Greek Fiction

First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.

Prose fiction, although not always associated with classical antiquity, flourished in the early Roman Empire, not only in realistic Latin novels but also and indeed principally in the Greek ideal romance of love and adventure. Enormously popular in the Renaissance, these stories have been less familiar in later centuries. Translations of the Greek stories were not readily available in English before B.P. Reardon’s first appeared in 1989.Nine complete stories are included here as well as ten others, encompassing the whole range of classical themes: romance, travel, adventure, historical fiction, and comic parody. A foreword by J.R. Morgan examines the enormous impact this groundbreaking collection has had on our understanding of classical thought and our concept of the novel.

In this collection of Greek fiction written between the first and fourth centuries AD, 'Callirhoe' is the stirring tale of star-crossed lovers Chaereas and Callirhoe, torn apart when she is kidnapped and sold as a slave, while 'Daphnis and Chloe' tells of a boy and girl abandoned at birth, who grow up to fall in love and battle pirates. Greek Fiction - also containing 'Letters of Chion', an early thriller about tyranny and a political assassination - is a fascinating glimpse into an alternative view of Ancient Greece's literary culture.

'One of the greatest historical novels ever written' SARAH WATERS 'I love to find queer representation in historical fiction. . . Renault's eye for intimacy is amazing' DOUGLAS STUART 'Fierce, complex and eloquent' MADELINE MILLER 'Mary Renault is a shining light' HILARY MANTEL *** A groundbreaking queer classic and powerful reimagining of the last years of Alexander the Great, told through the eyes of his lover. I thought, There goes my lord, whom I was born to follow. I have found a king. And, I said to myself, looking after him as he walked away, I will have him, if I die for it. Bagoas, abducted as a boy and sold as a eunuch, has been transported to the heart of the Persian court as courtesan to King Darius. But when the Macedon army conquers his homeland, Bagoas finds freedom at the hands of their golden young commander, whose name is already becoming a legend: Alexander. Their encounter sparks a passionate devotion that shapes the Persian boy's future - and deepens into a relationship that will sustain them both through assassination plots, political intrigue and the threat of Alexander's own restless ambition. This is a spellbinding tale of power, loyalty and loss - a vision of history transfigured by love. 'Nowhere else in fiction have Alexander's beauty and charisma blazed with such potency' TOM HOLLAND 'Passionate and captivating' SEÁN HEWITT 'All my sense of the ancient world - its value, its style, the scent of its wars and passions - comes from Mary Renault' EMMA DONOGHUE 'The Alexander Trilogy stands as one of the most important works of fiction in the 20th century' ANTONIA SENIOR, THE TIMES

A highly readable and beautifully illustrated re-telling of the most famous stories from Greek mythology. The Greek Myths contains some of the most thrilling, romantic, and unforgettable stories in all human history. From Achilles rampant on the fields of Troy, to the gods at sport on Mount Olympus; from Icarus flying too close to the sun, to the superhuman feats of Heracles, Theseus, and the wily Odysseus, these timeless tales exert an eternal fascination and inspiration that have endured for millennia and influenced cultures from ancient to modern. Beginning at the dawn of human civilization, when the Titan Prometheus stole fire from Zeus and offered mankind hope, the reader is immediately immersed in the majestic, magical, and mythical world of the Greek gods and heroes. As the tales unfold, renowned classicist Robin Waterfield, joined by his wife, writer Kathryn Waterfield, creates a sweeping panorama of the romance, intrigues, heroism, humour, sensuality, and brutality of the Greek myths and legends. The terrible curse that plagued the royal houses of Mycenae and Thebes, Jason and the golden fleece, Perseus and the dread Gorgon, the wooden horse and the sack of Troy--these amazing stories have influenced art and literature from the Iron Age to the present day. And far from being just a treasure trove of amazing tales, The Greek Myths is a catalogue of Greek myth in art through the ages, and a notable work of literature in its own right.

First published in 1994. Greek fiction has never been more popular. New approaches to ancient literature, and new courses in literature in translation, have made the ancient novel a fertile field for scholar and student alike. This volume extends the boundaries of the subject beyond the 'canon' of the romances properly called and examines Greek fic­tional writing in the widest possible context, including texts that are not nor­mally treated as novels, such as various kinds of sacred or quasi-historical texts. The editors hope to open up the definition of Greek fiction to further debate and to create cross-currents between scholars working in diverse fields.

The Greek novel occupies a special place in the debate on gender in antiquity, forcing us to ask why the female protagonists are such strong and positive characters. This book rejects the hypothesis of a largely female readership, and also sees a problem in ascribing this pattern to the reflection of a blanket improvement in the status of women. Katharine Haynes shows that the strong heroines are best understood not as an undistorted mirror on an improved social reality, but as a type of 'constructed feminine'. The book offers a wealth of fascinating insights into the kaleidoscopic world of male and female in the Greek novel, which will inform and illuminate the reader whatever the text being studied. The related issues of ethnicity and self-definition also explored will be of interest for all those working on ancient fiction or the culture of the Second Sophistic

While no member of the public could have missed the Greek crisis, it has been represented only by the refraction in journalism of the views of politicians, economists and international bureaucrats. The voice of artists, “the antennae of the race”, has been so far unheard. In specially commissioned essays by major Greek writers and critics which appear for the first time in any language, the reader of this book will find new insights into the crisis, its causes and its wider ramifications. It will interest not only students of Greece, but anyone concerned with the highly topical and intertwined issues of nationalism, historical memory, otherness, migration, and xenophobia. By being simultaneously a reflection on and a reflection of a society in deep crisis, this book also offers a model for future studies.