Haunting History

This book argues for a deconstructive approach to the past by looking at deconstruction's impact on American historians and then presenting an alternative hauntological theory and method of history influenced by, but not beholden to, the work of Jacques Derrida.

A light-hearted local history that is unmistakably Mike McCardell.

From the notorious Lizzie Borden to the innumerable, haunted rooms of Sarah Winchester's mysterious mansion this offbeat, insightful, first-ever book of its kind explores the history behind America’s female ghosts, the stereotypes, myths, and paranormal tales that swirl around them, what their stories reveal about us—and why they haunt us . . . Sorrowful widows, vengeful jezebels, innocent maidens, wronged lovers, former slaves, even the occasional axe-murderess—America’s female ghosts differ widely in background, class, and circumstance. Yet one thing unites them: their ability to instill fascination and fear, long after their deaths. Here are the full stories behind some of the best-known among them, as well as the lesser-known—though no less powerful . . . Tales whispered in darkness often divulge more about the teller than the subject. America’s most famous female ghosts, from ‘Mrs. Spencer’ who haunted Joan Rivers’ New York apartment to Bridget Bishop, the first person executed during the Salem witchcraft trials, mirror each era’s fears and prejudices. Yet through urban legends and campfire stories, even ghosts like the nameless hard-working women lost in the infamous Triangle Shirtwaist Factory fire —achieve a measure of power and agency in death, in ways unavailable to them as living women. Riveting for skeptics and believers alike, with humor, curiosity, and expertise, A Haunted History of Invisible Women offers a unique lens on the significant role these ghostly legends play both within the spook-seeking corners of our minds and in the consciousness of a nation. Afterword by Bram Stoker Award-winning author Linda D. Addison “An absolute must-buy for the spooky people of the world . . . utterly brilliant.” —Mallory O'Meara, bestselling author of The Lady from the Black Lagoon and Girly Drinks “If this book doesn’t leave with you a sense of wonder and a healthy dose of goosebumps, check your pulse—you may already be among the spirits.” --Marc Hartzman, author of Chasing Ghosts: A Tour of Our Fascination with Spirits and the Supernatural

From that cheerful puff of smoke known as Casper to the hunkiest potter living or dead, Sam Wheat, there is probably no more iconic entity in supernatural history than the ghost. And these are just recent examples. From the earliest writings such as the Epic of Gilgamesh to today’s ghost-hunting reality TV shows, ghosts have chilled the air of nearly every era and every culture in human history. In this book, Lisa Morton uses her scholarly prowess—more powerful than any proton pack—to wrangle together history’s most enduring ghosts into an entertaining and comprehensive look at what otherwise seems to always evade our eyes. Tracing the ghost’s constantly shifting contours, Morton asks the most direct question—What exactly is a ghost?—and examines related entities such as poltergeists, wraiths, and revenants. She asks how a ghost is related to a soul, and she outlines all the different kinds of ghosts there are. To do so, she visits the spirits of the classical world, including the five-part Egyptian soul and the first haunted-house, conceived in the Roman playwright Plautus’s comedy, Mostellaria. She confronts us with the frightening phantoms of the Middle Ages—who could incinerate priests and devour children—and reminds us of the nineteenth-century rise of Spiritualism, a religion essentially devoted to ghosts. She visits with the Indian bhuta and goes to the Hungry Ghost Festival in China, and of course she spends time in Mexico, where ghosts have a particularly strong grip on belief and culture. Along the way she gathers the ectoplasmic residues seeping from books and film reels, from the Gothic novel The Castle of Otranto to the 2007 blockbuster Paranormal Activity, from the stories of Ann Radcliffe to those of Stephen King. Wide-ranging, informative, and slicked with over fifty unearthly images, Ghosts is an entertaining read of a cultural phenomenon that will delight anyone, whether they believe in ghosts or not.

This book argues for a deconstructive approach to the practice and writing of history at a moment when available forms for writing and publishing history are undergoing radical transformation. To do so, it explores the legacy and impact of deconstruction on American historical work; the current fetishization of lived experience, materialism, and the "real;" new trends in philosophy of history; and the persistence of ontological realism as the dominant mode of thought for conventional historians. Arguing that this ontological realist mode of thinking is reinforced by current analog publishing practices, Ethan Kleinberg advocates for a hauntological approach to history that follows the work of Jacques Derrida and embraces a past that is at once present and absent, available and restricted, rather than a fixed and static snapshot of a moment in time. This polysemic understanding of the past as multiple and conflicting, he maintains, is what makes the deconstructive approach to the past particularly well suited to new digital forms of historical writing and presentation.

A History of Moonville, Ohio and a Collection of its Haunting Tales, Revised Edition, is an updated version of a previous work the author had published back in 2008. This revised edition contains more detailed history about Moonville and its surrounding towns, such as Zaleski, on how they came to be, most notably that Moonville was named by the railroad after a general store proprietor rather than the man who had actually founded the town; and that Zaleski was named after a Polish/French financier who never came to America to see his namesake town. This revised edition also contains more haunting tales of what had happened to some of those who had lived and worked in this remote mining town in eastern Vinton County, Ohio, mainly covering those who had been involved in train accidents surrounding the still-standing tunnel as these trains came barreling through the area; plus, there are a few tales of murder as well. There are also a few light-hearted tales most notably that of a well-known English author who had passed through Moonville on his way to tour America back in the late 1860s as well as a story about some feisty sisters, in Athens, who took on the expanding railroad. There are human interest elements in all of this, most notably to me, is the story of the Dexters who had been enslaved in Virginia, escaping in the 1860s, having made their way to Moonville in order to live out their lives in freedom. This book is about preserving the history of a mining town that began back in the 1850s, thriving for nearly fifty years, before it began its long slide into history, though not completely forgotten, for it had been, once, a vital part of Ohios history, especially in the days leading up to the American Civil War; and that is why I wrote and revised this work - for Moonvilles history is a part of Ohios history.

Possessions asks why this region just outside New York City became the locus for so many ghostly tales, and shows how these hauntings came to operate as a peculiar type of social memory whereby things lost, forgotten, or marginalized returned to claim possession of imaginations and territories. Reading Washington Irving's stories along with an array of narratives from local folklore and regional writings, Judith Richardson explores the causes and consequences of Hudson Valley hauntings to reveal how ghosts both evolve from specific historical contexts and are conjured to serve the needs of those they haunt. These tales of haunting, Richardson argues, are no mere echoes of the past but function in an ongoing, contentious politics of place."The author traces changing versions of several ghostly tales that mutated over time to reflect local conditions and controversies as well as national political issues like abolitionism. Richardson shows that, thanks to the Hudson Valley's long history of settlement, the 'legendizing impetus' created by Washington Irving, and the area's established position as a tourist destination, it inspired at least three sometimes overlapping traditions of hauntings: the 'aboriginal' Dutch and Indian hauntings, the Revolutionary War hauntings, and industrial hauntings, which are traced in Maxwell Anderson's High Tor and T. Coraghessan Boyle's World's End."-J. J. Benardete, Choice

When Mark Spencer and his family moved into the beautiful old Allen House in Monticello, Arkansas, they were aware of its notorious reputation for being haunted. According to local lore, the troubled spirit of society belle Ladell Allen, who had mysteriously committed suicide in the master bedroom in 1948, still roamed the grand historic mansion. Yet, Mark remained skeptical—until he and his family began encountering faceless phantoms, a doppelganger spirit, and other paranormal phenomena. Ensuing ghost investigations offered convincing evidence that six spirits, including Ladell, inhabited their home. But the most shocking event occurred the day Mark followed a strange urge to explore the attic and found, crammed under a floorboard, secret love letters that touchingly depict Ladell Allen's forbidden, heart-searing romance—and shed light on her tragic end. This haunting true ghost story includes several photographs of the Allen House.