Head On Photo Awards 2021

A selection of some of the best Australian and international photography

"The funniest photographs of wildlife from around the world collected here in one ... book [intended] for animal lovers of all stripes"--

British photographer Tariq Zaidi presents a fashion subculture of Kinshasa & Brazzaville: La Sape, Societe des Ambianceurs et des Personnes Elegantes. Its followers are known as 'Sapeurs' ('Sapeuses' for women). Most have ordinary day jobs as taxi-drivers, tailors and gardeners, but as soon as they clock off they transform themselves into debonair dandies. Sashaying through the streets they are treated like rock stars - turning heads, bringing 'joie de vivre' to their communities and defying their circumstances.

This beautiful book celebrates the artistry of bird photography and showcases the best of the best. It accompanies an annual competition, Bird Photographer of the Year, which brings together the most outstanding examples of recent bird imagery. The Bird Photographer of the Year competition celebrates the artistry of bird photography, and this large-format book is lavishly illustrated to reflect this. A celebration of avian beauty and diversity, it is a tribute to both the dedication and passion of the photographers as well as a reflection of the quality of today's modern digital imaging systems. The book includes the winning and short-listed images from the sixth year of this annual competition, showcasing some of the finest bird photography and with a foreword by long-term birdwatcher, Bill Bailey. A proportion of the profits from the book goes directly to Birds on the Brink to support their conservation work. The advent of digital technology has revolutionised photography in recent years, and the book brings to life some of the most stunning bird photography currently on offer. It features a vast variety of photographs by hardened pros, keen amateurs and hobbyists alike, reflecting the huge diversity of bird enthusiasts and nature lovers which is so important in ensuring their conservation and survival.

Following in the outstanding success of the first edition, this wonderful celebration of landscape photography shortlists the winning photographs from the second Landscape Photographer of the Year competition. Take a view, the Landscape Photographer of the Year competition, is the brainchild of Charlie Waite, one of today's most respected ......

What They Saw: Historical Photobooks by Women, 1843 - 1999, 10×10 Photobooks' most recent "book-on-photobooks" anthology in its ongoing examination of photobook history, explores photobooks created by women from photography's beginnings to the dawn of the 21st century. Presenting a diverse geographic and ethnic selection, the anthology interprets the concept of the photobook in the broadest sense possible: classic bound books, portfolios, personal albums, unpublished books, zines and scrapbooks. Some of the books documented are well-known publications such as Anna Atkins' Photographs of British Algae: Cyanotype Impressions (1843-1853), Germaine Krull's Métal (1928) and Diane Arbus: An Aperture Monograph (1972), while other books may be relatively unknown, such as Alice Seeley Harris' The Camera and the Congo Crime (c. 1906), Varvara Stepanova's Groznyi smekh. Okna Rosta (1932), Eslanda Cardozo Goode Robeson's African Journey (1945), Fina Gómez Revenga's Fotografías de Fina Gómez Revenga (1954), Eiko Yamazawa's Far and Near (1962) and Gretta Alegre Sarfaty's Auto-photos: Série transformações-1976: Diário de Uma Mulher-1977 (1978). Also addressed in the publication are the glaring gaps and omissions in current photobook history-in particular, the lack of access, support and funding for photobooks by non-Western women and women of color. Paris Photo–Aperture Foundation Catalogue of the Year Award 2021 Kraszna-Krausz Photography Book Award 2022 Time Magazine 20 Best Photobooks of 2021

An exceptional publication, both alarming and poignant, that sheds light on unresolved racial injustices in the time of Black Lives Matter The Mississippi Delta has been called "The Most Southern Place on Earth," a region of layered histories that collide with each other on a daily basis. It's a place that defines America and Americans like no other part of the country - a culture entwined with slavery, poverty, and political and economic oppression. It is the land that gave birth to the creative genius of Muddy Waters and B.B. King, and to the horror of the Civil Rights-era murder of young Emmett Till. Shadows of Emmett Till seeks to probe that complex past: picturing the energy of a landscape that has bred both hatred and creativity, interrogating the whiteness that has always held power in its grip in a place that is predominantly Black, and observing the many ways the shadow of Till's murder still hangs over the Delta. This is work that breathes the Delta air and seeks to frame the region and its people in a 21st-century context, at a time when white America may be starting to finally come to terms with the sins of its past. It guides the viewer in an exploration of what the Delta was and what it now is. Along the way, one can see the past spill into the present punctuated with troubling parallels to George Floyd and so many others.

With a rising number of women throughout the world picking up their cameras and capturing their surroundings, this book explores the work of 100 women and the experiences behind their greatest images. Traditionally a male-dominated field, street photography is increasingly becoming the domain of women. This fantastic collection of images reflects that shift, showcasing 100 contemporary women street photographers working around the world today, accompanied by personal statements about their work. Variously joyful, unsettling and unexpected, the photographs capture a wide range of extraordinary moments. The volume is curated by Gulnara Samoilova, founder of the Women Street Photographers project: a website, social media platform and annual exhibition. Photographer Melissa Breyer's introductory essay explores how the genre has intersected with gender throughout history, looking at how cultural changes in gender roles have overlapped with technological developments in the camera to allow key historical figures to emerge. Her text is complemented by a foreword by renowned photojournalist Ami Vitale, whose career as a war photographer and, later, global travels with National Geographic have allowed a unique insight into the realities of working as a woman photographer in different countries. In turns intimate and candid, the photographs featured in this book offer a kaleidoscopic glimpse of what happens when women across the world are behind the camera.