Handbook Of Historic Ornament

Classic resource contains over 1,200 examples of ornamental and decorative design produced by many cultures over five millennia. Assyrian, Greek, Roman, Byzantine; European Renaissance, Baroque, Rococo; English furniture designs by Chippendale, Sheraton and Hepplewhite; French Empire; Nordic motifs; Chinese and Japanese material, much more. Royalty-free. 254 plates.

Hundreds of detailed illustrations depict painted pilasters from Pompeii, early Gothic stone carvings, a detail from a stained glass window in Canterbury Cathedral, more. Over 700 black-and-white illustrations, 16 plates of photographs.

Classic resource contains over 1,200 examples of ornamental and decorative design produced by many cultures over five millennia. Assyrian, Greek, Roman, Byzantine; European Renaissance, Baroque, Rococo; English furniture designs by Chippendale, Sheraton and Hepplewhite; French Empire; Nordic motifs; Chinese and Japanese material, much more. Royalty-free. 254 plates.

Reproduction of the original: A Manual of Historic Ornament by Richard Glazier

DigiCat Publishing presents to you this special edition of "A Manual of Historic Ornament" (Treating upon the evolution, tradition, and development of architecture and other applied arts. Prepared for the use of students and craftsmen) by Richard Glazier. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Originally published in 1899. EXCERPT FROM "A MANUAL OF HISTORIC ORNAMENT" THIS manual has been prepared with the three-fold object of giving an elementary knowledge of Architecture and Historic Ornament, of awakening a responsive and sympathetic feeling for the many beautiful and interesting remains of ancient and medi�val civilization, and lastly of directing the attention of students and craftsmen to the beauty, suggestiveness and vitality of the Industrial Arts of the past, and their intimate relation to the social and religious life of the people. The advantages to be derived by students and craftsmen from such a study are manifold, for, by a careful study of these arts, we may see the capabilities and limitations of material, the appropriateness and application of ornament, the continuity of line and form-yet with a marked diversity of enrichment and treatment-the interest and significance of detail, and the customs, myths and traditions of the past with their continuity of thought and expression. The illustrations, which have been chosen expressly for this work, are typical examples of each period or style and are produced in line as being the method best suited to the requirements of students, giving definition, emphasis and the constructive qualities of design rather than pictorial effect. In the appendix will be found a list of text books and works of reference, which may be studied with considerable advantage by students desiring further information upon this important subject.