Goodbye Stranger Dodo Press

Stella Benson (1892-1933) was an English feminist travel writer and novelist. Stella was noted for being compassionate and interested in social issues. Like her older female relatives, she supported women's suffrage. During World War I, she supported the troops by gardening and by helping poor women in London's East End at The Charity Organisation Society. These efforts inspired Benson to write novels I Pose (1915) and This Is the End (1917). She took on a job at The University of California as a tutor, then as an editorial reader for The University Press. These experiences inspired her next work, The Poor Man (1922). Benson's writings kept coming, but her later works are not well known today. Goodbye, Stranger was written in 1926, followed by The Man Who Missed the Bus in 1928 and finally Tobit Transplanted in 1930, which won the Femina Vie Heureuse Prize. These were followed by two collections of short stories, Hope Against Hope (1931) and Christmas Formula (1932). She was also the author of Twenty (1918) and Living Alone (1919).

Featuring sixteen contributions from recognized authorities in their respective fields, this superb new mapping of women's writing ranges from feminine middlebrow novels to Virginia Woolf's modernist aesthetics, from women's literary journalism to crime fiction, and from West End drama to the literature of Scotland, Ireland and Wales.

Winifred Holtby (1898–1935) is best-known today for her friendship with fellow feminist and pacifist Vera Brittain and for her last novel, South Riding. This is the first monograph to provide a literary criticism of Holtby’s social philosophy and presents in-depth readings of all her major works as well as some of her less well-known writing.

Bridge has always been a bit of an oddball, but since she recovered from a serious accident, she's found fitting in with her friends increasingly hard. Tab and Em are getting cooler and they don't get why she insists on wearing novelty cat ears every day. Bridge just thinks they look good. It's getting harder to keep their promise of no fights, especially when they start keeping secrets from each other. Sherm wants to get to know Bridge better. But he's hiding the anger he feels at his grandfather for walking out. And then there is another girl, who is struggling with an altogether more serious set of friendship troubles... Told from interlinked points of view, this is a bittersweet story about the trials of friendship and growing up.

Stella Benson (1892-1933) was an English feminist travel writer and novelist. Stella was noted for being compassionate and interested in social issues. Like her older female relatives, she supported women's suffrage. During World War I, she supported the troops by gardening and by helping poor women in London's East End at The Charity Organisation Society. These efforts inspired Benson to write novels I Pose (1915) and This Is the End (1917). She took on a job at The University of California as a tutor, then as an editorial reader for The University Press. These experiences inspired her next work, The Poor Man (1922). Benson's writings kept coming, but her later works are not well known today. Goodbye, Stranger was written in 1926, followed by The Man Who Missed the Bus in 1928 and finally Tobit Transplanted in 1930, which won the Femina Vie Heureuse Prize. These were followed by two collections of short stories, Hope Against Hope (1931) and Christmas Formula (1932). She was also the author of Twenty (1918) and Living Alone (1919).

BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.

After his breakthrough with Ziggy Stardust and before his U.S. pop hits "Fame" and "Golden Years" David Bowie produced a dark and difficult concept album set in a post-apocalyptic "Hunger City" populated by post-human "mutants." Diamond Dogs includes the great glam anthem "Rebel Rebel" and utterly unique songs that combine lush romantic piano and nearly operatic singing with scratching, grungy guitars, creepy, insidious noises, and dark, pessimistic lyrics that reflect the album's origins in a projected Broadway musical version of Orwell's 1984 and Bowie's formative encounter with William S. Burroughs. In this book Glenn Hendler shows that each song on Diamond Dogs shifts the ground under you as you listen, not just by changing in musical style, but by being sung by a different "I" who directly addresses a different "you." Diamond Dogs is the product of a performer at the peak of his powers but uncomfortable with the rock star role he had constructed. All of the album's influences looked to Bowie like ways of escaping not just the Ziggy role, but also the constraints of race, gender, sexuality, and nationality. These are just some of the reasons many Bowie fans rate Diamond Dogs his richest and most important album of the 1970s.