Winifred Holtby S Social Vision

Winifred Holtby (1898–1935) is best-known today for her friendship with fellow feminist and pacifist Vera Brittain and for her last novel, South Riding. This is the first monograph to provide a literary criticism of Holtby’s social philosophy and presents in-depth readings of all her major works as well as some of her less well-known writing.

Winifred Holtby (1898–1935) is best-known today for her friendship with fellow feminist and pacifist Vera Brittain and for her last novel, South Riding. This is the first monograph to provide a literary criticism of Holtby’s social philosophy and presents in-depth readings of all her major works as well as some of her less well-known writing.

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Mary Robson is a young Yorkshire woman, married to her solid, unromantic cousin, John. Together they battle to preserve Mary's neglected inheritance, her beloved farm, Anderby Wold. This labour of love - and the benevolent tyranny of traditional Yorkshire ways - have made Mary old before her time. Then into her purposeful life comes David Rossitur, red-haired, charming, eloquent: how can she help but love him? But David is a young man from a different England, radical and committed to social change. As their confrontation and its consequences inevitably unfold, Mary's life and that of the calm village of Anderby are changed forever.

Winifred Holtby was a prolific journalist and writer whose most famous work South Riding is on many university courses. She was an active campaigner for several progressive causes during the inter-war period such as pacifism, feminism and most important to her, racial equality and harmony in South Africa. She was the subject of Vera Britain's Testament of Friendship. She was essentially a 'woman in her time' and yet could also be seen as an index to many of the progressive movements which were around in the pre-war days and in this sense she was indeed a 'clear stream'. Written in a wonderfully accessible style interspersed with excellent research as well as warmth from one born in the same district as Winifred herself this is the definitive biography of a woman ahead of her time.

Drawing on a rich array of archival sources and historical detail, The Politics of 1930s British Literature tells the story of a school-minded decade and illuminates new readings of the politics and aesthetics of 1930s literature. In a period of shifting political claims, educational policy shaped writers' social and gender ideals. This book explores how a wide array of writers including Virginia Woolf, W.H. Auden, George Orwell, Winifred Holtby and Graham Greene were informed by their pedagogic work. It considers the ways in which education influenced writers' analysis of literary style and their conception of future literary forms. The Politics of 1930s British Literature argues that to those perennial symbols of the 1930s, the loudspeaker and the gramophone, should be added the textbook and the blackboard.

Caroline Denton-Smyth is an eccentric, dressed in trailing feathers and jangling beads, peering out from behind her lorgnette. Sitting alone in her West Kensington bedsitter, she dreams of the Christian Cinema Company - her vehicle for reform. For Caroline sees herself as a pioneer, one who must risk everything for the 'Cause of the Right'. Her Board of Directors is a motley crew including Basil St Denis, upper crust but impecunious; Joseph Isenbaum, aspiring to society and Eton for his son; Eleanor de la Roux, Caroline's independent cousin from South Africa; Hugh Macafee, a curt Scottish film technician; young Father Mortimer, scarred from the First World War; and Clifton Johnson, a seedy American scenario writer on the make. Winifred Holtby affectionately observes the foibles of human nature in this sparkling satire, first published in 1931.