Gold Digger 236

As the Time War rages in distant expanse of Chronospace, a pair of stray time-drones find themselves stranded in the present in Tiffy and Charlotte's treehouse! They immediately convert the treehouse into a time-space outpost, reform themselves into exact duplicates of its owners, and send the real Tifanny and Charlotte on a seemingly one-way trip through the Chronoverse! Bogus!!!

Across the vast desert of Gronn, the Lost Knight is hunted by a huge, unstoppable engine of death. LandMasters of the Kotaran Tribes rule the wastelands. Sir Jarrett thought himself beyond the war, but he has made far too many enemies. He cannot hide, he cannot win, but now the Lost Knight must turn and face an iron assassin, though he may die.

Between 1896 and 1899, thousands of people lured by gold braved a grueling journey into the remote wilderness of North America. Within two years, Dawson City, in the Canadian Yukon, grew from a mining camp of four hundred to a raucous town of over thirty thousand people. The stampede to the Klondike was the last great gold rush in history. Scurvy, dysentery, frostbite, and starvation stalked all who dared to be in Dawson. And yet the possibilities attracted people from all walks of life—not only prospectors but also newspapermen, bankers, prostitutes, priests, and lawmen. Gold Diggers follows six stampeders—Bill Haskell, a farm boy who hungered for striking gold; Father Judge, a Jesuit priest who aimed to save souls and lives; Belinda Mulrooney, a twenty–four–year–old who became the richest businesswoman in town; Flora Shaw, a journalist who transformed the town's governance; Sam Steele, the officer who finally established order in the lawless town; and most famously Jack London, who left without gold, but with the stories that would make him a legend. Drawing on letters, memoirs, newspaper articles, and stories, Charlotte Gray delivers an enthralling tale of the gold madness that swept through a continent and changed a landscape and its people forever.

Containing full pedigree of all the imported thorough-bred stallions and mares, with their produce.

By taking a thematic approach to the study of music appreciation, Music: A Social Experience, Second Edition demonstrates how music reflects and deepens both individual and cultural understandings. Musical examples are presented within universally experienced social frameworks (ethnicity, gender, spirituality, love, and more) to help students understand how music reflects and advances human experience. Students engage with multiple genres (Western art music, popular music, and world music) through lively narratives and innovative activities. A companion website features streaming audio and instructors' resources. New to this edition: Two additional chapters: "Music and the Life Cycle" and "Music and Technology" Essay questions and "key terms" lists at the ends of chapters Additional repertoire and listening guides covering all historical periods of Western art music Expanded instructors’ resources Many additional images Updated student web materials Visit the companion website: www.routledge.com/cw/cornelius

The story of the man who strung the telegraph across Australia, and the woman who gave her name to Alice Springs. In 1855 an impoverished young scientist from Greenwich told his guardian that he was off to chance his luck in Australia - as Government Astronomer and Superintendent of Telegraphs for the small colony of South Australia. With him went his young wife Alice - after whom Alice Springs would be named. For Charles Todd was following a dream - the near impossible task of stringing a telegraph wire across one of the last uncrossed colonial wilderness, and finally connecting Australia with Britain. In 1997, their great-great-granddaughter Alice followed in their footsteps. Her plan was to track the telegraph and her ancestors, from Adelaide over the thousands of miles of desert, outback, swamp and mountain that Charles Todd had crossed in the 1860s with his 400 men.

The stereotype of the "gold digger" has had a fascinating trajectory in twentieth-century America, from tales of greedy flapper-era chorus girls to tabloid coverage of Anna Nicole Smith and her octogenarian tycoon husband. The term entered American vernacular in the 1910s as women began to assert greater power over courtship, marriage, and finances, threatening men's control of legal and economic structures. Over the course of the century, the gold digger stereotype reappeared as women pressed for further control over love, sex, and money while laws failed to keep pace with such realignments. The gold digger can be seen in silent films, vaudeville jokes, hip hop lyrics, and reality television. Whether feared, admired, or desired, the figure of the gold digger appears almost everywhere gender, sexuality, class, and race collide. This fascinating interdisciplinary work reveals the assumptions and disputes around women's sexual agency in American life, shedding new light on the cultural and legal forces underpinning romantic, sexual, and marital relationships.

Examination of film theory and feminism