Gombrowicz S Grimaces

Examines Gombrowicz’s modernist aesthetics in the context of his critique of nationalism, his exploration of queer eroticism, and his interest in hybrid and subaltern identities.

Examines Gombrowicz's modernist aesthetics in the context of his critique of nationalism, his exploration of queer eroticism, and his interest in hybrid and subaltern identities.

This short collection of essays engages with queer lives and activism in 1970s Poland, illustrating discourses about queerness and a trajectory of the struggle for rights which clearly sets itself apart, and differs from a Western-based narrative of liberation. Contributors to this volume paint an uneven landscape of queer life in state-socialist Poland in the 1970s and early 1980s. They turn to oral history interviews and archival sources which include police files, personal letters, literature and criticism, writings by sexuality experts, and documentation of artistic practice. Unlike most of Europe, Poland did not penalize same-sex acts, although queer people were commonly treated with suspicion and vilified. But while many homosexual men and most lesbian women felt invisible and alone, some had the sense of belonging to a fledgling community. As they looked to the West, hoping for a sexual revolution that never quite arrived, they also preserved informal queer institutions dating back to the prewar years and used them to their advantage. Medical experts conversed with peers across the Iron Curtain but developed their own "socialist" methods and successfully prompted the state to recognize transgender rights, even as that state remained determined to watch and intimidate homosexual men. Literary critics, translators, and art historians began debating—and they debate still—how to read gestures defying gender and sexual norms: as an aspect of some global "gay" formation or as stemming from locally grounded queer traditions. Emphasizing the differences of Poland’s LGBT history from that of the "global" West while underscoring the existing lines of communication between queer subjects on either side of the Iron Curtain, this book will be of key interest to scholars and students in gender and sexuality studies, social history, and politics.

Throughout the twentieth century in Poland various ideologies attempted to keep queer voices silent—whether those ideologies were fascist, communist, Catholic, or neo-liberal. Despite these pressures, there existed a vibrant, transgressive trend within Polish literature that subverted such silencing. This book provides in-depth textual analyses of several of those texts, covering nearly every decade of the last century, and includes authors such as Witold Gombrowicz, Marian Pankowski, and Olga Tokarczuk, winner of the 2018 Nobel Prize in Literature. Jack J. B. Hutchens demonstrates the subversive power of each work, showing that through their transgressions they help to undermine nationalist and homophobic ideologies that are still at play in Poland today. Hutchens argues that the transgressive reading of Polish literature can challenge the many binaries on which conservative, heteronormative ideology depends in order to maintain its cultural hegemony.

Witold Gombrowicz (1904-1969) was born and lived in Poland for the first half of his life but spent twenty-four years as an émigré in Argentina before returning to Europe to live in West Berlin and finally Vence, France. His works have always been of interest to those studying Polish or Argentinean or Latin American literature, but in recent years the trend toward a transnational perspective in scholarship has brought his work to increasing prominence. Indeed, the complicated web of transnational contact zones where Polish, Argentinean, French and German cultures intersect to influence his work is now seen as the appropriate lens through which his creativity ought to be examined. This volume contributes to the transnational interpretation of Gombrowicz by bringing together a distinguished group of North American, Latin American, and European scholars to offer new analyses in three distinct themes of study that have not as yet been greatly explored — Translation, Affect and Politics. How does one translate not only Gombrowicz’s words into various languages, but the often cultural-laden meaning and the particular style and tone of his writing? What is it that passes between author and reader that causes an affect? How did Gombrowicz’s negotiation of the turbulent political worlds of Poland and Argentina shape his writing? The three divisions of this collection address these questions from multiple perspectives, thereby adding significantly to little known aspects of his work.

While not on the scale of their European and North American counterparts, gays and lesbians have become increasingly open and visible in urban Latin America, with large public displays recently held in Buenos Aires, Mexico, Rio de Janeiro and Sao Paulo. This increased visibility is forcing the general public to come to terms with what has, until now, been a silent part of their population. This book takes a personal look at the activities of Latin America's homosexual community, and the varying perception of it by the populace as a whole. c. Book News Inc.

From its sweaty beats to the pulsating music on the streets, Latin/o America is perceived in the United States as the land of heat, the toy store for Western sex. It is the territory of magical fantasy and of revolutionary threat, where topography is the travel guide of desire, directing imperial voyeurs to the exhibition of the flesh. Jose Quiroga flips the stereotype upside down: he shows how Latin/o American lesbians and gay men have consistently eschewed notions of sexual identity for a politics of intervention. In Tropics of Desire, Quiroga reads hesitant Mexican poets as sex-positive voices, he questions how outing and identity politics can fall prey to the manipulations of the state, and explores how invisibility has been used as a tactical tool in opposition to the universal imperative to come out. Drawing on diverse cultural examples such as the performance of bolero and salsa, film, literature, and correspondence, and influenced by masters like Roland Barthes, Walter Benjamin and a rich tradition of Latin American stylists, Quiroga argues for a politics that denies biological determinism and cannibalizes cultural stereotypes for the sake of political action.