Hard Light

"In Hard Light Michael Crummey retells and reinvents his father's stories of outport Newfoundland and the Labrador fishery of a half century ago. Speaking through generations of storytellers, he conjures a world of hard toil and heavy weather, shot through with stoicism, grim humour, endurance, and love."--publisher's website.

In Studio Anywhere 2: Hard Light, photographer and author Nick Fancher builds on the success of his previous book (Studio Anywhere: A Photographer’s Guide to Shooting in Unconventional Locations) as he continues to offer candid, practical, and valuable lessons on how to create successful and fresh photographs armed with only minimal gear, a resourceful mind, and a creative spirit. The heart and soul of Studio Anywhere 2: Hard Light resemble its predecessor, but this time Nick focuses his approach on hard light, demonstrating how to use it in innovative and flattering ways, working with subjects ranging from products to people. You’ll learn: • How to work with both available light (e.g., the sun) and manufactured light (such as inexpensive small flash) • How to shape, bounce, and manipulate your unmodified flash to get the results you want • The importance of proper light placement and ambient balance • How to create dramatic, intentional photographs with hard light • DIY techniques for making your own gobos and photo hacks (such as with a reflector) • How to incorporate colored gels into your work to create expressive and innovative imagery • Post-processing tricks and techniques that Nick uses to achieve the final look of the image Included in the book are behind-the-scenes photos, lighting diagrams, and Lightroom settings for every scenario, so the reader can follow along from idea through the shoot and on to the final edit. There is also a feature throughout the book called “Making a Scene” where, upon being presented with an “empty” scene, you’re challenged to figure out where you might place your subject and your light(s) in order to achieve a specific effect or result. At the back of the book, Nick shows you how he chose to tackle each scenario. The goal is to train yourself to look at the everyday, commonplace locations and scenarios you encounter and begin to see them full of photographic potential.

Skilful lighting involves a subtle blend of systematic mechanics and a sensitive visual imagination. It requires anticipation, perceptiveness, patience and know-how. But learning through practice alone can take a great deal of time. This book is a distillation of many years' experience, with advice and guidance that will bring successful results right from the start. Whether you are a student studying lighting techniques in the television, video and film media, or a professional lighting for the camera, this book will be an invaluable aid. Other members of the production team, including camera crews, designers and directors, will also find the information here interesting and useful. The book concentrates primarily on the fundamental principles of lighting in studios, on location and display, as well as single-camera, small unit production, improvised and economy lighting, and working with limited facilities. Emphasis is also placed on the safety aspects of working with lighting equipment. Lighting for Television and Film reflects the author's considerable experience of lighting techniques in BBC studios, his teaching and consultancy work. Gerald Millerson's analytical writings spring from a lifetime's personal experience in the medium, and from his teaching and engineering background. During his career with the BBC, he was primarily associated with studio operations in the Television Service. His lecturing background included courses in TV production at a number of American universities. His other books for Focal Press are Television Production, TV Scenic Design, Video Production Handbook and, in the Media Manuals series, Effective TV Production, Lighting for Video and Video Camera Techniques.

From bringing sunshine into cloudy day pictures to creating underwater effects, photographers can add realistic drama to their images with Photoshop. The techniques are all here, brilliantly illustrated and explained in this bestselling guide--now updated for the next version of Adobe Photoshop with new instructions and screen grabs. Find out about light sources; different types of light, such as candlelight and neon; manipulating light; and color temperature. Replicate classic studio lighting setups, and give portraits a touch of Hollywood glamour. Abundant information on shadows, projections, reflections, special effects, shortcuts for Mac and Windows, filters, and third-party plug-ins, make this is a must-have. "You'll be both inspired and informed with a new arsenal of techniques."--eDigitalPhoto "Higgins has written the comprehensive guide to creative lighting in the age of digital photography."--Digital Camera

Punk photographer Cass Neary, “one of noir’s great anti-heroes” (Katherine Dunn, author of Geek Love), rages back in the series that began with the award-winning novels Generation Loss and Available Dark. Fleeing Reykjavik and a cluster of cult murders, Cass lands in London to rendezvous with her longtime lover Quinn, a person of interest to both Interpol and the Russian mob. Only Quinn doesn’t show up. Alone in London and fearing the worst, Cass hooks up with a singer-songwriter with her own dark past, who brings her to the wrong party. Cass becomes entangled with the party’s host, Mallo Tierney, an eccentric gangster with a penchant for cigar cutters and neatly-wrapped packages, and a trio of dissolute groupies connected to a notorious underground filmmaker. Forced to run Mallo's contraband, Cass is suddenly enmeshed in a web of murder, betrayal, and artistic and sexual obsession that extends from London to the stark beauty of England’s Land’s End Peninsula, where she uncovers an archeological enigma that could change our view of human history―if she survives. Strobe-lit against an apocalyptic background of rock and roll, rave culture, fast drugs and transgressive photography, Hard Light continues the breathless, breathtaking saga of Cassandra Neary, “an anti-hero for the ages. We’d follow Cass anywhere, into any glittery abyss, and do.” [Megan Abbot, author of The Fever]

The story of Jackson C. Frank is tragic. The victim of a school fire in his youth, struggling with homelessness and mental illness throughout his life, half-blinded in old age before his death in 1999, Frank met continuous obstacles. And yet, he enjoyed a shining moment with the release of Jackson C. Frank on Columbia Records in 1965. The album would go on to be seen as one of the greatest folk albums of the decade - maybe of all time - and “Blues Run The Game,” the song, has become a standard covered by hundreds. Jim Abbott’s book is the result of research that took years, piecing together evidence, relations and apocryphal stories from Frank’s life. It is also part memoir, as Abbott cared for Frank through the final decade of his life. Their friendship was fraught with difficul- ties, which Abbott portrays with the honesty of a journalist. In doing so, he draws a portrait of a uniquely gifted songwriter, blessed with talent and besotted by demons. At 250 pages, Jim's memoir shows a flawed and caring individual whose struggle was best depicted in his songs.

A rigorous practical guide to photographic lighting techniques, complete with hands-on assignments Offering digital photographers a complete course in photographic lighting, this book covers everything from using flash systems and studio lights to working outdoors in bright or low-light conditions. Full-color examples show how the right lighting can enhance color, improve contrast, and open the door to new creative possibilities.

The Critical Practice of Film introduces film studies and production through the integration of criticism, theory and practice. Its approach is that of critical practice, a process that explores the integration and intersection between the critical analysis of films and the practical aspects of filmmaking. In other words, this book is both an introduction to the ways in which we watch films, as well as an introduction to how films are created. The more you know about how films are made, the more you can appreciate the artistry involved in a film. Author Elspeth kydd combines explorations of basic technical and aesthetic principles with extended analyses drawn from both classic and contemporary Hollywood and other world cinemas, including Battleship Potemkin (1927), Un Chien andalou (1929), Stagecoach (1939), Mildred Pierce (1945), Notorious (1946), Letter from an Unknown Woman (1948), Gentlemen Prefer Blondes (1953), Breathless (1959), Memories of Underdevelopment (1968), Star Wars (1977), Raiders of the Lost Ark (1981), Distant Voices, Still Lives (1988), The Matrix (1999), Amores Perros (2000), Gosford Park (2001) and The Lord of the Rings trilogy (2001–3). Also included is a range of exercises designed to stimulate critical and analytical thought and help to demystify the process of creative mediamaking. Assignments range in scale from simple storyboarding and narrative development exercises that may be explored with minimal technology, to more complex video projects that can be adapted to suit varying levels of technical skill. The Critical Practice of Film provides an accessible introduction to the theory and practice of film studies, integrating creative practice with critical and theoretical engagement to guide students towards an engaged form of creative expression and an active role as reviewer and critic. Beautifully presented, this ground-breaking text offers all students an integrated understanding of film criticism and production. Elspeth kydd is a Senior Lecturer in Film Studies and Video Production at the University of the West of England. She has taught, researched and published in film and television studies for nearly twenty years, as well as being an active documentary videomaker. This book developed from teaching integrated theory-practice film courses at universities in the US and UK.