Hamza And Aliya Share The Ramadan Cheer

Wahhabism has been generating controversy since it first emerged in Arabia in the 18th century. In the wake of September 11th instant theories have emerged that try to root Osama Bin Laden's attacks on Wahhabism. Muslim critics have dismissed this conservative interpretation of Islam that is the official creed of Saudi Arabia as an unorthodox innovation that manipulated a suggestible people to gain political influence. David Commins' book questions this assumption. He examines the debate on the nature of Wahhabism, and offers original findings on its ascendance in Saudi Arabia and spread throughout other parts of the Muslim world such as Afghanistan and Pakistan. He also assesses the challenge that radical militants within Saudi Arabia pose to the region, and draws conclusions which will concern all those who follow events in the Kingdom. "The Wahhabi Mission and Saudi Arabia" is an essential reading for anyone interested in the Middle East and Islamic radicalism today.

A collection of sixty short stories by women writers from across the Arab world.

This original and multidimensional book brings a refreshing new approach to the study of the arts of the Middle East. By dealing in one volume with dance, music, painting, and cinema, as experienced and practiced not only within the Middle East but also abroad, Images of Enchantment breaks down the artificial distinctions--of form, geography, 'high' and 'low' art, performer and artist--that are so often used to delineate the subjects and processes of Middle Eastern artistic culture. The eighteen essays in this book cover themes as diverse as Bedouin dance, the music of Arab Americans, cinema in Egypt and Iran, Hollywood representations of the Middle East, and contemporary Sudanese painting. The contributions come from scholars and critics and from the artists themselves. Together, they present a wide-ranging and holistic view of the arts in their social, political, anthropological, and gender contexts. Contributors: Walter Armbrust, Farida Ben Lyazid, Kay Hardy Campbell, Virginia Danielson, Marjorie Franken, Sondra Hale, Carolee Kent, Hamid Naficy, Salwa Mikdadi Nashashibi, Anne K. Rasmussen, Selim Sednaoui, Simon Shaheen, Rebecca Stone, Chaïbia Talal, Karin Van Nieuwkerk, William Young, Sherifa Zuhur.

In this pioneering study, Hisham Aidi—an expert on globalization and social movements—takes us into the musical subcultures that have emerged among Muslim youth worldwide over the last decade. He shows how music—primarily hip-hop, but also rock, reggae, Gnawa and Andalusian—has come to express a shared Muslim consciousness in face of War on Terror policies. This remarkable phenomenon extends from the banlieues of Paris to the favelas of Rio de Janeiro, from the park jams of the South Bronx to the Sufi rock bands of Pakistan. The United States and other Western governments have even tapped into these trends, using hip hop and Sufi music to de-radicalize Muslim youth abroad. Aidi situates these developments in a broader historical context, tracing longstanding connections between Islam and African-American music. Thoroughly researched, beautifully written, Rebel Music takes the pulse of a revolutionary soundtrack that spans the globe.