Harry The Opportunist

Money making is an art but unfortunately not everyone is able to master this art. There are some people who can make money out of every possible opportunity. Let's take a look at one short story about an individual named Harry. This person is a real opportunist; he can make money out of any and every situation!

A sympathetic, nuanced exploration of the fiction and turbulent life of this best-selling author A best-selling novelist in the 1930s, Irène Némirovsky (1903-1942) was rediscovered in 2004, when her Suite Française, set during the fall of France and the first year of German occupation, became a popular and critical success both in France and in the United States. Surviving in manuscript for sixty years after the author's deportation to Auschwitz, the work drew respectful attention as the voice of an early Holocaust victim. However, as remaining portions of Némirovsky's oeuvre returned to print, many twenty-first-century readers were appalled. Works such as David Golder and The Ball were condemned as crudely anti-Semitic, and when biographical details such as her 1938 conversion to Catholicism became known, hostility toward this "self-hating" Jew deepened. Countering such criticisms, Understanding Irène Némirovsky offers a sympathetic, nuanced reading of Némirovsky's fiction. Margaret Scanlan begins with an overview of the writer's life—her upper-class Russian childhood, her family's immigration to France, her troubled relationship with her neglectful mother—and then traces how such experiences informed her novels and stories, including works set in revolutionary Russia, among the nouveau riche on the Riviera, and in struggling French families and failing businesses during the Depression. Scanlan examines the Suite Française and other works that address the rise of fascism and anti-Semitism. Viewing Némirovsky as a major talent with a distinctive style and voice, Scanlan argues for Némirovsky's keen awareness of the unsettled times in which she lived and examines the ways in which even her novels of manners analyze larger social issues. Scanlan shows how Némirovsky identified with France as the center of culture and Enlightenment values, a nation where a thoughtful artist could choose her own identity. The Russian Revolution had convinced Némirovsky that violent liberations led to further violence and repression, that interior freedom required political stability. In 1940, when French democracy had collapsed and many seemed reconciled to the Vichy state, Némirovsky's idea of private freedom faltered—a recognition that her last work, Suite Française, for all its seeming reticence, makes poignantly clear.

This book builds upon the author’s extensive previous work on the movies, adopting a more comprehensive and inquisitive stance for the study of moving pictures as a cultural movement and ludenic innovation. It returns to earlier analysis and commentary on this new invention and recreation quickly termed “the movies”, and develops the initial impression of both moviegoers and observers that the movies appealed because they were fun. As such, the book examines the characteristics that made films so enjoyable, namely their use of magic, presentation of myth, and persistence of mnemonic recollection. The enduring appeal of moving pictures remains consistent, even though the medium has proliferated and diversified, so much so that now a good portion of the human race spends a great deal of time looking at moving pictures. The book is eclectic and exploratory, designed to urge consideration of moving pictures in this larger perspective as something that has changed and perhaps enriched the lives of many people, leaving inquirers the task of calculating the enormous significance and consequences of our motion picture experience for the conduct of our lives. Such an effort is not without merit, since it now seems quite clear that the whole world is watching.

A reference dictionary containing over 1,400 entries covering the period 1639-1660, including 625 biographies of English, Scots, and Irish rulers, politicians, soldiers, sailors, and philosophers, and over 300 battles and skirmishes.

The story of the most famous protest in sports history, written by one of the men who staged it.

The CWA Debut Dagger–winning author “racks up the tension and provides an excellent mystery with many twists and surprises along the way” (Promoting Crime Fiction). Should you trust your best friend with your life? Harry, Lucas and Guy were best friends when they were kids. But then they made a terrible mistake and their friendship shattered, forcing them to cut all ties. Years later, a man’s head is discovered in the woods, skinned and with the tongue cut out. The police call on Harry, a psychologist, to help with the case, and when it turns out the victim is his childhood friend Guy, old skeletons begin to surface. Then one of Harry’s clients goes missing. Forced into a desperate hunt to save the boy, Harry finds himself closing in on a shocking secret, a secret someone will do anything to keep safe . . . Phenomenal Praise for CJ Carver “A terrific page-turner.” —Harlan Coben, #1 New York Times bestselling author “Solid gold.” —Lee Child, #1 New York Times bestselling author “A gripping thriller, perfect for fans of Lee Child and Mason Cross.” —The Guardian “A top-notch thriller writer. Carver is one of the best.” —Simon Kernick, #1 international bestselling author “A page-turning thriller.” —Mick Herron, CWA Gold Dagger–winning author “Don’t expect to sleep, because this is unputdownable.” —Frost Magazine

For over a decade, the Harry Potter books have become ubiquitous early texts for children, and are also a popular choice for many adults. Indeed, an entire generation of children has now grown up in the midst of "Pottermania." But beyond the books, movies, web sites, and more, this significant cultural phenomenon also constitutes a powerful form of social text, and speaks volumes about the intersections of ideology, popular culture, and childhood. Critical Perspectives on Harry Potter provided the first sustained analyses of the iconic status of the Potter books, bringing together scholars from various disciplines to examine the impact of the series. This thoroughly revised edition includes updated essays on cultural themes and literary analysis, and its new essays analyze the full scope of the seven-book series as both pop cultural phenomenon and as a set of literary texts. Critical Perspectives on Harry Potter, Second Edition draws on a wider range of intellectual traditions to explore the texts, including moral-theological analysis, psychoanalytic perspectives, and philosophy of technology. The Harry Potter novels engage the social, cultural, and psychological preoccupations of our times, and Critical Perspectives on Harry Potter, Second Edition examines these worlds of consciousness and culture, ultimately revealing how modern anxieties and fixations are reflected in these powerful texts. ("DISCLAIMER: This book is not authorized, approved, licensed, or endorsed by J.K. Rowling, Warner Bros. Entertainment Inc., or anyone associated with the Harry Potter books or movies.")

A crime baffles the Australian police a young woman washed ashore with unexplainable injuries as a cause for death. Her birth certificate lists Rollo, Kansas a town that no longer exists as her place of origin. Well? the head of security asks. What do you think we should do? Only one conclusion to draw, Han commented after they reviewed the report. Dont you agree? Master Li feared Hans overwhelming logical conclusion, one that threatens to bring down the newly formed World Psychic Organization a rogue. and not just any rogue, Han continued when Li did not respond, a serial killer with advanced psychic ability. Since he has evaded Master Lis detection, who knows where or when he will strike next? Li took in a deep breath and pushed his plate of Running Elks delicacies away. He lost his appetite. Hes ruthless, Han commented. You wont be able to stop him as you did the others. I know, I know, Master Li said as he rose and walked to the window. A dark cloud has descended over us, Han. This rogue represents the kind of threat weve always dreaded, he said as he gazed out at the cold February landscape. Psychic pitted against psychic in a duel to the death Please visit: www.williamstolley.com for additional plot information and links to William L Stolleys other works in this series, Books I, II, and III in The Voices Saga, published by iUniverse Press.