," Adam Gold takes notice. From Monte Carlo to Lake Como, St. Moritz to St. Barts, Gold Diggers takes a heady journey through the social circuit of the superrich into a world of sizzling passion, ruthless ambition and scorching betrayal.

The stereotype of the "gold digger" has had a fascinating trajectory in twentieth-century America, from tales of greedy flapper-era chorus girls to tabloid coverage of Anna Nicole Smith and her octogenarian tycoon husband. The term entered American vernacular in the 1910s as women began to assert greater power over courtship, marriage, and finances, threatening men's control of legal and economic structures. Over the course of the century, the gold digger stereotype reappeared as women pressed for further control over love, sex, and money while laws failed to keep pace with such realignments. The gold digger can be seen in silent films, vaudeville jokes, hip hop lyrics, and reality television. Whether feared, admired, or desired, the figure of the gold digger appears almost everywhere gender, sexuality, class, and race collide. This fascinating interdisciplinary work reveals the assumptions and disputes around women's sexual agency in American life, shedding new light on the cultural and legal forces underpinning romantic, sexual, and marital relationships.

When the French actress Sarah Bernhardt made her first American tour in 1880, the term feminism had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive New Women. Female Spectacle reveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism.

Facing an economic crisis in the 1980s, Hollywood moved to control the markets of videotape, pay-cable and pay-per-view. This volume examines the transformation that took the industry from the production of theatrical film to media software.