Hare Hare What You Doing There

Trick cards, floating scarves, disappearing doves. Tim Swanson loves magic tricks. Someday he wants to be a real magician. Just like his all-time favorite performer, Amaz-O.But then Tim goes to see Amaz-O's show. And he finds out his idol is really just a total grump. That's when Tim decides to steal the bag of tricks. Amaz-O's bag of secret tricks. Scary tricks.Like the one with the multiplying red balls.And all those hissing snakes...

Body snatchers and grave robbers were the stuff of Victorian lore, but two real-life culprits took the crimes out of shadowy cemeteries and into criminal court. William Burke and William Hare aided Scottish surgeons competing for anatomical breakthroughs by experimenting on human corpses. As the duo evolved from petty theft to premeditated murder, they unwittingly brought attention to the medical practices of the era, leading to Burke’s death by hanging. This account not only explores the work of the resurrectionists, it reflects the nature of serial killers, 1820s criminal law, and Edinburgh’s early role as a seat of European medical research. Readers interested in the legal aspects of these crimes will find the trial testimony included to be a valuable resource.

A beautifully written coming-of-age novel nominated for the 2017 CILIP Carnegie Prize from an acclaimed literary voice. A lost boy. A dead girl, and one who is left behind. A village full of whispers and secrets. When the white hare appears, magical and fleet in the silvery moonlight, she leads them all into a legend, a chase. But who is the hunter and who the hunted? 'There's magic in Michael Fishwick's The White Hare, a haunting story of a troubled London teenager [and] a tender reflection on father-son relationships' EVENING STANDARD. 'Finely tuned prose, a rich sense of place, magical folklore elements, multi-dimensional characters, and a well-paced plot create a suspenseful contemporary tale of grief, retribution, and healing' KIRKUS, Starred Review. 'Myth, mystery, love and loss collide in an utterly gripping, deeply atmospheric, coming-of-age novel' THE BOOKSELLER.

This series contains what no other study guides can offer - extensive first-hand interviews with the playwrights and their closest collaborators on all of their major work, put together by top academics especially for the modern student market. As well as invaluable synopses, biographical essays and chronologies, these guides allow the student much closer to the playwright than ever before! In About Hare, Professor Richard Boon provides an in-depth study of one of the great post-war British playwrights. His study includes a rigorous analysis of Hare's work, as well as interviews with Hare and those who helped to put his work on stage, including Bill Nighy, Vicki Mortimer, Sir Richard Eyre, Lia Williams and Jonathan Kent. With the increasing interest in this major playwright, whose work attracts the very best of acting talent, this book is a timely publication for student and theatregoer alike.

This analysis of twenty published texts by David Hare employs definitions from contemporary semiotic literary theory as a means of describing typologies of political drama. By tracing the incorporation of stylistic devices from agitational propaganda (caricature, self-referentiality, the frisson between oral and visual signification) throughout the typologies, the study illustrates how each text subverts audience expectation based on established dramatic genres. The collection of texts is seen as inherently self-referential and politically subversive. At the centre of each typology is a protagonist who functions as a martyr to or parodic emblem of contemporary society. Consistently, the hermeticism of public institutions which represent the political status quo makes them immune from any form of individual protest from the Left or Right. In the satirical anatomy, the emblem of political dissent is coopted by involvement within the institution, or the stage is dominated by a conservative who controls the action. In the demythology, private individuals are seen as incapable of altering the public frame of history; but here private suffering subverts the collective mythology of the historical construct. In the martyrology, the emblem of dissent is associated with a moral virtue which is inimical to contemporary society, the audience's expectation of the triumph of the individual being subverted when he/she is expelled from the onstage world on the grounds of political ideology. It is only in the final typology, the conversion, that a conservative emblem is seen as directly influenced by such martyrdom, and the audience is provided with an actual example of political change. Thus, the study describes how each typology builds on the construction of the previous, and all generate from agitational propaganda.

Come join the fun as students take a submarine bus on a field trip to explore the ocean deep, in this wordless picture book from the creator of Field Trip to the Moon and Field Trip to Volcano Island. Come join the fun as students take a submarine bus on a field trip to explore the ocean deep, in this wordless picture book from the creator of Field Trip to the Moon! Students dressed in deep sea helmets travel to the ocean deep in a yellow school-bus submarine. When they get there, they frolic with fish, chase luminescent squid, and discover an old shipwreck. But when it's time to return to the submarine bus, one student lingers to take a photo of a treasure chest and falls into a deep ravine. Luckily, the child makes an unexpected friend-- a maybe-not-so-extinct sea creature called a Pleiosaur- that's happy to entertain the young explorer until the teacher returns. In his follow-up to Field Trip to the Moon, John Hare's rich, atmospheric art in this wordless picture book invites all children to imagine themselves in the story- a tale full of mysteries, surprises, and adorable aquatic friends. Named a LITA Golden Duck Picture Book A Junior Library Guild Selection

This memoir is the story of growing-up in a Norwegian-American family in the hard times that followed the great depression of 1929. It is much more than that, however, for it describes the many, often bewildering, changes in the relationship of a boy with his father. Alternating between the ecstatic heights of hero-worship and the heart-breaking disappointment that each disclosure of his father's very human faults brings about, the boy finds solace in books, fantasy, and trains. As he grows into adulthood, he learns to appreciate the difficult circumstances that constrict his parents' lives and their ways of surmounting them. In scenes both vigorous and tender, he experiences his father's willingness to sacrifice, materially as well as emotionally, in order to further his son's chances in life.