Haunted City

In his new collection of ghost stories, Ian Gibbs combs the Terminal City for its spooks and apparitions, from Gastown to Grouse Mountain, West Van to New West. In his new collection of ghost stories, ghost-walk guide and podcaster Ian Gibbs investigates the greater Vancouver area in search of the city’s paranormal. These thirty stories cover more famous hauntings like Waterfront Station and the Orpheum Theatre as well as private houses and the apartments of friends and readers. Gibbs’s research style balances history, personal experience, and input from residents, employees, local mediums, and paranormal experts. Among others, you’ll learn about the footsteps at the Irish Heather the spirited tunnels at Riverview the pranksters of Hycroft Manor the haunted washrooms at the Alibi Room the ghost of Grace Ceperley at Fairacres Mansion the murmurings at the Cannery and “The Tall” and “The Small” of the Royal Crown Castle From Gastown to Grouse Mountain, West Van to New West, Gibbs combs the Terminal City for its apparitions and presents his findings in a conversational style that meets readers where they are, whether history enthusiast, interested skeptic, or supernaturally sensitive.

In almost every town in America there are places where strange things happen. The perfect companion to The International Directory of Haunted Places, this revised and updated edition of Haunted Places is both a fascinating and unusual travel guide as well as an indispensable casebook for those interested in the paranormal. From buildings and parks believed to have resident ghosts and poltergeists to areas where Bigfoot or UFO sightings are most frequently reported, Haunted Places will lead you to more than 2,000 sites of paranormal activity across the United States. Organized alphabetically by state, each entry is referenced to an extensive bibliography of sources-with descriptions, addresses, phone numbers, Web sites, and travel directions provided for all locations.

Haunted City explores the history of racial impersonation in Philadelphia from the late eighteenth century through the present day. The book focuses on select historical moments, such as the advent of the minstrel show and the ban on blackface makeup in the Philadelphia Mummers Parade, when local performances of racial impersonation inflected regional, national, transnational, and global formations of race. Mummers have long worn blackface makeup during winter holiday celebrations in Europe and North America; in Philadelphia, mummers’ blackface persisted from the colonial period well into the twentieth century. The first annual Mummers Parade, a publicly sanctioned procession from the working-class neighborhoods of South Philadelphia to the city center, occurred in 1901. Despite a ban on blackface in the Mummers Parade after civil rights protests in 1963–64, other forms of racial and ethnic impersonation in the parade have continued to flourish unchecked. Haunted City combines detailed historical research with the author’s own experiences performing in the Mummers Parade to create a lively and richly illustrated narrative. Through its interdisciplinary approach, Haunted City addresses not only theater history and performance studies but also folklore, American studies, critical race theory, and art history. It also offers a fresh take on the historiography of the antebellum minstrel show.

Before Alan Brown wrote Haunted Places in the American South, only the locals knew what was lurking in these locations. Slamming doors, eerie lights, and Confederate soldiers' ghosts kept some folks too scared to talk with outsiders. Above Peavey Melody Music in Meridian, Mississippi, children may be heard giggling and running down an abandoned hallway that turns icy cold. At the Jameson Inn in Crestview, Florida, an apparition appears on surveillance tapes after filling the lobby with sweet-smelling cigar smoke. Seldom told and rarely—if ever—printed stories such as these join tales from haunted inns, mansions, forests, ravines, and prisons to create Haunted Places in the American South. The book collects ghost stories from fifty-five historically haunted sites in Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Texas, and Virginia. Alan Brown gathered these stories from newspapers, magazines, museum directors, archaeologists, hotel managers, and many others who shared their disturbing experiences. Most of these stories have never appeared in book form, and some, such as the haunting of Peavey Melody Music, have never been published at all. Haunted Places in the American South differs from most other collections of southern ghost stories, for the featured sites include more than just haunted houses. Bridges, forts, governors' mansions, prisons, hotels, woods, theaters, cemeteries, and even a large rock are included as focal points for these tales. The book provides directions to the sites, notes, and a bibliography that will be useful to folklore scholars and to travelers seeking that cold and creepy brush with the supernatural.

Describes over 2,000 sites of supernatural occurances in the United States, including places visited by ghosts, UFOs, and unusual creatures.

The states are full of haunted mansions, jails, courthouses, hotels and homesteads. Phantom hitchhikers, headless engineers, and unending battles abound. Let Ghost to Coast Tours and Haunted Places tell you who, what, and where the ghosts and haunted places are, and help you find the tours that will lead you to them in every state from Alabama to Wyoming.

Featuring new listings and new information on existing haunts, thhis book offers supernatural tourists a guide to points of interest through the eyes of the world's leading ghost hunters.

Describes paranormal activity at haunted locations from the Ballygally Castle Hotel in Ballgally, Ireland to Hibbing High School in Hibbing, Minnesota.